Sentences with phrase «first permanent director»

Not exact matches

By the end of the year, some collections were already placed in new permanent homes, first - floor restrooms were renovated with a new entrance, and a new literacy office for English language - learners was unveiled on the second floor, said Brian Shepard, the library's director of operations.

So the first job of the panel, a working group of a permanent advisory body made up of NIH institute directors and prominent outsiders, will be to identify the connection between precollege activities and strengthening the pipeline and then define NIH's role in both spheres.

Sword Art Online Game Director Edition permanent mounting privilege] PS4 «Sword Art Online Re: - Hollow fragment -» was delivered in the product code [first inclusion privilege], which can be downloaded as «Hollow fragment,» «Lost Song» product code that costume can obtain

Prior to this, he was Associate Director for Art and Exhibitions and Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 to 1987.

In 2016 Keith was appointed as the first deputy director of exhibitions and programs at the California African American Museum, where she is responsible for directing the development and growth of the permanent collection, a dynamic exhibitions program and the Museum's research and scholarship.

In 2016, Keith, a Los Angeles native who holds degrees from Spelman College and UCLA, was named the first deputy director of exhibitions and programs at the California African American Museum (CAAM) in Los Angeles, where she oversees the permanent collection, exhibitions program and the museum's research and scholarship.

Alongside 260 pieces from the Fishers — the first trawl — will be not only the old permanent collection but hundreds of new works donated by the region's art collectors, as part of a special campaign led by the museum's director, Neal Benezra.

«In the 100 year history of the Legion of Honor,» says the director of the Fine Arts Museums of San Francisco in a press release, «this is the first exhibition to bring works by a contemporary artist into dialogue with a wide range of the Museum's permanent holdings.»

And if the Museum of Fine Arts, Houston's recent Degas retrospective marked the culmination of Gary Tinterow's first five years as director, the Blanton's newly reopened, reimagined permanent collection galleries do the same for Wicha's, whose ascension came with nothing like the fanfare that greeted her Houston counterpart.

They are: «Fritz Leddy, Part II» in the Moran Gallery; «Frank Wimberley: Winner of the 2010 Annual Guild Hall Artist Member Exhibition» in the Spiga Gallery; «John Berg» exhibitions around 95 album covers he helped create as Art Director for Columbia Records in the Wasserstein Gallery and «Abstraction: Selections from the Guild Hall Museum Permanent Collection» featuring first generation abstract expressionism artists including Jackson Pollock, Lee Krasner, Willem de Kooning, Ibram Lassaw and more.

«In the 100 year history of the Legion of Honor, this is the first exhibition to bring works by a contemporary artist into dialogue with a wide range of the Museum's permanent holdings,» states Max Hollein, director and CEO of the Fine Arts Museums of San Francisco.

«The Virginia Museum of Fine Arts is honored to share its Fabergé treasures with Beijing,» VMFA Director Alex Nyerges said, «and to be the first U.S. museum to exhibit works from our permanent collection at the Palace Museum.»

Mark Stephens CBE, Chairman of the Contemporary Art Society, said: «On behalf of the Contemporary Art Society and its Board of Trustees, we are absolutely thrilled that Caroline Douglas has agreed to join us as Director at such a pivotal time for the Contemporary Art Society, a year on from the launch of our new public programme and our first ever permanent exhibition space.

Its first exhibition, opening on November 1931 at 10 West 8th Street with Juliana Force as first Director, showcased works from the permanent collection which was developed under Mrs. Whitney's former Whitney Studio (1908), Whitney Studio Club (1914), and Whitney Studio Galleries (1928).

«Since the time Duncan Phillips first acquired the odd - numbered panels of Lawrence's series in 1942, «The Migration Series» has remained a cornerstone of our permanent collection and a force in our educational work with international communities,» said Director Dorothy Kosinski.

It comprises a dynamic installation from the Rose's permanent collection, including a number of works that even staff has never or rarely seen, as well as Bedford's first acquisitions as director.