Sentences with phrase «first scene in the film»

The first scene in the film kind of gives the ending away and leaves you expecting it, but in a way that is a good thing considering what this film has in store.

BTW, that scene (the first scene in the film) is here: https://www.thewrap.com/rooney-mara-cate-blanchett-carol-exclusive-video/

The Dark Knight is much more about the symbol than the violence — so much so that Batman's first scene in the film feels tacky and unnecessary.

Not exact matches

The audience at the first screening of the film in New York City, at the Cinema Village in Manhattan's Greenwich Village, remained silent during a scene showing the death of Kim Jong Un in the downing of his helicopter.

For the first time in a Marvel movie, I wanted more of the film itself, not the mandatory post-credits scene.

they must film this scene in the first person, the applause and cheering muffled, like they do in war movies after big explosions.

Lamarr, born in Vienna in 1914, first earned notoriety for a nude scene in a 1933 Czech - Austrian film.

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

In the first flick, Neil Patrick Harris played a truly messed - up version of himself and created the funny scenes in the filIn the first flick, Neil Patrick Harris played a truly messed - up version of himself and created the funny scenes in the filin the film.

With scenes in Technicolor, this artful film was intended as the first of two — until its controversial release further widened the rift between «Von» and Hollywood execs.

Seldom having more than a scene or two in any film (his first was 1932's Fires of Fate, his last was 1974's 11 Harrowhouse), Morton nonetheless made the most of his limited screen time in such quality productions as Scott of the Antarctic (1949), Richard III (1956), Lawrence of Arabia (1962) and Young Winston (1971).

There should be a little more horror than a couple of shots in the first hour and then a few poorly filmed kill scenes at the end.

But where the first film's sex scenes, however tame in the grand scheme of things, were integral to setting the terms and tone of the relationship under scrutiny, by this point they're mostly just (very) attractive digressions, while the once - tremulously mentioned Red Room of Pain has become merely another indulgent facility at Casa Grey, not to mention a handy spare bedroom in the event of a soon - resolved marital squabble.

To draw out of him natural crying during a scene in the film, for example, Levy played for Goyo «First Breath After Coma» by Explosions in the Sky.

His first film appearance occurred in 1983, in Max Dugan Returns, with a scene featuring Sutherland alongside his father Donald Sutherland.The 1980s brought the beginning of what would become Kiefer Sutherland's lengthy list of film credits.

The film's earliest scenes are its best, the most concrete and precise, including the first scene of Burdon and his wife in their suburban kitchen.

As with his previous films «Distant,» «Climates,» and «Three Monkeys,» his first career as a photographer is reflected in each scene.

What we have in the misbegotten mess called Kings is a film of countless good intentions — one that starts going bad in its first scene, gets worse form there and then dissolves into pure chaos.

Roughly translated, those are the last words in Robert Bresson's «Pickpocket,» a movie that figures prominently in the work of Paul Schrader, who has alluded to its final scene in many of his films, including «American Gigolo,» «Light Sleeper» and his new one, «First Reformed.»

The police ask questions about Nuri's religion, and the fact that he is an ex-con who used to deal drugs — the film's first scene shows him marrying Katja while still in prison — comes into play briefly.

My personal favorite being the first bar scene in the film with the song choice and the choreographed dance scene was just beautiful.

Spielberg leaves too much on the table between the two characters, especially in a film that earns the right to breathe for a few seconds, but Streep shines in these scenes all the same — this is Spielberg's first female - driven film since «The Color Purple» in 1985, and the actress is eager to make up for lost time.

Not only is In the Fade Kruger's first film in her native language, it's also the most prominent onscreen role she has ever had; she appears in practically every scene of the filIn the Fade Kruger's first film in her native language, it's also the most prominent onscreen role she has ever had; she appears in practically every scene of the filin her native language, it's also the most prominent onscreen role she has ever had; she appears in practically every scene of the filin practically every scene of the film.

But the new film Kiki avoids this mistake as it revisits a subject first explored in the landmark 1990 documentary Paris is Burning: the New York's underground ballroom scene.

As they recite their vows, Ana's smiling pledge to honour and respect her husband stirs up memories of the famous contract scene in the first Fifty Shades film, in which Ana formally signs up to Christian's sadomasochistic hobby, agreeing in writing to «always conduct herself in a respectful manner to the dominant», and so on.

Perhaps because it promotes traditional values - respect women, crime doesn't pay, family comes first - the film shines in those rare scenes when it plays with received wisdom.

With scenes in the United Nations — this is the first time a Hollywood production has been granted access to film there — it also has smatterings of Alfred Hitchcock's «North by Northwest,» a thriller also set in and around the United Nations.

There's a scene in Bryan Bertino's film «The Strangers» that handily encapsulates the film's nervy brand of terror, one so good and simple that it served as the film's poster image when the 2008 feature first hit theaters: it's Liv Tyler, standing alone in her kitchen, looking out into what seems to be — what should be — an empty house.

The animation is still pretty and lushly rendered in this sequel, but my biggest complaint was one that I had for the first film and that was the terribly sped up fighting scenes.

Once Ricky and Hector, or Hec (Sam Neill)-- the latter an older bushman Bella cares for before she suddenly dies — go on the run in the wilds of New Zealand after child protective services seeks to return Ricky to a care home following Bella's passing, Paula reveals herself as more of a fanatical zealot than she let on in that first scene («no child left behind» is her frequent motto, which she utters in the film with seemingly unthinking reflexivity).

The tight hallways and tiny rooms throughout the ship do emulate the claustrophobic feeling of the first two movies, which amplifies the tension and thrill of many scenes in the film.

Their cell phones are smashed, other bodies are discovered, and at least one of those mask - wearing weirdos playfully apes that same scene that set the stage in the first film (this one: outside, and all the better for it).

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

When Cheadle said this, it was his first day working on the movie, filming a scene where he and several other Avengers land in Wakanda.

Correlative footage for many of the trial scenes exists in the first Paradise Lost film; the waxworks reenactments are so robbed of immediacy that they seem almost trivializing.

Though we're happy to see they kept the iconic clown doll scene, even if it is something we're still working through in therapy since the first film.

It is the first film of Allen's to be released by Amazon, following on from a series Crisis In Six Scenes.

Both characters have been conspicuously left out of Infinity War's first part, but the final moment of the film's post-credit scene suggests Brie Larson's Captain Marvel will be a key part in resurrecting this flurry of «dead» Avengers, and bringing down Thanos in the process.

Liam Neeson, who played Batman villain Ra's al Ghul in Christopher Nolan's Dark Knight trilogy, was mentioned by Deadpool himself in the first Deadpool flick's post-credits scene, though it was actually another actor from Zack Snyder's films who may have come closer.

They're flanked by returning stars Ike Barinholtz, Carla Gallo, and the real star of Neighbors, Rose Byrne, who turned in an absolutely scene - stealing performance in the first film.

This indicates that at least one scene in the upcoming film takes place in a flashback, before the third Thor film and during the first Avengers installment.

Hayley Atwell «s Agent Peggy Carter was such a scene - stealing standout in Captain America: The First Avenger, she went from a supporting character in Captain America's debut film to a One Shot subject to the lead of her own TV show, Agent Carter (not to mention the fact that her cinematic arc was only just wrapped up in Captain America: Civil War).

And pacing problems aside, the scifi-less first third of the film was necessary setup for a Cornetto Trilogy staple: That scene that comes along and punches you right in your tear ducts.

The first scene appears in the novel, 37 the second is the film's invention.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iIn Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Early in the first episode, there's a scene where Kelly Ann [Imogen Poots] tells the crew bus driver [Luis Guzman] that she's leaving the tour to go to film school, and he says, «Don't mean nothin».

In one scene, Harry Reems (Adam Brody) climaxes too quickly when filming Linda's first sex scene.

Yet unlike those film's heroes, Richard is neither a Christ figure (in one scene he expressly denies that he is Jesus — or indeed the Devil), nor an agent of divine justice (the film's first line is «God will forgive them, He'll forgive them and allow them into heaven — I can't live with that»)-- and while there is no doubt that his judge - jury - and - executioner attitude towards vigilantism is entirely reactionary, both his morality and his sanity come to be called into question by the film.

Directed by Anthony Wonke, the feature - length film gives fans an extensive and in - depth look behind the scenes of the latest entry in the Star Wars saga, and you can watch the first 12 minutes of the movie right now.

That the best scenes are in the first half hour is definitely detrimental to the film overall.