Sentences with phrase «first permanent gallery»

He recently opened the Vito Schnabel Gallery, his first permanent gallery space, in the former Galerie Bruno Bischofberger building in St. Moritz, Switzerland.

Working independently as an art dealer for 18 years, he opened his first permanent gallery in Cork Street in 2006.

The support from the Nashville art community served as an impetus for Sherrick to open Sherrick and Paul, her first permanent gallery, and she couldn't imagine doing it anywhere else.

+ Vito Schnabel is opening his finally opening his first permanent gallery space... In the Alps.

And on December 28, 2015, just before New Year's Eve and the buzzing Holiday Season in the Swiss Alps, the New York - based art curator opened his first permanent gallery space, the Vito Schnabel Gallery in St. Moritz.

In opening his first permanent gallery next month — in St. Moritz — Vito Schnabel is leading with his friends — namely the Swiss artist Urs Fischer, who has not had a solo show in Switzerland since 2008.

When the curator and art dealer Vito Schnabel decided to open his first permanent gallery space last December, he chose St. Moritz over the art districts of Chai Wan, Chelsea or Wynwood.

And now the New York dealer Fergus McCaffrey is in on the act, opening the first permanent gallery on the Caribbean island of Saint Barthélemy.

She became the Virginia Museum's first curator of Ancient American Art in 2006 and opened the museum's first permanent galleries for Pre-Columbian and Native American art in 2010.

Not exact matches

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

In 1968, the Oklahoma Art Center, OKCMOA's predecessor, purchased the 154 - piece permanent collection of the Washington Gallery of Modern Art (WGMA), the first art museum in the nation's capital dedicated to the collection of contemporary art.

In 2013, the Gallery put down roots at its first permanent space on Arlington Way, Clerkenwell.

Untitled — Firth of Forth Series will go on display for the first time on 26 April at A-Z: An Alphabetical Tour of Scottish Art, a free exhibition to mark the opening of City Art Centre's newest permanent gallery space.

This includes exclusive use of both the Great Hall and Eleven, Walker Landing, and both the south and main lobbies, as well as access to all of the Museum's permanent collection galleries and the Temporary Exhibition Gallery for the first hour of your event.

The newly designed permanent collection spaces will open on March 16, marking the first reinstallation for the galleries since the museum opened in 2011.

VMFA opens its permanent early 20th - century European art galleries on May 4, showcasing French and German art from the first half of the 20th century.

Hauser & Wirth opened its first London gallery on Piccadilly in 2003 with an installation by Los Angeles - based artist Paul McCarthy and, in 2010, the gallery opened a second permanent space on London's Savile Row.

Other major donors include Atlanta artist and photographer Lucinda W. Bunnen, who gave an undisclosed amount to support the first dedicated photography gallery in the permanent collection space.

Jarhundert, USIA Exhibition, Amerika Haus, Berlin, West Germany 20th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME Northwest Masters, Seattle Art Museum, Seattle, WA Looking West, ACA Galleries, New York, NY California: Selections from the Permanent Collection of the Palm Springs Desert Museum, California, Art of Greater Victoria, British Columbia, Canada Abstract Expressionism: The First and Second Generatinos in the Albright - Knox Art Gallery, Buffalo, NY Birmingham Museum of Art, Birmingham, AL Inaugural Exhibition, Olin Art Gallery, Whitman College, Walla Walla, WA

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

When Both Members of This Club by George Bellows was placed on view at the National Gallery of Art in January 1945 at the behest of Gallery benefactor Chester Dale, it became the first significant work by an American modernist painter to be featured in the permanent collection.

With galleries on its first floor, Kemper East, located at the corner of 44th and Warwick, presents exhibitions drawn from the Museum's Permanent Collection.

In April, Pace Gallery opened a new permanent space in Palo Alto, while Larry Gagosian opened his first gallery in San Francisco — a 4,500 - square - foot space around the corner from the revamped Gallery opened a new permanent space in Palo Alto, while Larry Gagosian opened his first gallery in San Francisco — a 4,500 - square - foot space around the corner from the revamped gallery in San Francisco — a 4,500 - square - foot space around the corner from the revamped museum.

While «The Universal Adversary» is the first exhibition of this magnitude in the gallery, Ritchie has been working on an architectural scale for the last five years, beginning with Games of Chance And Skill in 2002, a permanent installation created for MIT, and to be followed this summer by Stare Decisis, a GSA - commissioned installation for a new Federal Courthouse in Oregon, designed in conversation with Pritzker prize - winning architect Thom Mayne.

As a painter of the Op Art movement, his first solo exhibition, «Optical Paintings,» opened on October 5, 1964 at the Terrain Gallery in New York, after which he exhibited a painting at the Museum of Modern Art's Responsive Eye show, which remains in MOMA's permanent collection.

First gaining notoriety in the early»90s with the exhibition Mining the Museum, in which he placed a whipping post from pre-Civil War America in a gallery and surrounded it with four ornate chairs — all from the permanent collection of the Maryland Historical Society.

In her first permanent public commission, 1993 Turner prize winner to create huge frieze above gallery doors

«For the first time in the history of this museum, we actually have galleries dedicated to the permanent collection,» Ms. Sultan said.

Author of Medicines To Help Us (Gabriel Dumont Institute, 2007) and Beadwork (Ningwakwe Learning Press, 2010), Christi's work is found within the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, Gabriel Dumont Institute, the Indian and Inuit Art Collection, Parliament Hill, the Thunder Bay Art Gallery and Canadian Museum of Civilization, First People's Hall.

The first garden typology is one of the most appreciated by museums» visitors; sculpture gardens are green spaces where art museums create real open - air permanent or semi-permanent galleries, often of outstanding quality.

In the first of this three - part podcast, produced on the occasion of the exhibition, Gallery curator Arthur Wheelock talks to Leyster scholar Frima Fox Hofrichter about the range of Leyster's work, beginning with her renowned Self - Portrait, c. 1632 - 1633, from the Gallery's permanent collection.

2000 Michael Rosenfeld Gallery: The First Decade, Michael Rosenfeld Gallery, New York, NY Anatomically Incorrect, Museum of Modern Art, New York, NY True Grit: Seven Female Visionaries before Feminism, Michael Rosenfeld Gallery, New York, NY; Mills College Art Gallery, Oakland, CA; Boise Museum of Art, Boise, ID; Marsh Art Gallery, University of Richmond, Richmond, VA; Farnsworth Art Museum, Rockland, ME; El Paso Museum of Art, El Paso, TX; Newcomb Art Gallery, Tulane University, New Orleans, LA; Center for the Visual Arts, Metropolitan State College, Denver, CO The Mills College Art Museum Permanent Collection: 75th Anniversary Exhibition, Mills College Art Museum, Oakland, CA Made in California: Art, Image and Identity, 1900 - 2000, Los Angeles County Museum of Art, Los Angeles, CA Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, San Francisco, CA 2000 Collector's Show, Arkansas Art Center, Little Rock, AR

This first poster poem in the series will be freely distributed from the April 28 launch event onwards at the Whitechapel Gallery, and a framed copy will remain on permanent display there until July 2011.

Sous Les Etoiles Gallery is delighted to announce the first permanent public art installation by French artist and photographer Georges Rousse.

In a clever move on MoMA's part, you can see out from the show to an early Frank Stella painting in the museum's permanent collection galleries; Mr. Stella was the first American artist to make shaped canvases, in 1960.

The Vancouver Art Gallery has added major works by renowned Vancouver - based artist Jeff Wall, Chinese artist Song Dong and noted First Nations artist Lawrence Paul Yuxweluptun to its permanent collection.

Newark Museum curator Christa Clarke and Bisi Silva discuss issues of curatorial practice in conjunction with the opening of a new gallery devoted to contemporary arts of Africa from the Museum's permanent collection, the first such gallery in the country.

One, «Alex Katz: Collages» at Colby College in Waterville — whose impressive art gallery has a large permanent Katz wing — is said to be the first comprehensive survey of this group of intimate - scale paste - ups, done very early in his career.

The Scottish Modern Art Gallery's new retrospective is his first UK show in two decades, and begins spectacularly in the grounds, where the bright yellow - painted bronze «Declination» (2004), a huge bottle form metamorphosed in combination with other vessels into an abstract push - and - pull dynamic, echoes the twisting energy - plus - elegance of Charles Jencks's permanent landscape spiral.

This October, five of those works have been installed for the first time within the permanent collection galleries of Tate Modern.

The Zabludowicz Collection in London has opened a free and permanent virtual - reality gallery — the first space of its kind in the city, reports Aimee Dawson of the Art Newspaper.

And if the Museum of Fine Arts, Houston's recent Degas retrospective marked the culmination of Gary Tinterow's first five years as director, the Blanton's newly reopened, reimagined permanent collection galleries do the same for Wicha's, whose ascension came with nothing like the fanfare that greeted her Houston counterpart.

They are: «Fritz Leddy, Part II» in the Moran Gallery; «Frank Wimberley: Winner of the 2010 Annual Guild Hall Artist Member Exhibition» in the Spiga Gallery; «John Berg» exhibitions around 95 album covers he helped create as Art Director for Columbia Records in the Wasserstein Gallery and «Abstraction: Selections from the Guild Hall Museum Permanent Collection» featuring first generation abstract expressionism artists including Jackson Pollock, Lee Krasner, Willem de Kooning, Ibram Lassaw and more.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Since a museum's schedule is booked years in advance, Grynsztejn won't get to organize her first big show until spring 2004, a retrospective of American postminimalist Richard Tuttle, though she has just installed an unstretched shaped canvas by Tuttle in the permanent galleries next to the Smithson.

Architecture In collaboration with the Royal Institute of British Architects, the V&A have opened the first permanent UK gallery featuring the history of architecture, complete with displays of models, photographs, elements from buildings and original drawings.

In 2003, Graham unveiled his first permanent project in London, Waterloo Sunset at the Hayward Gallery, 2002 - 2003, a large glass structure on the Hayward roof overlooking the Thames.

Presented in seven separate themed shows, the permanent galleries present around 85 artworks — nearly all exhibited for the first time in the new building.

This coming March, Steinkamp's major work Loop, from the Corcoran Gallery of Art's permanent collection, will be installed at the museum in Washington D.C. for the first time since 2000.

Hers was the first gallery to exhibit Aboriginal art in Europe, and her Conway Street space houses a permanent collection today.