Sentences with phrase «first portrait the artist»

It was the first portrait the artist had painted since 1983, after spending nearly two decades concentrating on his photography, landscape painting, and works on paper.

Not exact matches

Manuscripts, notes and first - edition copies that provide insight into Joyce's most renowned novels, including «Ulysses,» «Finnegans Wake» and «A Portrait of the Artist as a Young Man» will be displayed.

However, he instead attended First Minister's Questions at the Scottish Parliament in Edinburgh before going to the city's National Portrait Gallery where the painting by artists Gerald Burns was being unveiled.

The artist, Simmie Knox — who also did official portraits for then - President Bill Clinton and First Lady Hillary — recalled Howe giving guidance on how they wanted the painting done, but clammed up when he found out that the lobbyist was under a federal probe.

Mark Bridges, the BAFTA - winning costume designer for «The Artist,» was the first designer Rogien worked for, on the 2006 film «Fur: An Imaginary Portrait of Diane Arbus,» starring Nicole Kidman.

One of the first documented trans women to undergo genital reassignment surgery, Lili Elbe (Eddie Redmayne) was a successful landscape artist when she presented as male and married to portrait artist Gerda Wegener (Alicia Vikander).

Mateo (Amistad's Djimon Hounsou) is the portrait of the black Nigerian artist as a angry man, whose rage melts when the two Sullivan girls, on their first Halloween outing, nobly pound him out of his reclusive isolation and mystically connect his life spirit with theirs.

He's arrogant about such things... The first scenes of Mr. Turner prepare us for a portrait of the artist as a stunted human.

Leaning Into the Wind: Andy Goldsworthy Sixteen years after Thomas Riedelsheimer's first portrait of the visionary landscape artist, «Rivers and Tides: Andy Goldsworthy Working with Time,» became a national box - office hit through Roxie Releasing (and helped save the Roxie Theater in S.F.), the two reunite for an update.

Portrait of a Conspiracy by Donna Russo Morin My good friend Donna Russo Morin's first installment in the Da Vinci's Disciples series takes us on an irresistible headlong adventure: A ruthless assassination rocks Renaissance Florence to its core, and a secret sisterhood of women artists band together to save one of their own from the bloody reprisals.

Maisie's story, her account of that summer, of her family, of the strange house in which they live (it's a medieval Abbey, a former nunnery) and of the portrait an artist friend is painting forms the first part of the novel.

Or maybe a talented artist with empty pockets who can't paint their first portrait because they can't afford the tube of paint?

On June 15, 2016, WWE declared that at E3 2016, first roster reveal would be announced at 2K's booth by the portrait artist Rob Schamberger.

Spicer begins: «At least 20 years passed between the Spanish artists Bartolomé Esteban Murillo (1617 - 82) painting his first self - portrait and his second and, on the surface, they look strikingly similar.

Artists blended modern day stars» faces with portraits from the Gallery's room 1540, the first of its «Walk Through British Art».

Still, here in a self - portrait from 1940, is credited with being among the first artists to develop expressionist abstraction not based on geometry.

Chris Ofili portrait by Malick Sidibe in Oct. 6, 2014 issue of The New Yorker IN ADVANCE OF CHRIS OFILI»S first solo museum show in the United States, New Yorker writer Calvin Tompkins traveled to Trinidad where the artist lives and works.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

Family Portrait, Aneta Bartos's first exhibition with Postmasters Gallery, delves into the artist's relationship with her father, a former bodybuilder living in central Poland, with photographs full of vigor and vulnerability.

He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community, and an array of other unique people, many of whom were personal friends.

2015 Love: The First of the 7 Virtues, Hudson Valley Center of Contemporary Art, Peekskill, NY SELF: Portraits of Artists in their Absence, Curated by Filippo Fossati, National Academy Museum & School, New York, NY

The first section, for instance, is dedicated to the «portrait without a person» — exemplified by Marsden Hartley's Painting, Number 5, memorializing a German soldier and love of the artist with an array of personal ephemera (epaulets from the subject's uniform and a chessboard, in homage to his favorite pastime, among other objects and symbols).

The first major survey of Rivers» work in New York in over a decade, the exhibition includes Rivers» famous nude portrait of Frank O'Hara in boots, and highlights the artist's strong interest in appropriation as well as the broad range of inventive methods and materials he employed over the course of his career.

2003 The first European exhibition dedicated exclusively to portraits by the artist opens at the Fondazione Bevilacqua La Masa in Venice.

Homepage for the Chuck Close catalogue raisonnéArtifex Press, the first company dedicated to the production of digital catalogues raisonnés, celebrates the release of Chuck Close: Painting, 1967 - 2012, a searchable, sortable interactive web publication detailing the artist's iconic photo - based portraits.

The Palazzo Ducale in Mantova hosts Michelangelo Pistoletto's exhibition «Da Cittadellarte alla Civiltà dell» Arte», which explores the full range of the artist's practice over the past 60 years, from the first self - portraits, through to his celebrated mirror paintings, as well as his ongoing Terzo Paradiso project.

In a sprawling and somehow still tight and cogent show that included David Zwirner's 20th - street space and billboards across the city, the gallery's first co-representing the peerless conceptual artist's estate with his longtime dealer Andrea Rosen, nine installations covered his major series, including his text portraits, candy works, paper stacks, and more.

Some of the artists in the show often create portraits — but for others this is a new endeavor, and their very first portraits are being shown in this exhibition.

Across the way, viewers should be sure to see the work of Edward Mapplethorpe, the brother of Robert and a superb artist who is now best known for his extraordinary portraits of children on their first birthdays.

His first solo exhibition, at the Lefevre Gallery received critical acclaim in 1944, followed by a number of hallucinatory, finely - painted portraits that marked him as an artist to watch.

Zwelethu Mthethwa, the artist's long awaited first comprehensive monograph provides an overview of his work to date, and features the stunning portraits that have brought him international acclaim.

He took his first photographs using a Polaroid camera, and later became known for his portraits of artists, architects, socialites, stars of pornographic films, members of the S&M community and an array of other characters many of whom were personal friends.

2010 Schwager, Michael, Personal Identities / Contemporary Portraits, University Art Gallery Sonoma State University, November / December Schuster, Dana, A-List Artist, New York Post, 29 December Siverio, Ida, Kehinde's R - evolution, October, pp. 24 - 27 Watson, Simon, Kehinde Wiley, Whitewall Fall 2010, pp. 119 - 123 Halperin, Julia, Kehinde Wiley Now Represented in New York by Sean Kelly Gallery, New York Observer, 17 September Jackson, Brian Keith, A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China, Leap No. 03, pp. 86 - 93 PAFA's Summer Surprises and More, SanArt, 1 August Feldman, Melissa, World Cup Chic Kehinde Wiley's Fancy Footwork, New York Times Magazine, 2 June Loszach, Fabien, Bling - Bling, Everytime I Come Around, Esse Arts + Opinions, No. 69, Spring / Summer Badinella, Chiara and Fabrizio Affronti, Grandi Maestri, Fonte Perenne, La Casana No. 1, January - March, pp. 26 - 29 100 Artisti da Scommetterci / 100 Artists to Bet On, Arte Magazine, Milan, Italy, August, pp. 120 - 140 Hunt, Kena and Watson, Simon, Kehinde Wiley, Vogue Italia, October Dreyfuss, Joel, Meet the Root 100, 2010 Edition, The Root unveils its latest list of young African - American pace setters and game changers, The Root, 10 October Garfield, Joey, Kehinde Wiley, Juxtapoz January, pp. 46 - 61 Karcher, Eva, The Colours of Africa: Art Beyond the Primitive, The Mini International Vol.34, Issue 2, pp. 36 - 41 Krentcil, Faran, First Look: Puma Africa, Nylon Magazine, 16 March

The highlight of the exhibition is Shahzia Sikander's first edition with Pace Prints, Portrait of the Artist (2016).

22, No. 1, pp. 54 - 56 Passariello, Micol, Gangsta E Gentiluomo, L'espresso, 17 July, p. 158 Fels, Sophie, Paint it Black, Time Out New York, 10 - 16 July Jackson, Brian Keith, Native Son, Giant Magazine, June / July What's Up, The Studio Museum in Harlem Magazine, Summer, pp. 2 - 5 + cover Evans, Ali, A Portrait of an Artist by an Artist, Studio: The Studio Museum in Harlem Magazine, Spring Fortune, Brandon, Brame, Frank H. Goodyear III and Jobyl A. Boone, Recognize: Hip Hop and Contemporary Portraiture, Washington D.C., Smithsonian Institute Claiborne, Barron, Black is Beautiful, Paper Magazine, March Fortune, Brandon, Hip Hop Baroque, Art World, February / March, p. 20 Bentley, Kyle, Previews: Kehinde Wiley, Studio Museum in Harlem, Artforum, May, p. 161 The Associated Press, Portrait Gallery Opens First Hip - Hop exhibit with LL Cool J, Ice - T, International Herald Tribune, 8 February Stoilas, Helen, Toppling the Ivory Tower, The Art Newspaper, 7 February Jankauskas, Jennifer, Greg Tate and Paul Miller (DJ Spooky), Kehinde Wiley: The World Stage - China, Sheboygan: The John Michael Kohler Arts Center, Los Angeles: Roberts & Tilton, Chicago: Rhona Hoffman Gallery, New York, Deitch Project

They represent the first full - length studies by Ingres to enter the Morgan's collection, joining three portraits and four additional sheets from the Thaw collection and nine other drawings by the artist.

Across the show, the first at Almine Rech's New York space, Calder mobiles and Picasso portraits, among other rare and never - before - seen paintings and sculptures, reveal visual and emotional resonances between the two famous artists, while reminding us why their work was so revolutionary in the process.

Arnold Newman: Masterclass, the first posthumous exhibition of this work, is rife with portraits of artists from Grandma Moses to Marcel Duchamp.

For this episode of «Art Matters,» BMA Director Christopher Bedford interviews Baltimore - based artist Amy Sherald, who recently received a commission to paint former First Lady Michelle Obama's official portrait.

The portrait, titled Hold It in Your Mouth a Little Longer, explores notions of identity while challenging gender and racial stereotypes, themes the artist continues to explore in her first solo museum exhibition in New York, «To Wander Determined,» opening today at the Whitney.

TWO AFRICAN AMERICAN ARTISTS are painting official portraits of former President Barack Obama and former First Lady Michelle Obama for the Smithsonian's National Portrait Gallery.

In Portraits, her first show in Chicago, the New York based artist presents three medium - sized paintings, each one featuring a head - like oval form, all of them technically dazzling with skeins of parallel dribbles that acutely change direction, forming a veritable undercarriage for hazy and more definite shapes.

W.J. Kennedy photographed images of Warhol on the Factory fire - escape with his famous self portrait, showing the first transparent Marilyn silkscreen and frolicking with artist Taylor Mead.

The work is an intimate portrait by one artist of another, and therefore stands in tradition of earlier works by Anna Gaskell, for example of her SVETA series, which was focused on Svetlana Lunkina, the former prima ballerina of the Bolshoi Theatre, and of her film Echo Morris, which was Gaskell's first portrait of the artist Sarah Morris.

Tacita Dean: PORTRAIT is the first exhibition in the Gallery's history to be devoted to the medium of film and reveals the artist's own longstanding and personal interest in portraiture as a genre.

Taking The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude) as a point of departure, this exhibition is Saban's first solo museum survey to consider the artist's expansive scope of work developed over the past ten years.

Following the acclaimed 2016 Jerwood Gallery exhibition of crowd - sourced works by John Bratby in 2016, Jean Cooke: Delight in the Thing Seen (24 May — 10 September) is a one - room display that explores the work of Bratby's first wife and subject of many of his early portraits, the artist Jean Cooke, RA.

Today, she is recognised as being among the first female artists to paint a nude self - portrait and, later, a series of self - portraits while she was pregnant — subjects which are taken up in the Joffe paintings on show.

While he is well - known for works featuring his own social milieu — often depicting parties, portraits of friends and fellow artists, and, perhaps most notably, his wife Ada, who has been his model and muse for decades — the landscape of Maine, which he first encountered as a resident at the prestigious Skowhegan School of Painting and Sculpture in 1949 - 50, has been a central point of reference throughout his career.

His exhibition of Andy Warhol's portraits in Hong Kong in 1982 was the artist's first exhibition in Greater China.