Sentences with phrase «first paint layers»

She begins a work by covering the canvas with gradated colour, and in works like Menso, 2016, and Lya, 2016, these first paint layers are revealed in the final design, taking on a primacy, and in the case of Lüür, 2015, a three - dimensionality through painted shadows that lift the squirming form off the flat of the canvas and in to space.

I planned to do two layers and some distressing, so first I painted a layer of Old Ochre Chalk Paint ®.

Not exact matches

First and second grade paintings will lead you into third grade creation themes, where you will learn how to layer colors to achieve darkness, and how to bring color into form.

Experts have known about the hidden image since 1992, when the underlying layers of the painting were first probed using x-ray radiography.

Once dry, go over the first layer of paint one more time to make the paint less transparent.

If you want to add more paint in areas, let the first layer dry first.

Apply the first layer of paint onto the surface.

The first coat of paint was a light layer, and I allowed it to dry before working on the second coat.

By this point I had also painted the china cabinet in its first layer of paint — Annie Sloan Chalk Paint in Country Grey.

Step 2: To tie into the beach theme, I found these painted dishes that felt as whimsical as the tabletop I wanted to create, and they make for a perfect first layer because the pattern along the edging lends some new colors to the table!

I then used a foam brush to paint on the first layer (I mixed some of the white with the orange chalk paint to lighten it).

If you prime first and then want to distress the edges to create an aged look, you will see the white layer of primer show up on your painted surface.

If there is bleed through of the tannins or stain in the wood after one coat of chalk paint, you should use clear shellac over the surface first, let dry, then apply another layer of chalk paint.

Although it is painted as a show about rough bikers and drugs, once the first «layer» is removed (after several viewings) you are ultimately left with one of the best dramas on television.

First - time director Tom Ford paints his own portrait of A Single Man almost as if it were a piece of art — beautiful to look at, solitary and still, but with many layers of emotions hidden underneath.

There are schools that teach Tonal Value by having you paint first in monochrome or Grisaille, and then painting over this with layers of color.

The first thing that strikes you when looking at a John Copeland painting is the gloriously thick layers of paint that makes up the image.

For his first ever public exhibition in NYC, Young will paint 288 panels of plywood in alternating colors of red, pink, orange and yellow fluorescent, finishing with an opaque coat of black paint to conceal the bright layers underneath.

At first glance they seem photo - realistic, but closer inspection reveals they are lush sculptured layers of paint.

While I haven't seen the show or experienced her paintings first hand, in photographs the work displays a range of sophisticated color palettes and color relations, layerings of transparent color, that match the work of some of the best colorists including mitchell, frankenthaler, matisse and deibenkorn.

alla prima is a painting technique done mostly in oils, in which the work is completed before the first layer of painting has dried up or is still wet, such as the «impressionist» technique or «Glaze (painting technique)».

Tracts of color are dragged across the canvas using a squeegee, so that the various strains of malleable, semi-liquid pigment suspended in oil are fused together and smudged first into the canvas, and then layered on top of each other as the paint strata accumulate to bring color and textural juxtapositions.

(The Enchantress, Heinrich Lossow) «Both you and paintings are layered... first, ephemera and notations on the back of the canvas.

Livingston's paintings are joyful in this way, allowing the viewer to first feel comfortable in approaching the compositions and then following a seemingly magical path of unknown shifts in one or several layers of color.

These paintings are the product of a labor - intensive process known as frottage, in which paint is first applied to the canvas before the artist methodically alternates between scraping off existing layers and adding fresh coats.

Alex Israel's Sky Backdrop (2016) depicts Los Angeles's wide skies in scenographic terms, while Mary Weatherford, showing her first large - scale painting since joining Gagosian, captures the shifting atmosphere of the Pacific coast, evoking the sky and sea in painted layers and glowing, neon light.

Commissioned for the Julis Romo Rabinowitz Building and the Louis A. Simpson International Building (formerly 20 Washington Road) at Princeton University, an intricately layered painting on glass and a sixty - six - foot - tall mosaic scroll are the first major public art commissions for Sikander.

Sheri Rush's first solo exhibition at Hyde Park Art Center, Portals of Discovery, features large - scale paintings which address the diminishing experience of nature, and specifically, the layers through which landscape is now viewed.

The artist first applies thick layers of oil paint in various colors, including burnt sienna, green, blue, and yellow, onto a white painted background, then uses her body to vigorously mix and sculpt the material until the once - vibrant pigments meld into a rich gray tone.

To amble through the artist's first Hong Kong solo exhibition is to observe 39 ways to amass objects, repeat shapes and layer paint.

In his first presentation with Gladstone, Williams uses inkjet printing, airbrushes, and oil paints to compress life's flotsam and jetsam into dizzying layered compositions.

Thomas's layered process of fragmentation, in which she begins with a photographic portrait and moves to collage and then on to painting, is the result of discreet borrowings from our twenty - first century language of mass culture.

The first would be a dense layer of colors woven together with a palette knife to form a dense gray or sequence of grays — a rich alloy closer in resonance to the subdued lyricism of early Brice Marden (the «Grove Group» of 1972 - 76, for example) than to the neutral or generic implacability of Gerhard Richter's gray paintings of the same era, but more enveloping than either.»

The concentric framing devices are painted first, then covered up while Commito adds the planer, fractured, layers that eventually form the «body» of the painting.

It was a Futura 2000 style scrape, Because we had the «Celluloid» covers, The Phase2, The Futura, there were those four records and it's Futura standing by one of his paintings with a scrape on it and we used to look at it and wonder how he'd done that, so I tried it... Just layered the paint down, scraped it and that was the first real abstract painting that I had done.

Including RC prints on panel, hand painted and layered with encaustic, photogravures and sculptures, The Architect's Brother is the first exhibition in depth in New York of their works, at the Jack Shainman Gallery.

Six assistants are at work on computers, or applying the first of many layers of paint to new works, or testing temporary tattoos for a new video, or preparing for a visit from a group of collectors.

By the late»70s, he was producing canvases in two stages, first covering the surface with a gestural layer of paint and then applying and glueing down collage pieces, cut from painted canvas.

JBB I would say that I start paintings with a vague idea of what I want - whether it's based on previous paintings I've made or something I've just seen in a museum, in the subway, or on the street - but this idea, this first layer, is almost never present in the final work.

APRIL 18 through MAY 23, 2015 Opening Reception: Saturday, April 18, 7 - 10PM Bermudez Projects is proud to present Nanci Amaka Beast, the artist's first solo exhibit in which she explores the aftermath of trauma, identity, memory and the liminal spaces between experience and language with richly - layered mixed media paintings, drawings and audience - involved performances as a -LSB-...]

Her first selection series, colorful abstractions, reaches architectural structures on paintings based on geometric lines, faced and layered fancy colors that have a space perception and a three dimensional effect, simultaneously.

In this quick - and - easy tutorial, Annie O'Brien Gonzales, author of Bold Expressive Painting, shares a fun process for your painting's first layer that will really get youPainting, shares a fun process for your painting's first layer that will really get youpainting's first layer that will really get you moving!

They are staggering because they move back the invention of abstraction from circa 1910, when Kandinsky was said to have set art on a new path with his first «non-representative» paintings, to 1861, when Houghton produced The Holy Trinity, a dark crisscrossing of red and blue lines up and down the paper that then go left to right, then down again in twists and spirals, and up once more in energetic slashes, a working and reworking of energy fields so layered and physical that it can accurately be described as action painting.

As part of the first generation of the New York School, Resnick has long been admired as a «painter's painter,» his thickly layered canvases originating from a purist notion of paint itself.

After he makes a few adjustments, he slowly drags huge squeegees fully loaded with white paint across the canvas — first vertically, then horizontally — a process that grows slower and increasingly laborious as the layers accumulate.

For five years, New York — based artist Gina Beavers has been scrolling through Instagram hashtags such as #foodporn, #sixpack, and #makeuptutorial, and working up the images she finds with bulky layers of acrylic so that her bulging, brittle, broad - brush paintings have a material heft that belies the intangible form in which she first encounters her sources.

The video — the only work in Rose's first show at Pilar Corrias — runs for roughly eight minutes and is a feast for the eyes, layering cut - out imagery from illustrated children's stories in a profusion of media and textures: there are clippings of half - tone printing, paintings, pencil sketches and digital pen drawings.

Shortly after, she made her first shooting paintings (Tirs), where capsules embedded in a layer of plaster were shot and exploded their paint across the work of art, like blood.

The first features the work of painter Jack Davidson: bright collaged pieces that layer materials such as paint, ink, digital elements and even gold leaf and record his journeys around Barcelona, Spain.

The five artists in the first session, which began January 3 and lasts until February 12, are Carrie Beckmann, a watercolorist who paints directly from nature and can normally be found working in the Conservatory; Danielle Durchslag, who is using cut and layered paper to represent Wave Hill's natural surroundings; Sabrina Gschwandtner, who has covered her studio floor with 16mm - film strips (some found stock and some she's shot at Wave Hill) that will be sewn together to create illuminated quilts; Nick Lamia, who is experimenting with plein - air drawings as a source for multi-dimensional abstractions; and Adam Parker Smith, who has been busily painting colorful, wall - sized assemblages of plants and flowers based on observations at Wave Hill.