Sentences with phrase «first real artist»

It was a random ad on Craigslist that brought me to a ground floor garage space on Myrtle Ave and into the very first real artist studio.

JB You and Carlos Villa were the first real artists I'd met who had been in a community of artists.

Not exact matches

But as on Lincoln Avenue, rising real - estate values tend to chase out the artists who sparked most of the redevelopment in the first place.

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In the audience, the real Wiseau arrived quietly and sat next to Greg Sestero, his friend and «The Room» costar whose behind - the - scenes memoir was the basis of the Franco film, watching «The Disaster Artist» for the first time.

Film Music Composition of the Year «The Adventure Continues» from «The Adventures of Tintin» (John Williams) «George Valentin» from «The Artist» (Ludovic Bource) «Captain America March» from «Captain America: The First Avenger» (Alan Silvestri) «Final Round» from «Real Steel» (Danny Elfman) «The Homecoming» from «War Horse» (John Williams)

Warhol was actually the first artist to actually paint the finished car — all artists prior to this simply painted designs on a one - fifth scale model, which was then copied by assistants and technicians on the real thing.

Hope in Paris — monthly inspiration Mike Dooley's TUT — I'm doing the #tut30days right now Austin Kleon — creative stuff to check out weekly so you don't feel ignorant about the arts and being a creative artist Kris Carr — self - care and veggies to keep you healthy and positive Your First 10k Readers — dive deep into book marketing — costs you some but a real community awaits @magicmommyhood on Instagram — daily parenting gems: feel good factor and laughs Aerogramme Writers» Studio — regular round - ups of grants and competitions, etc..

The Pencil and the Pro work so well together, some artists are even saying it's the first tablet that's as good as a real pencil and paper.

So the different cities was a real challenge for our artists first and foremost and they did a really great job of recreating the three locations.

«This is the first time the sculpture has ever been assembled in a real world situation, and until now has only ever been seen in its complete state as a virtual representation on the artist's computer.»

The work of New York - based artist Brian Alfred examines the relations between the media and the real, underscoring the gap between reportage and first - person experience.

In this obscure and fascinating tale of how an Italian artistic dynasty intertwined with Hollywood history and influenced the imaginary of different generations and distant cultural environments, the real statue featured in the movie was executed in 1933 by Salvatore Cartaino Scarpitta, the first Italian artist who officially worked for Hollywood studios.

Indeed, his first and real ambition was to be an artist; and for all his many and varied achievements, he was perhaps as proud as anything of an invitation in 2000 from the Mayor Gallery in Cork Street, London, to put on an exhibition of his paintings.

To extend my visible appreciation of Linchpin, to celebrate my first SXSW event, to mark meeting the author and artist Hugh MacLeod in real life and to celebrate that successful people don't have look like Hollywood stars and convey Steve Jobs» business acumen... that's why I bought this art.

Basquiat: Boom for Real is the first large - scale exhibition in the UK of the work of American artist Jean - Michel Basquiat (1960 — 1988).

Pioneer inaugurated newly - endowed Jack Wolgin Annual Visiting Artists Program, worked with students Judy Pfaff, the influential multimedia artist who pioneered what is now known as «installation art,» was the first Jack Wolgin Annual Visiting Artist, a newly endowed program that was created by a gift from the late Philadelphia real estate developer, philanthropist and renowned patron of theartist who pioneered what is now known as «installation art,» was the first Jack Wolgin Annual Visiting Artist, a newly endowed program that was created by a gift from the late Philadelphia real estate developer, philanthropist and renowned patron of theArtist, a newly endowed program that was created by a gift from the late Philadelphia real estate developer, philanthropist and renowned patron of the arts.

Moscow - born, German - based artist Olia Lialina has, for the past two decades, produced many influential works of network - based art: My Boyfriend Came Back from the War (1996), Agatha Appears (1997), First Real Net Art Gallery (1998), Last Real Net Art Museum (2000), Online Newspapers (2004 - 2017) and Summer (2013).

«It's the first time that you see a real embrace, institutionally and commercially, for the work of artists who've had a difficult time being embraced prior,» says Rashid Johnson.

1988 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Artists Space Bang on a Can Composers» Forum Gyula Csapó Cunningham Dance Foundation Dance Theater Workshop Dancing in the Streets Danspace Project The Drawing Center En Garde Arts Grand Windows Amy Greenfield John Jesurun The Kitchen The Knitting Factory Robert Kovich Susan Marshall & Company Movement Research Phill Niblock / Experimental Intermedia Foundation Maria Nordman Performance Space 122 The Poetry Project Primary Performance Group PS 1 / Institute for Art and Urban Resources Real Art Ways Susan Rethorst Roulette Ellsworth Snyder / The First Unitarian Society Elizabeth Streb / Ringside Sun & Moon Press Telluride Institute David Tudor White Columns The Wooster Group Bill Young and Dancers

This month, Phillips — whose googleability went way down after Tom Hanks portrayed a certain real - life hero, Captain Phillips, first name Richard — will have his first solo museum show in the United States, a survey of old and new work at Dallas Contemporary called «Negation of the Universe,» which will be joined by his headline - grabbing public sculpture Playboy Marfa, the neon - lit, 40 - foot - tall roadside sign commissioned by the magazine and broadcasting the artist's queasy fusion of commercialism and art.

First week of September, the real new beginning of the year, brand new Artist Interview with a stunning artist, Marta Pierobon, with original images by Artist Interview with a stunning artist, Marta Pierobon, with original images by artist, Marta Pierobon, with original images by Simon.

Marcel Duchamp is usually credited as inventing the readymade, but the essential idea of taking something preexisting and elevating it into art did exist before he created his first one (a bicycle wheel atop a kitchen stool) in 1913: in Pablo Picasso's Still Life With Chair Caning from 1912, for example, the artist collaged a piece of woven chair backing onto a two - dimensional canvas, and before that Degas clothed his Little Dancer of Fourteen Years (1881) in a real tutu.

First Online Biennial Releases List — The novel event, called BiennaleOnline and boasting a roster of real - world supercurators including Daniel Birnbaum and Hans Ulrich Obrist, will include work by such international artists as Ragnar Kjartansson, Susan Hefuna, Hanna Liden, Anna Parkina, and Pavel Wolberg.

Curated for the first time by Ralph Rugoff (Hayward Gallery, London), leading artists, musicians and cultural commentators will explore how — in an age of «alternative facts» — art's capacity to beguile, disorientate and disrupt conventional notions of «the real» can take on new meanings.

Her first child, Ajax, got to be a real result of an artistic project, which was inspired by other artists like Chris Burden, Vito Acconci and Marina Abramovic, according to Marni Kotak.

Basquiat: Boom for Real is the first large - scale exhibition in the UK of the work of American artist Jean - Michel Basquiat (1960 - 1988).

This is the first monograph of Marcel Dzama, an artist who is known for his strangely surreal figures, hooded men and women with guns, dismembered cowboys, anthropomorphic trees, real and unreal animals, and flag - bearers, among other inexplicable images and narratives.

Already, many sixties artists have taken on, for me, this classical stature — Dan Flavin, Carl Andre, Don Judd, Robert Morris, Kenneth Noland, among others — which feels more like past than present...» Nevertheless, many of the assumptions which were first propounded about the style — or what was commonly claimed, the non-style — of Minimalism (née Cool Art, The Third Stream, Post Geometric Structures, ABC Art, Object Sculpture, Specific Objects, Primary Structures, or Art of the Real) have remained unchallenged for over a decade.

But the real low - point for me is the final artist here, Dexter Dalwood, whose work might make him a candidate for the world's first talent transplant.

Cranbrook Ceramics also engages in the real world of ceramics, collaborating on larger projects with artists, designers and art directors, giving students first - hand experience into the world of ceramic production.

Tobias Kröger also known as Tobe, a pseudonym he adopted during his years as a graffiti artist, opened last Friday «Face - Off», his first solo exhibition unveiling a completely new body of work presented under his real name.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The first time that the British artist George Henry Longly stepped into Red Bull Studios New York, the space where he'd eventually be installing his first - ever New York solo show, whose only real resemblance to a typical gallery is its white walls, he slightly panicked: «I was like, «God, this is a crazy space, how the hell am I going to do a show in here?»»

In the show's catalogue essay, Mr. Miller writes that this performance — the artist's first — shows nature «as background with the blank canvas highlighting the contrast between real landscape and the absent painted one.»

First conceiving of his series of Abstraktes Bild by 1976, the artist had already proven himself as an accomplished painter of real life subjects and historical subject matter.

Cuchifritos Gallery presents The Real Estate Show, What Next: 2014 with former Colab members and the first artists involved in The Real Estate Show.

An avid collector of vintage postcards, Wegman first turned a group of postcards into a painting while working on an artist's book in the early 1990s, melding real and fictive space and photography with the whimsical effects available to painters.

The Dublin - based Niamh O'Malley's first major UK solo show reveals an artist of real distinction.

A major retrospective of Carl Andre is about to open at Dia and first off let me just say that it looks like it will be a good exhibition, maybe a really good exhibition, one with some interest to contemporary artists struggling to reconcile the real, theory or something like rigor with materiality.

It is often whispered that the judges haven't either, of course, and that the show at Tate Britain may be their first real opportunity to contemplate the work of all four artists in any depth.

Later that same year «Basquiat: Boom for Real» opened at the Barbican, the first large - scale exhibition of the artist in the United Kingdom.

For this first show the artists traverse the real to denote new possibilities.