Sentences with phrase «first scenes feel»

By contrast, everyone else's first scenes feel clumsy and forgettable, which is too bad considering the impressive multiethnic range of co-stars — from Chinese agent Chen Dawai (Chinese music star Wang Leehom) to FBI hard - ass Carol Barrett (Viola Davis)-- cast in these supporting parts.

Not exact matches

You just feel so sad for him from the very first scene, where he's forced to declare a sexual orientation and taken to a room he can share with his dog, who is also his brother.

In the first scene she quietly announces: «I believe in fellow - feeling....

Tell yourself that if it makes you feel better but that's true Lacazette was first on the scene to Giroud and he subtly turned his head so not to make eye contact.

Josh McEachran broke into the scene at Chelsea as a fresh faced teenager back in 2010 and having managed to make as many as 17 appearances for the first team despite being only 17, many felt that the midfielder would go on to become a world star.

Currently, even when they have a map of the building, firefighters have to grope their way forward if smoke has badly affected visibility, feeling their way along a wall or following ropes laid by the first firefighter on the scene.

It can be hard to get back into dating if you have been off the scene for a long time, all the rules seem to have changed and it can feel overwhelming and intimidating at first.

What I hear over and over is that singles don't care what goes on behind the scenes, they just want to come home from a first date not feeling like a failure.

On the first If you find yourself on the dating scene in your 40s, getting into the app - dating world can feel overhwhelming.

The first thing I noticed is how completely you are brought into the world of the characters like a welcome voyeur, with brilliant environmental ambience designed to make you feel inside every scene.

The first scene between Silvia and Tobin feels particularly unconvincing.

«Carrie's out of a job, but her frustration at Keane's regime combined with her inability to do anything about it probably has her feeling like she's running in place — which is exactly what she's doing when we meet her in the season's very first scene.

The tight hallways and tiny rooms throughout the ship do emulate the claustrophobic feeling of the first two movies, which amplifies the tension and thrill of many scenes in the film.

A Day on the Job: When Christina (Cameron Diaz) argues with Tony (Al Pacino) about starting Cap (Dennis Quaid), it was Diaz's first scene with Pacino — whom some actors felt, if not intimidated, perhaps a little inadequate around.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

These issues could be the fault of Director Catherine Hardwicke, as the shakiness of many scenes makes them feel like the first take.

First, some of the comic scenes feel more written than real, such as the night Frankie and Grace drink peyote tea on the beach.

Though best known for her arch dialogue, Cody has a knack for location, setting stories in sharply sketched places and clearly defined moments in characters» lives — qualities that sometimes make Ricki And The Flash feel like a throwback to the minor - key American filmmaking of the 1970s, when Demme first arrived on the scene.

He likely won the Oscar for a mid-film scene at a restaurant after his first successful gallery showing, in which he first showcases Christy's raucous sense of humor, then learns that his speech teacher (Fiona Shaw) doesn't share his romantic feelings.

All - time great screenwriter Robert Towne made his first foray into direction with «Personal Best» which is still a pretty decent drama set among the women competing for a place on the US athletics Olympics team, even if it's now become something of a pop - culture byword among men who felt early stirrings at its scenes of hardbodied lesbianism.

But I do remember, on first seeing and loving the movie in the theater, a sense of incompleteness about the ending, a feeling that the weight of what had come before was not quite counterbalanced by the giddy release of that final scene.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

It was almost as though the film was impatient to get to the next song and I felt some of the scenes with Valjean as a free man for the first time in nineteen years was lost.

Despite the scene being awkward at first, it juxtaposed the scenes that made up the disturbed realisation of the weakness and confusion India feels.

Adele had a boyfriend at the start of the movie, but she never felt fulfilled by him, so when she and Emma have sex for the first time, the scene shows that Adele has found that fulfillment as well as discovered more about herself.

We had heroes fighting each other, we had fantastic CGI work, we had a decent story line, and I felt like he made the Hulk scary in that first scene when he transforms.

It was like he was performing, but I also felt like it could happen in the scene where he first meets Richard and Mildred.

Next Movie feels much more like the deleted scenes of their first and much funnier film, Up In Smoke, than it does as a stand alone piece.

What follows is a seemingly endless string of expository dialogue exchanges and flashbacks (including the first instance of a slap across the face eventually leading to a deeper understanding between two characters — after Jared forces himself on Melanie during their first meeting — and an awkward scene that attempts to romanticize Jared's insistence that he wouldn't make Melanie feel entitled to have sex with him even if they were the last man and woman on Earth).

Release: Friday, July 10, 2015 (limited)[Netflix] Written by: Sean Baker; Chris Bergoch Directed by: Sean Baker How I felt when I first tucked into indie dramedy Tangerine — yes, that film, the one shot entirely on the iPhone 5s — and how I felt when the last scene faded to black couldn't have been more radically different... Continue reading Tangerine

After watching the first entry in this trilogy, Pirates of the Caribbean: The Curse of the Black Pearl, I came away from it feeling that it had enough worthy moments to recommend, but director Gore Verbinski's (The Weather Man, The Ring) propensity for excess, especially in the scenes of swashbuckling and pirate mayhem, weakened the excitement value for me.

At first, Ruth and Amy's banter leads to some genuinely funny scenes between Kunis and Baranski, but as the older mother's antics get increasingly more selfish and destructive to her daughter's morale, it becomes practically impossible to care or feel bad for Ruth in any way whatsoever.

I felt specifically that the spider - monster scene had the gloomy glow of the Silent Hill 4 shopping mall, and the wall - peeling effect (Which I think looked much better and higher quality than the effect of the first movie) inside Jack's Inn reminded me heavily of the ghosts coming through the walls in the forth game too.

There are only a few action scenes in this drama but the first two films were often too graphic in their depiction of children being killed (something that often grew tiresome) so this film feels like a nice departure.

Come to find out, producer and star Ryan Reynolds felt equally as conflicted at first, thinking that the scene was «cheating» the rest of the movie.

First time feature film director Tim Miller also deserves credit for his handling of the films action scenes and with a budget that would barely cover costs of catering on an Avengers film, Miller gives Deadpool a unique feel when it comes to dispatching of the cookie cutter bad guys.

Each scene seems deliberate and feels like it's about the characters journey first and foremost.

Their boardroom scenes, interspersed throughout the first two - thirds of «Race», are so detached from the main storyline that it feels as if they belong in a completely different movie.

Thankfully, from my perspective, there is no 15 - minute Quidditch scene, and no phallic broomstick chases of any sort, which I've always felt as redundant and useless after the first film's depiction of them.

Exarchopolous, feeling like she's come from nowhere, is in every single scene, the unflinching center of our attention and identification throughout, and Kechiche weaves the film around her so unobtrusively that you almost don't feel his presence (except possibly in the film's laudably graphic but nonetheless overlong first lesbian sex scene)-- surely a mark of an exceptional skill.

Some of the film's opening sequences, such as the way the T - 800 goes about getting clothes and wheels, feel like more elaborate but not necessarily more involving versions of scenes from the first film.

I spent nearly two weeks playing through «Mass Effect Andromeda,» and I couldn't escape one feeling: I haven't felt this conflicted since that scene in «Thor» in which Chris Hemsworth tries on people clothes for the first time.

Even then, he feels vestigial — resurrected for little other reason than to give ol' Mr. Darcy another crack at the «Manners Maketh Man» scene from the first Kingsman.

I really enjoyed the first one and with the second I felt they followed through with same tone however higher budget for action scenes.

Their film features perhaps the first action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power of what was happening immediately, and the emotional stakes of what that set piece took him (and us) away from.

Terence Davies» «A Quiet Passion» takes its time getting started; its early scenes, with first a teenage Dickinson (Emma Bell, her performance blending seamlessly into Nixon's), then with Nixon as the adult poet, feel disarmingly stilted; the precise formality of the language seeming to create a barrier.

For that first half hour, it feels like we never get a scene of more than a minute's length.

Sure, the shenanigans (anyone that follows along with my reviews is aware I love using that word, and it feels fitting to mention as an aside that the first movie's terrific restaurant scene is why) are once again humorously out - of - control, but no one wants to be like any of these people.

Whatever sense of time catching up with these retirees, which gave a few scenes in the first movie some unexpected heart, have been sidelined in favor of character spouting plot information and action sequences that feel more compulsory than exciting.

If the first half's acerbic «Scenes From a Marriage» approach feels a touch familiar, the procedural minutiae of the second half proves almost inexplicably mesmerizing.