Sentences with phrase «first photograph in the exhibition»

From the first photograph in the exhibition - Palermo (Giardini Inglese)(2013), a photograph of a neoclassical statue in an empty room - to the last - Palermo (Frangiai)(2013), a photograph of a parked car - the objects in the photographs serve as iconic reminders of the inexorable passage of time.

Not exact matches

After a year there, I expressed a desire to curate, so I planned my first exhibition, Berenice Abbott's Circle, which was of photographs Berenice Abbott took of her fabulous friends in Paris in the early 1900's.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

For his first solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection of new works from Looking Up in Osaka, a series comprising of over 300 photographs of utility poles and cables taken...

Family Portrait, Aneta Bartos's first exhibition with Postmasters Gallery, delves into the artist's relationship with her father, a former bodybuilder living in central Poland, with photographs full of vigor and vulnerability.

Organized by the Stuttgart - based Institut für Auslandsbeziehungen (IFA) and featuring more than 200 photographs spanning 1986 to 2017, as well as installations, video works, and publications, this is the artist's first exhibition in Africa.

Of particular focus is Giacometti's studio practice, which is examined through rarely seen plaster sculptures that highlight the artist's working process, in addition to historical photographs documenting his relationship with the Solomon R. Guggenheim Museum — which hosted the artist's first US museum exhibition, in 1955 — and with New York City.

As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.

First shown in London at Autograph ABP, this exhibition examines images of blacks in 19th and 20th century Britain and features a recently discovered cache of more than 200 photographs, most of which have never been exhibited or published before.

The exhibition includes Simmons's first chalk drawings on blackboards done in the artist's «erasure» technique along with sculptures, paintings, photographs and a 1992 wall drawing not seen since it's first presentation at the Drawing Center.

This is the first New York exhibition of the photographs, in keeping with the gallery program of focusing on undiscovered bodies of work.

For this exhibition, Erizku is presenting for the first time a series of photographs he took in 2013 in Addis Ababa, the capital of his native Ethiopia.

As demonstrated in the exhibition's 1972 portrait of Warhol, he began by appropriating commercially printed imagery, and it was not until the early 1970s that he took his first photographs with a Polaroid camera.

Representing Peter Beard's first U.S. museum solo exhibition in 15 years, the show presents more than 50 multi-layered collages, drawings, photographs, and diaries from the 1960s to the present, some on public view for the first time.

In addition, there are a number of special projects of note being presented at 1:54: the first major solo show in the UK of Malian photograph Malick Sidibe (1936 - 2016), who died in April; «The Arab Spring Notebook» by Sudanese artist Ibrahim El - Salahi; and a special exhibition by Addis Photo Fest, which was established by Ethiopian photographer Aida MuluneIn addition, there are a number of special projects of note being presented at 1:54: the first major solo show in the UK of Malian photograph Malick Sidibe (1936 - 2016), who died in April; «The Arab Spring Notebook» by Sudanese artist Ibrahim El - Salahi; and a special exhibition by Addis Photo Fest, which was established by Ethiopian photographer Aida Mulunein the UK of Malian photograph Malick Sidibe (1936 - 2016), who died in April; «The Arab Spring Notebook» by Sudanese artist Ibrahim El - Salahi; and a special exhibition by Addis Photo Fest, which was established by Ethiopian photographer Aida Mulunein April; «The Arab Spring Notebook» by Sudanese artist Ibrahim El - Salahi; and a special exhibition by Addis Photo Fest, which was established by Ethiopian photographer Aida Muluneh.

Organized by FotoFocus Artistic Director and Curator, Kevin Moore, Roe Ethridge: Nearest Neighbor is the artist's first solo museum exhibition in the United States and will present over 15 years of photographs drawn from Ethridge's comprehensive body of work.

An exhibition at Dulwich Picture Gallery is the first major retrospective of this elusive artist in the UK and showcases more than ninety of his works, including oil paintings, watercolours, drawings, and photographs.

In the exhibition, which was first shown in New York at the prestigious Cue Foundation in September before traveling to Atlanta, the artist presented a straightforward chronicle of her life, having photographed herself daily for 35 years and arranging these works in lines or gridIn the exhibition, which was first shown in New York at the prestigious Cue Foundation in September before traveling to Atlanta, the artist presented a straightforward chronicle of her life, having photographed herself daily for 35 years and arranging these works in lines or gridin New York at the prestigious Cue Foundation in September before traveling to Atlanta, the artist presented a straightforward chronicle of her life, having photographed herself daily for 35 years and arranging these works in lines or gridin September before traveling to Atlanta, the artist presented a straightforward chronicle of her life, having photographed herself daily for 35 years and arranging these works in lines or gridin lines or grids.

As one of the three artists who comprised Renaud's first exhibition in 2002, Deschenes has presented significant and distinct bodies of new work with each incarnation: Blue Screen Process (2002), Black and White (2003), and for this exhibition, a new body of works that stem from the photographs recently exhibited in Bracket (London) at Campoli Presti.

Ranging from his earliest photographs of Los Angeles architecture begun in 1975 to his most recent inkjet prints incorporating dance and architecture, «Choreograph,» the exhibition presents for the first time Welling's two «glass house» projects together — buildings by Philip Johnson and Pierre Chareau and Bernard Bijvoet.

The photographs have appeared previously in a group show and for the first time will be featured in a solo exhibition next month at Residency Art in the Inglewood neighborhood of Los Angeles (Oct. 1 - Nov.

The first section of the exhibition displays photographs, paintings and films in which the stolen or missing object becomes the scene or evidence of a crime.

He had his first retrospective at the Solomon R. Guggenheim Museum, New York, in 1971, followed by more than one hundred one - person exhibitions, including Dia Art Foundation (1983); «John Chamberlain: Sculpture, 1954 — 1985,» Museum of Contemporary Art, Los Angeles (1986); Staatlich Kunsthalle Baden - Baden (1991); «John Chamberlain: Sculpture,» Stedelijk Museum, Amsterdam (1996); «John Chamberlain: Foam Sculptures (1966 — 79) and Photographs (1989 - 2004),» Chinati Foundation, Marfa, Texas (2005 — 06); and «John Chamberlain: American Tableau,» Menil Collection, Houston (2009).

Tate Modern expands the scope of the investigation to include the years pre - and post-1917 (from the first revolution of 1905 to the death of Stalin in 1953), showcasing rarely - seen posters, photographs, and other graphic works, while at the British Museum, an Art Fund supported exhibition explores how Russia and other communist states radically restructured their economies to reflect Marxist ideology.

While best known for his seminal series The Americans (1958), the exhibition at Bowdoin brings together a selection of nearly 50 rarely seen photographs from 1947, the year the artist first moved to the United States from Switzerland, to 1961, when he was featured in his first major museum exhibition.

Stout's career to date boasts an impressive array of highlights including her fantastical «Bedroom Curio» exhibition at Design Miami 2015, which was photographed by Juergen Teller for a Barney's Rick Owens campaign; a furniture collaboration with Bjarne Melgaard for his installation at the 2014 Whitney Biennial; winning the first season of HGTV's series «Ellen's Design Challenge» in 2015; being listed in Forbes «30 Under 30» in 2017; and collaborating with Jeremy Scott on his F / W 2018 collection.

Of Nancy Crampton's first solo exhibition in 1976, Janet Malcolm wrote in The New Yorker: «The image of a writer, painter or musician that becomes fixed in the public imagination is often the result of a single, strong photograph....

Representing the artist's first U.S. museum solo exhibition in 15 years, «Peter Beard: Last Word From Paradise» presents more than 50 multi-layered collages, drawings, photographs, and diaries from the 1960s to the present, some on public view for the first time.

In Photographs — her first exclusively photographic exhibition in New York — Hammond recontextualizes found images into imagined scenarios that are unique, uncanny, and oddly familiaIn Photographs — her first exclusively photographic exhibition in New York — Hammond recontextualizes found images into imagined scenarios that are unique, uncanny, and oddly familiain New York — Hammond recontextualizes found images into imagined scenarios that are unique, uncanny, and oddly familiar.

The Hermès Foundation and Aperture Foundation are pleased to present the exhibition In Good Time, the first mid-career survey of DuBois» photographs, curated by Cory Jacobs.

This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.

And so, in the exhibition you see everything from the first photographs ever made: from salt prints, to mixed media, photo - based videos that are behind me, which really have expanded the direction that artists are working today with the medium.

Our inaugural exhibition presents the photographs of a young artist, Xie Hong Dong, in his first exhibition in Beijing.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

Presented publicly for the first time in an accompanying special exhibition at the Deutsche Guggenheim in Berlin, this new work is shown alongside earlier pieces — both black - and - white photographs as well as transparencies mounted in light boxes — to create an ensemble that resonates formally and thematically.

In 1971, the Pasadena Art Museum organized the first major exhibition of Manuel Álvarez Bravo's photographs in the United StateIn 1971, the Pasadena Art Museum organized the first major exhibition of Manuel Álvarez Bravo's photographs in the United Statein the United States.

An exhibition that pays homage to the very first artists in residency in Qatar 15 years ago, it includes installations, photographs and videos of what Doha's inaugural art residences were like, introducing visitors to a part of Qatar's recent history that has never been shared so extensively before.

ARTIST REVEALS 13 - YEAR LAND ART PROJECT IN 13 COUNTRIES ACROSS 7 CONTINENTS 68 SPECTACULAR PHOTOGRAPHS UNVEIL MAJESTY OF SCULPTURES Andrew Rogers: Time and Space 18th Street Arts Center, Santa Monica: May 07 - 30, 2011 Australian artist Andrew Rogers announces the first exhibition devoted...

(Ryan McGinley, Long Interview for First Solo Exhibition in Japan: «Photographs that are Magical, Fantastic, and Timeless,» IMA Vol.1, Autumn 2012 issue)

In conjunction with the Lannan Foundation in Santa Fe, New Mexico, the Nevada Museum of Art presents a selection of approximately forty photographs from Sambunaris's body of work, marking the artist's first solo exhibition at a major American museuIn conjunction with the Lannan Foundation in Santa Fe, New Mexico, the Nevada Museum of Art presents a selection of approximately forty photographs from Sambunaris's body of work, marking the artist's first solo exhibition at a major American museuin Santa Fe, New Mexico, the Nevada Museum of Art presents a selection of approximately forty photographs from Sambunaris's body of work, marking the artist's first solo exhibition at a major American museum.

This exhibition by American artist Francesca Woodman includes five large - format photographs presented for the first time along with a selection of some 30 photographs from the key formative periods in Francesca Woodman's career - Boulder, Colorado; Providence, Rhode Island; Rome...

The NRW - Forum in Düsseldorf is opening the first retrospective exhibition of Joel Meyerowitz photographs in Germany.

Being exhibited for the first time are examples of Frank Thiel's newest photographs of Quinceañeras, photographed throughout Havana's fifteen municipalities, these works are from Thiel's forthcoming exhibition which opens at the gallery in New York on February 10.

In 1858, when it was still known as the South Kensington Museum, the V&A hosted the world's first exhibition of photography, consisting of 1,009 photographs contributed by members of the Photographic Society of London.

Many of Arden's earliest works from the middle of the 1980s, some of which appeared in his first solo exhibitions at artist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancouver.

This exhibition of 12 sculptures and numerous drawings and photographs by the Italian - born artist is prefaced by a new work, In Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptoIn Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptoin the accompanying catalogue credits Rosso as the first modern sculptor.

The first exhibition to focus exclusively on photographs made in the eastern half of the United States during the 19th century, East of the Mississippi: Nineteenth - Century American Landscape Photography showcases some 175 works — from daguerreotypes and stereographs to albumen prints and cyanotypes — as well as several photographers whose efforts have often gone unheralded.