Sentences with phrase «first scene of this film»

From the very first scene of this film, you want to get wring every little drop out of it.

Now I hated the first scene of this film.

Abrams may be the perfect director for Cruise, as (a good friend pointed out to me) in the first scene of the film, Abram has Cruises hand tied to a chair.

It's a payoff to the very first scene of the film, wherein father and daughter talk casually about the song, which is Jimmy's favorite.

Not exact matches

The audience at the first screening of the film in New York City, at the Cinema Village in Manhattan's Greenwich Village, remained silent during a scene showing the death of Kim Jong Un in the downing of his helicopter.

For the first time in a Marvel movie, I wanted more of the film itself, not the mandatory post-credits scene.

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

Here's one of the best scenes from the first film, when Mark Darcy and Daniel Cleaver fight it out over Bridget.

Now, if you will, imagine yourself on the set of a low budget independently funded horror film and this is your first scene.

I envisioned This Land Is Mine as the last scene of my potential - possible - maybe - feature film, Seder - Masochism, but it's the first (and so far only Saraswati (Sanskrit: सरस्वती, Sarasvatī) is the Hindu goddess of knowledge, music, arts, wisdom, and learning worshipped throughout Nepal

In the first flick, Neil Patrick Harris played a truly messed - up version of himself and created the funny scenes in the film.

With scenes in Technicolor, this artful film was intended as the first of two — until its controversial release further widened the rift between «Von» and Hollywood execs.

Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.

Seldom having more than a scene or two in any film (his first was 1932's Fires of Fate, his last was 1974's 11 Harrowhouse), Morton nonetheless made the most of his limited screen time in such quality productions as Scott of the Antarctic (1949), Richard III (1956), Lawrence of Arabia (1962) and Young Winston (1971).

But we aren't introduced to Defendor first; the introductory scene of the film instead presents the man behind the mask, Arthur Poppington.

There should be a little more horror than a couple of shots in the first hour and then a few poorly filmed kill scenes at the end.

But where the first film's sex scenes, however tame in the grand scheme of things, were integral to setting the terms and tone of the relationship under scrutiny, by this point they're mostly just (very) attractive digressions, while the once - tremulously mentioned Red Room of Pain has become merely another indulgent facility at Casa Grey, not to mention a handy spare bedroom in the event of a soon - resolved marital squabble.

To draw out of him natural crying during a scene in the film, for example, Levy played for Goyo «First Breath After Coma» by Explosions in the Sky.

His first film appearance occurred in 1983, in Max Dugan Returns, with a scene featuring Sutherland alongside his father Donald Sutherland.The 1980s brought the beginning of what would become Kiefer Sutherland's lengthy list of film credits.

The film's earliest scenes are its best, the most concrete and precise, including the first scene of Burdon and his wife in their suburban kitchen.

What we have in the misbegotten mess called Kings is a film of countless good intentions — one that starts going bad in its first scene, gets worse form there and then dissolves into pure chaos.

Roughly translated, those are the last words in Robert Bresson's «Pickpocket,» a movie that figures prominently in the work of Paul Schrader, who has alluded to its final scene in many of his films, including «American Gigolo,» «Light Sleeper» and his new one, «First Reformed.»

The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty - eyed, and there are several similar scenes throughout the film.

Not only is In the Fade Kruger's first film in her native language, it's also the most prominent onscreen role she has ever had; she appears in practically every scene of the film.

As they recite their vows, Ana's smiling pledge to honour and respect her husband stirs up memories of the famous contract scene in the first Fifty Shades film, in which Ana formally signs up to Christian's sadomasochistic hobby, agreeing in writing to «always conduct herself in a respectful manner to the dominant», and so on.

The film constantly plays with expectation like this; for both fans of the comic and the first film there is a lot of cleverness at play here and so many types of jokes stuffed into a single scene that repeat viewing will surely be required.

With scenes in the United Nations — this is the first time a Hollywood production has been granted access to film there — it also has smatterings of Alfred Hitchcock's «North by Northwest,» a thriller also set in and around the United Nations.

The DVD's first featurette discusses both how he attained the look, and the way that the physical «damage» to the film stock itself enhances the emotional effect of the scenes depicted within it.

It's certainly unique to hear Angelina Jolie sharing a scene with Seth Rogen, or Jackie Chan acting opposite David Cross, and it would be easy for the film to coast on its marquee names, but first - time director Jennifer Yuh effortlessly pulls off a tricky ensemble juggling act that gives everyone a slice of the spotlight.

There's a scene in Bryan Bertino's film «The Strangers» that handily encapsulates the film's nervy brand of terror, one so good and simple that it served as the film's poster image when the 2008 feature first hit theaters: it's Liv Tyler, standing alone in her kitchen, looking out into what seems to be — what should be — an empty house.

There are nods to previous Mission: Impossible movies, including the famed wire - drop from the first film when Hunt and company decide to... get this... infiltrate the Vatican (a scene that is accompanied by a charmingly amusing performance of Cruise going all Italian), and even a small homage to «Top Gun».

Once Ricky and Hector, or Hec (Sam Neill)-- the latter an older bushman Bella cares for before she suddenly dies — go on the run in the wilds of New Zealand after child protective services seeks to return Ricky to a care home following Bella's passing, Paula reveals herself as more of a fanatical zealot than she let on in that first scene («no child left behind» is her frequent motto, which she utters in the film with seemingly unthinking reflexivity).

The tight hallways and tiny rooms throughout the ship do emulate the claustrophobic feeling of the first two movies, which amplifies the tension and thrill of many scenes in the film.

To be fair, there are a couple of scenes that might make one jump, and the atmospheric build - up for the first half hour of the film is somewhat effective.

Their cell phones are smashed, other bodies are discovered, and at least one of those mask - wearing weirdos playfully apes that same scene that set the stage in the first film (this one: outside, and all the better for it).

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

The first scene in the film kind of gives the ending away and leaves you expecting it, but in a way that is a good thing considering what this film has in store.

Correlative footage for many of the trial scenes exists in the first Paradise Lost film; the waxworks reenactments are so robbed of immediacy that they seem almost trivializing.

It is the first film of Allen's to be released by Amazon, following on from a series Crisis In Six Scenes.

Although they help set the tone at the outset of the film, we don't need more of these scenes after her first action sequence as her character's MO is very clear.

Both characters have been conspicuously left out of Infinity War's first part, but the final moment of the film's post-credit scene suggests Brie Larson's Captain Marvel will be a key part in resurrecting this flurry of «dead» Avengers, and bringing down Thanos in the process.

From Hiddleston having some of his most fun as Loki since the first film, to Thompson who nearly steals the show, Ruffalo gamely playing into the wallflower contradiction of his character, Blanchett seizing the chance to play a scene chewing villainess, it's Hemsworth who carries it.

While you have to suffer through the hosts idiotic segues, below is the first look from behind - the - scenes of Robert Rodriguez» now - filming...

The first pictures of Emma Stone and Shailene Woodley filming a scene together for The Amazing Spider - Man 2 have surfaced online.

The opening scene of Saverio Costanzo's first English language film Hungry Hearts defines the meaning of situational irony.

At around 2 am (sorry, I didn't keep track of the time for this one like I usually do), we got our first break from his traditional giallo with Suspiria, a film that serves up the elaborate death scenes (and Goblin score!)

The first half of the film is devoted to plot development, and the second half is, essentially, one long battle scene.

They're flanked by returning stars Ike Barinholtz, Carla Gallo, and the real star of Neighbors, Rose Byrne, who turned in an absolutely scene - stealing performance in the first film.

Hayley Atwell «s Agent Peggy Carter was such a scene - stealing standout in Captain America: The First Avenger, she went from a supporting character in Captain America's debut film to a One Shot subject to the lead of her own TV show, Agent Carter (not to mention the fact that her cinematic arc was only just wrapped up in Captain America: Civil War).

And pacing problems aside, the scifi-less first third of the film was necessary setup for a Cornetto Trilogy staple: That scene that comes along and punches you right in your tear ducts.