His first public art work, «the floaters» depicts Taylor with a friend and rod - like floating devices in a Palm Springs pool.
Some of these major monumental sculpture commissions include:.125, a mobile for the New York Port Authority that was hung in Idlewild (now John F. Kennedy) Airport (1957); Spirale, for UNESCO, in Paris (1958); Teodelapio, for the city of Spoleto, Italy (1962); Trois disques (Man), for the Expo in Montreal (1967); El Sol Rojo, installed outside the Aztec Stadium for the Olympic Games in Mexico City; La Grande vitesse,
the first public art work to be funded by the National Endowment for the Arts (NEA) for the city of Grand Rapids, Michigan (1969); and Flamingo, a stabile for the General Services Administration in Chicago (1973).
The artist's
first public art work is on view for a full year through March 2018.
The project commemorates «A Subtlety,» Walker's
first public art work which was installed at the Old Domino Sugar Factory in Williamsburg, Brooklyn.
Coinciding with the opening of the 2017 Whitney Biennial, Henry Taylor's
first public art work is on view at the High Line in New York for a full year (March 17, 2017 — March 2018).
On «A Subtlety,» Kara Walker's
first public art work, a monumental sugar sphinx on view over the summer in Brooklyn «I was a little disappointed with Kara Walker's piece that she did for the former Domino Sugar factory.
Not exact matches
The near - Earth asteroid Bennu will become the
first extra-terrestrial
art gallery, with the space agency inviting the
public to contribute
works of
art that are inspired by the spirit of exploration.
Karen received a Lifetime Achievement Award in 2011 from the Mildred Levenson Dance Foundation, a Coldwell Bankers Cares Award, A Citizen Interested in the
Arts Award, CEF APAP Travel Award to set a new
work in Sarajevo, Bosnia in 2012 and KPD earned its
first John and James L Knight Foundation Challenge Award in 2012 to support the company's
work in the Miami Dade
Public Schools.
Tom Pugh has a
First in
Art history and
works as a copywriter and speechwriter for a London - based
public affairs firm, an international auction house and a Japanese publisher.
KARA WALKER Already one of the most highly regarded artists
working today, Kara Walker forges into new territory, conceiving «A Subtlety,» her
first - ever major sculpture and
public art project.
While Johnson's
works are grounded in a dialogue with modern and contemporary
art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group
Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the
first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.
The Manchester
Art Gallery presents Raqib Shaw's largest solo exhibition to date, featuring 28 recent recent paintings, sculptures, and
works on paper, many on
public view for the
first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the space.
Exhibitions of his
work in the late 80s, often controversial in content, sparked debates about
public funding for the
arts, censorship,
First Amendment rights, and broadly, what defines
art.
Having held the
first major museum survey of the artist earlier this year as part of its «Recognition of
Art by Women» series, it was at the head of a queue of more than a dozen
public institutions waiting to buy Ms Crosby's painstakingly crafted
works.
Founded by Arne Glimcher in Boston in 1960 and led by Marc Glimcher, Pace has been a constant, vital force in the
art world and has introduced many renowned artists»
work to the
public for the
first time.
The deCordova Museum was a big part of my formation as an artist, and my teacher George Greenamyer's
work Mass
Art Vehicle at deCordova was one of the
first public sculptures I loved.
Co-organized by Dina Deitsch, independent curator, and Lillian Hsu, Director of
Public Art, Common Exchange featured ten contemporary artists whose
work addresses connectivity in the twenty -
first century.
It is the nation's oldest
public art museum and was the
first to obtain
works by Caravaggio, Salvador Dali and many others.
These exhibitions, and the controversial
works they presented, sparked a larger international and ongoing debate about
public funding for the
arts, censorship and other
First Amendment concerns, as well as the definition of that which is considered
art.
Lucy Byatt of Hospitalfield
Arts, who curated the exhibition,
first worked with Fagen on the artist's acclaimed
public art project in Royston, Glasgow, which was the genesis of ROSE, Fagen's multiple published by The Multiple Store in 2013.
Il Lee's recent venture into a different medium, exemplified in the
first public unveiling of his large - scale acrylic and oil on canvas
work at the Metropolitan Museum of
Art in 2010, has opened up a significant and exciting new direction for the artist.
Organized by
Public Art Fund, the exhibition will feature bronze
works that «may
first look like giant, tactile lumps,» as Carol Vogel of The New York Times writes, «but on closer inspection each has a form reminiscent of human features.»
This sculpture forms part of «Internal Affairs», a series of
works Hirst exhibited in his
first solo show in a
public gallery at the Institute of Contemporary
Arts, London, in 1991.
December 7, 2016 — The Bowdoin College Museum of
Art (BCMA) will present the
first - ever survey of the museum's extensive collection of drawings, the oldest
public collection of
works on paper on the continent, illuminating the evolving and foundational role of drawing within artistic practice.
A film by Hito Steyerl, Abstract (2012), has been acquired by the Contemporary
Art Society for GoMA, becoming the
first work by the artist to enter a
public collection in the UK.
This will be the
first public exhibition of this series of paintings — the artist's earliest mature body of
work — since a retrospective exhibition was organized by the Ringling Museum of
Art in 1968.
«The last Bienal was the
first step to making it more engaged with the
public,» say Bienal co-founder Nelson Herrera Ysla about the increased number of
public -
art works throughout the city, from the likes of Havana - based artist Arles del Rio to the Russian conceptual artists Ilya and Emilia Kabakov, who brought their globe - trotting»
The party for Rashid Johnson's
first - ever
work of
public art started 30 minutes earlier, so I'm out slightly out of breath when I reach the southern edge of the High Line.
He also installed his
first - ever
public art work on the High Line in New York, not too far from where the biennial exhibition is on view.
Presented by the Whitney Museum of American
Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his work gracing the March cover of Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this mon
Art in New York, the exhibition coincides with a number of other notable moments for Taylor, including his
work gracing the March cover of
Art in America magazine, his first - ever public art installation, and a new artist record at auction achieved at Christie's London earlier this mon
Art in America magazine, his
first - ever
public art installation, and a new artist record at auction achieved at Christie's London earlier this mon
art installation, and a new artist record at auction achieved at Christie's London earlier this month.
Her proudest moment of 2016, however, came with the launch of «inHarlem: Kevin Beasley, Simone Leigh, Kori Newkirk, Rudy Shepherd,» four ambitious
public works embedded in four of Harlem's historic parks — and the Studio Museum's
first public art project.
On the occasion of her
first public talk in Nigeria at
ART X Lagos, award - winning Nigerian artist Njideka Akunyili Crosby sits down with us for an intimate conversation on the various dynamics that inform her
work and practice.
He had his
first public gallery show at Southampton
Art Gallery, then he was shortlisted for the 2001 Turner prize and chose to exhibit
Work No 227: The lights going on and off.
The large - scale
public art project, her
first, is garnering more attention and visitors than any other New York
public art work in recent memory.
We are pleased to partner with the Walker
Art Center in the organization of the
first major retrospective of the artist's career, adding to new curatorial insight and broadening
public understanding of an artist whose
work deserves even greater national and international recognition,» said Maxwell L. Anderson, the DMA's Eugene McDermott Director.
Most recently, her
work was exhibited throughout the permanent collection and
public spaces of Parrish
Art Museum during their
first summer season in their new Herzog & De Meuron building.
This exhibition, which debuted at the Berkeley
Art Museum and Pacific Film Archive in October 2014, includes paintings dating from 2006 to 2011 and marks the
first public display of the artist's
work.
Kasper and I had actually
first worked on a book about
public art, and while we were
working on all kinds of
public art theories, on the social contract of
art, we realized that, as a matter of fact, there was still painting.
«I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now» is one of a number of
works in Hirst's early series, «Internal Affairs», many of which were shown in his
first solo show in a
public galley, (also called «Internal Affairs») at the Institute of Contemporary
Arts, London, in 1991.
«Entangled Orbits demonstrates the museum's commitment to presenting
work by living artists in
public spaces and the idea that
art should be the
first thing you see when you enter the museum and the last thing as you leave,» said BMA Dorothy Wagner Wallis Director Christopher Bedford.
Many of these images were
first exhibited to the
public in a solo exhibition of Shore's
work at the Museum of Modern
Art in 1976.
«Figure Study II is one of the greatest acquisitions the Contemporary
Art Society has ever made and the
first painting by Francis Bacon to enter a
public collection in this country... Its display with Figure Study I offers a rare opportunity to understand the artist's thinking across two
works from a critical moment of Bacon's career».
With his
first artist monograph freshly published by JRP Ringier and two recent solo exhibitions at Tramway
Art Space in Glasgow and Firstsite in Colchester, England, Hughes»
work is at the center of
public attention.
Alternative Figures in American
Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California
Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of
Art and Nora Eccles Harrison Museum of
Art, UT 1993 Selections from the Permanent Collection - California:
Art from the 1930s to the Present, San Francisco Museum of Modern
Art 1989 Forty Years of California Assemblage San Jose Museum of
Art, Fresno
Art Museum and Joslyn
Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern
Art 1985
Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker
Art Museum, University of Arizona Museum of
Art, Huntsville Museum of
Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California
Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern
Art and National Collection of fine
Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland
Art Museum
First Artists» Soap Box Derby, San Francisco Museum of Modern
Art 1971 Continuing Surrealism, La Jolla Museum of
Art 1969 An American Report on the Sixties, Denver
Art Museum American Sculpture of the Sixties, Grand Rapids
Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of
Art The West Coast Now: Current
Work from the Western Seaboard, Portland
Art Museum, Seattle
Art Museum and De Young Museum 1967 FUNK, University
Art Museum, Berkeley, and Institute of Contemporary
Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of
Art and Philadelphia Museum of
Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern
Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond
Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American
Art 1962 Fifty California Artists, Whitney Museum of American
Art, Walker
Art Center, Albright Knox
Art Gallery and Des Moines
Art Center
Public Collections
Prior to Performa, he
worked at the
public art organization Creative Time; his recent projects include the
first New York
public art quadrennial, Plot09: This World & Nearer Ones; Hey Hey Glossolalia: Exhibiting the Voice, and the Russian and South American touring show Electric Earth: Film & Video from Britain for the British Council.
Often referred to as his greatest
work of
art, Isamu Noguchi opened The Noguchi Museum to the
public in 1985 and it remains the
first museum in the country founded by an artist during his lifetime and dedicated to his own
work.
In 1952 when the curator of the Batley
Art Gallery accepted the piece as a gift from the Contemporary
Art Society on behalf of Batley, it became the second
work by Bacon to enter a
public collection, the
first being Painting, 1946 acquired by the Museum of Modern
Art in New York.
The San Francisco Museum of Modern
Art (SFMOMA) announced Wednesday that a thoroughly transformed SFMOMA will open to the
public on Saturday, May 14, 2016, offering nearly three times the previous exhibition space, featuring 260
works from the Fisher Collection, a
first showing of more than 600 artworks promised to the museum, the debut of the new Pritzker Center for Photography and an outward - looking architectural design that weaves the museum into the city as never before.
Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a
first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern
Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An
Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The
works of Piero di Cosimo by Peter Schjeldahl The
Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary
Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest
public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in
Art Show by Ellen Gamerman The
Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American
Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The
Art Newspaper, The Year Ahead 2015, Museum Openings
In 2010, he won the Wollaston Award for his
work Crash Willy in the Royal Academy's Summer Exhibition and Nelson's Ship in a Bottle became his
first public art commission on the Fourth Plinth in Trafalgar Square.