Sentences with phrase «first photographic artist»

His idiosyncratic installation style and singular take on the world around him have captured the attention of art institutions internationally, with solo shows at venues including New York's MoMA PS1, Berlin's Hamburger Bahnhof and recently London's Tate Modern, as well as winning him the Turner Prize in 2000: the first photographic artist and the first non-British artist to do so.

On the one hand, Tillmans — first photographic artist to win the Turner Prize, nonpareil expander of his medium's horizons and reach in recent years, etc — was fresh from the triumph of Neue Welt.

Not exact matches

ARTISTS BIO: Touted as a «photographic child prodigy,» Indira Cesarine's first solo exhibition was at the age of 16 at the Paul Mellon Arts Center.

Jon Rafman (b. 1981) is a Montréal - born and based artist who, for his first major museum exhibition in Canada, has assembled a vast body of work in a variety of photographic works and video installations.

His work has been exhibited in a number of notable exhibitions, including at the Museum of Modern Art (Tbilisi, Georgia), National Portrait Gallery (London, UK) and the Yixian International Photography Festival (Anhui, China) among others.Awards and accolades include PDN's 30 2018, CENTER 2017 Choice Award Winner, Curator's Choice (First Place), the 2017 TAYLOR WESSING Photographic Portrait Prize (Finalist), and is the recipient of two Artist Initiative Grants from the Minnesota State Arts Board (2016, 2018).

Goodman Gallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional materials.

For the first time in the artist's career, these hitherto «passive» elements, observed exclusively in their photographic reproduction, now step into 3 - dimensional reality.

Artists Justine Kurland and Alec Soth (Weinstein Gallery) speak with «Aperature» Photobook Editor Denise Wolff about «The Open Road: Photography and the American Road Trip,» the first survey book to consider the American road trip as a photographic genre.

These eleven objects — plus five feathered floor mats, a photographic print, and an audio piece — comprise Sound Talisman, the first New York exhibition by Chicago - based artist and musician Lisa Alvarado.

In a series of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects of various shapes, textures and opacities onto photographic paper and captured their physical qualities through the optical traces they left on the light sensitive surface of the paper.

In a recent show at ISCP, the artist's first solo show in NYC, Kia Henda exhibited A City Called Mirage, a four - channel video installation and three photographic series that examines the conceptual underpinnings of building a city in the desert.

This extensively illustrated catalogue — the first comprehensive Reinhardt overview in 13 years — reproduces the artist's signature «black» paintings (his 60 x 60 inch canvases of the 1960s, which he considered to be his «ultimate» aesthetic expression, and «the last paintings that anyone can paint»), as well as his cartoons and photographic slide presentations.

As a co-founder of MediaVast Inc. (wireimage.com and contourphotos.com), the world's leader in celebrity, fashion and other photographic content, he managed and brought together hundreds of artists such as David La Chapelle and Terry Richardson, to a first - class delivery platform for premium photographic imagery.

At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.

These were the artist's first attempts to capture and repurpose mass media imagery, created by taking photographic images from newspapers and magazines and impressing them, in reverse, directly onto paper by hatching and rubbing with a dry pen nib.

Saudi artist Sami Al - Turki presents for the first time, works from his latest photographic series Barzakh», inspired by the artist's quest to find a home for himself in his own country.

Wearing's monumental photographic installation Rock «n» Roll 70 (2015) is a site - specific commission for the Sandra and Gerald Fineberg Art Wall, and the first presentation in Boston of the celebrated artist's work.

Jon Rafman (b. 1981) is a Montréal - born and based artist who, for his first major museum exhibition in Canada, has assembled a vast body of work in a variety of photographic works and video...

For their first joint exhibition Core, Mantle, Crust, the artists Johan Rosenmunthe and Markus von Platen have created a new series of sculptural and photographic works, along with a large - scale...

Lunn has been working with Takeshi Shikama since the beginning of his photographic career, providing the artist with his first group and solo shows in France and helping to develop his international exposure through various photography fairs.

Twofold, 2016, published by Sean Kelly and Hatje Cantz Verlag, featuring the first comprehensive survey of the artist's photographic diptychs, will accompany the exhibition and be available for purchase at the gallery.

In the first section, «Archaeologies of Knowledge,» artists re-contextualize pictures of solar phenomena from the nineteenth century to today, reflecting on the intertwined histories of photographic technologies and scientific inquiry.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

First Impression is an exhibition of contemporary work by artists employing arcane photographic methodologies resulting in unique, first - generation imaFirst Impression is an exhibition of contemporary work by artists employing arcane photographic methodologies resulting in unique, first - generation imafirst - generation imagery.

Artists Justine Kurland and Alec Soth (Weinstein Gallery) will speak with «Aperture» Photobook Editor Denise Wolff about «The Open Road: Photography and the American Road Trip,» the first survey book to consider the American road trip as a photographic genre.

As a practicing visual artist, Barry Ace's work has been included in numerous group and solo exhibitions, including: Emergence from the Shadows — First Peoples Photographic Perspectives, Canadian Museum of Civilization (1996: Ottawa); Urban Myths: Aboriginal Artists in the City.

Drawn from the MCA's extensive holdings of artist's correspondence, photographic documentation, catalogues, models, and exhibition materials, the work in Record Times ranges from the artists» multiple created for the MCA's first exhibition, Pictures to be Read / Poetry to be Seen (1967); to the Art by Telephone (1969) phonograph, which served as both the exhibition and catalogue for the exhibition; to diagrams, maquettes, and out - of - print exhibition catalogues.

13 Aug 2001 Shirin Neshat Exhibition at the Irish Museum of Modern Art The first exhibition in Ireland of the work of the internationally - acclaimed Iranian - born film and photographic artist, Shirin Neshat, opens to the public in the New Galleries at the Irish Museum of Modern Art on Wednesday 5 September 2001.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

The exhibition showcases ten local and international contemporary artists, many showing in Vancouver for the first time, whose works call into question how photographic images speak to us.

The Rauschenberg BMW 635 CSI Art Car - the sixth addition to BMW's collection of 15 Art Cars - is the first in which the artist used photographic methods to transfer images (including images of famous classical paintings) to the car.

Mr Doroshenko's plans also include an exhibition of Sam Taylor - Wood's latest photographic and film work, including her video portrait of David Beckham; a show of the early drawing and sculptures of Keith Haring, brought together for the first time; a residency from South African artist Candice Breitz; and exhibitions of the work of Yoko Ono and of German painter Gerhard Richter.

Gargash's first artist book titled Presence, is a photographic series which documents recently vacated houses and structures in the United Arab Emirates that have been abandoned or left for demolition.

Cheim & Read's new solo show of Adam Fuss's work, the first at the gallery since 2003, showcases the artist's iconic photographic images, most often created by flashing light toward a sensitized surface onto which objects have been arranged.

CAAM presents the first museum exhibition of the work of Los Angeles artist Genevieve Gaignard, who deftly uses installation, photographic self - portraiture, and sculpture to explore race, femininity, and class — and their various intersections.

TORBJØRN RØDLAND — THE TOUCH THAT MADE YOU, the artists's first exhibition in the United Kingdom, brings together photographic works from the last twenty years as well as Rødland's 2005 animated film 132 BPM.

Since 2008, the Mexican artist has been creating photographic cutouts in which the focal point of an image is stripped away to leave only a blank silhouette — first eliminating notable architectural sites from his own photographs, then later applying the same process to recognizable pieces of modern art.

Highlights include the most comprehensive presentation to date of work by artist Christopher Knowles; the first solo museum exhibition by Philadelphia painter Becky Suss; a new body of photographic work by Josephine Pryde; large - scale constructions, video, and performance by Los Angeles artist Rodney McMillian; and a comprehensive look at the five - decade career of Louise Fishman.

Presented at MoMA for the first time, these works by 19 artists are grounded in diverse photographic traditions, suggesting the creative fertility of the medium from 1960 to today.

Warhol was one of the first artists to see the photographic image as the subject of a work of art.

«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.

The Frye Art Museum is pleased to present the first solo museum exhibition of multi-award-winning Seattle artist Rodrigo Valenzuela, who has created a significant body of work since his first exhibition in the United States a mere four years ago; his video productions and photographic works have attracted increasing national attention.

The exhibition brings together the multi-media installation The Sound of Silence (2006); the artist's first film, Muxima (2005); and four photographic works: The Power of Words (1984), Searching for Africa in Life (1996), From Time to Time (2006) and Greed (2007).

However, from there came forth photographic and textual - based works, which of course gave rise to the first generation of conceptual artists like Lawrence Weiner, Joseph Kosuth, and a few other

Designed World is the first museum show of Peter Keetman (1916 - 2005) for 20 years, depicting not only the revolutionary industralised photographic works, but the poetic contributions that the artist made during the post-ward period, through movement studies and documentation of a seemingly shapeless, fragmented world.

With Monument Maschine, running from February 20 to May 1, 2016, the Württembergischer Kunstverein will be showing the first solo exhibition in Germany by the Spanish photographic artist, theorist, and curator Jorge Ribalta (b. 1963 in Barcelona).

Man Ray Portraits is the first major museum retrospective of this innovative and influential artist's photographic portraits.

Stefan Sehler PARKER»S BOX At first glance, Berlin - based artist Stefan Sehler's lush, intricate images appear to be photographic.

06 Feb 2003 Lorna Simpson at the Irish Museum of Modern Art The first solo exhibition in Ireland by the leading African - American photographic artist and filmmaker Lorna Simpson opens to the public at the Irish Museum of Modern Art on Wednesday 27 February 2003.

Klein's compositions are conceived through a negotiation between the artist's first - hand observation and photographic documentations capturing these precise moments.