Sentences with phrase «first screen shot»

(referring to the first screen shot, and how it appears to be the same boss battle from dream land, dream land 2, adventure...)

Infact, after viewing the footage again, I would say they are on par with the first screen shot.

I think the most interesting piece is the first screen shot above; which asks you to rate possible benefits or incentives from the partnership for Amazon Prime members staying at Hyatt property including:

The first screen shot below is for a book that Amazon published that I found by conducting a search on Amazon.

For example, the first screen shot will feature a brief introduction, followed by an overview of the steps involved.

Check out the first screen shots of the HTC Flyer running Android 3.2 Honeycomb here.

Interactive Entertainment will release a sequel in October to its blockbuster Batman: Arkham City video game, Game Informer has debuted the first screen shots from Batman: Arkham Origins.

Telltale Games released the first screen shots from its «Batman: The Telltale Series,» but players familiar with Rocksteady Studios» «Arkham» Batman series shouldn't expect the two games to have many similarities.

Not exact matches

In addition to building the first light gun — a gun - shaped controller that allows users to shoot objects on screen — he created the forerunner to Atari's Pong game as well as the colorful electronic memory game Simon, which made its debut in 1978 at Studio 54 and continues to be sold today.

’08 race: the first (screen) shots.

The shots below, from Kennedy's first website, his first campaign site (1994), an even - earlier BBS site and a 1996 congressional site are really narrow — they had to fit on screens that are miniscule by today's standards.

I didn't keep a screen shot of the first one, but I did it myself and rest assured, it was pretty bad!

Previous ones have been chockful of screen shots showing the first page of published scientific papers.

First off if you take a look at the screen shot of just 2 emails (from the 14 we received) you will notice that there are orange circles around the words «Online Cupid».

Filmed on location in Italy and Spain and shot in brilliant Todd - AO and Color and directed by the great British director Carol Reed, Charlton Heston and Rex Harrison (in their first and only film together) give two of the screen's best performances.

I guess critics nowadays think its fine to rate a game after playing the first few minutes and looking at screen shots.

The first time they share the screen in The Post (and, surprisingly, in any film to date it seems) is a breakfast meeting early in the film, which Spielberg wisely frames largely in a lingering two shot.

If Winter can translate his success on The Sopranos and Boardwalk Empire to the big screen, and Scorsese can wrangle a cast that includes Matthew McConaughey, Jonah Hill, Jon Favreau, Kyle Chandler, Jean Dujardin, Margot Robbie, Jon Bernthal, and Rob Reiner, then this digitally shot production (a first for Scorsese) should be another must - see from the team that brought us Gangs of New York, The Aviator, The Departed, and Shutter Island.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

As Danny Boyle's go - to screenwriter after they brought his first novel, The Beach to the big screen, they injected a shot of adrenaline to the shambling zombie genre in 2000s with 28 Days Later, and turned in a brilliantly sly theological inquiry in the form of a space adventure Sunshine.

Anon uses a lot of first - person points - of - view, allowing the viewer to see through the eyes of the character — shots that involve a wealth of on - screen text.

After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958).

Two women stand with one behind the other at a window and both facing the camera; the second woman shoots the first woman in the back of the head (we hear the loud gun report and see a flare of light as the screen goes black and there's no blood).

That makes Infinity War the first movie shot entirely with IMAX digital cameras, and so when you see the film in IMAX screens, you're getting an image that was created specifically for that format from start to finish.

Mr. Turturro and Ms. McDormand (who plays a snappish government big shot, as you will know within her first five seconds of screen time) may be the only parts of the movie you want more of.

Last but not least in this section is «The Beginning» Making Episode 1, where we take a detailed look at most of the aspects of getting this project off the ground with scenes featuring organising the cast, final screen tests, getting over the daunting requirements for the effects, convincing Spielberg it's going to work, first day of shooting, stunt work and so much more.

It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off - screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on - screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless film since the first in Alfred Hitchcock's Rope.

With Warner Bros. premiering the first trailer for Batman v Superman: Dawn of Justice early due to a leak over the weekend, director Zack Snyder promised fans a little something extra during yesterday's IMAX screenings of the teaser, and sure enough a GIF file has surfaced showing the additional shot, which sees Ben Affleck's Dark -LSB-...]

As West explained in an impressive question and answer session after the film's first Melbourne screening, the aforementioned return is of the literal as well as stylistic kind, with the supposedly spooked location visited whilst shooting the earlier feature inspiring and providing the setting for the current ghost tale.

Though the movie takes place in the homes of two seventeen - year - old women, intricate camerawork and editing using shot - reverse - shot techniques to close in on first one speaker and then the next help to open the play for the big screen.

«Nobody shot that way,» she said of Edwards» daring camera, adding that the film may be the first time that someone died on screen, eyes open.

Its opening film is the British - produced mountaineering thriller Everest, featuring Anglo - American glamour in the shape of Jake Gyllenhaal, Keira Knightley and Josh Brolin; its competition strand has an impressive list of international auteurs, including Tom Hooper (The Danish Girl), Alexander Sokurov (Francofonia), Luca Guadagnino (A Bigger Splash) and Charlie Kaufman (Anomalisa); and a number of authentic coups, including the world premiere screening of Black Mass, the much - hyped gangster film featuring Johnny Depp as James «Whitey» Bulger, and a first look at Beasts of No Nation, the African - set war thriller that represents Netflix's most serious shot yet across Hollywood's bows.

, with a blazing inferno consuming the screen in the very first shot.

Not only does it not really draw us into the action, despite its first - person perspective, but a sizable portion of the film is actually not shown to have been shot by any of the characters we see on the screen.

In the first, Lorraine ducks K.G.B. agents by slipping into a screening of Stalker, which leads to some fitfully gorgeous shots of nasty close - quarters combat set against images from the Andrei Tarkovsky film's transcendent climax.

Though this is day 59 of Infinity War's seven - month shoot, this is the first day this many Marvel characters are on screen together in this movie, according to Mark Ruffalo, who sat down with reporters along with Chadwick Boseman last June.

An article in the Los Angeles Times tells us that that scene was written and shot after the first test screenings of the film, since the audiences wanted to know what happened to her.

Shot for $ 1.5 million over 30 days, Laughlin's film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer marks the first time the film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full screen versions, chopped Condon's second appearance as a «dead kid».

With shooting close to wrapping up in Los Angeles and plenty of interest shown in the film at Cannes, the first images from Nicolas Winding Refn's new thriller The Neon Demon have arrived online via Screen International.

«Enemy» Criminally overlooked in Toronto, perhaps due to some of the cell - phone-gate issues (one of the minor dramas went down during its first press screening), Denis Villeneuve's first collaboration with Jake Gyllenhaal is the experimental and artier cousin to «Prisoners» (which was shot only a few months afterwards).

The first comparison screen shots FS17 / LS19 have just been published (see above or below).

It's difficult to think of a more iconic star - making screen introduction than that first shot of John Wayne twirling and cocking the rifle as the camera zooms in on his face (see photo below).

Shot in pearly wide - screen black and white, Alexander Payne's «Nebraska» strikes a retro, melancholic note from the first frame.

The Claire Foy - starring «Unsane» is not the first feature film to be shot on an iPhone («The Florida Project» auteur Sean Baker made 2015 indie darling «Tangerine» the same way), but it's the highest in profile by far, with distributor Bleecker Street rolling out its incongruously sparkling 4K resolution and scuzzy mental hospital aesthetic on more than 2,000 screens in North America.

Partially, this can be credited to less screen time for Tara Reid, whose talent for infinitely gif - able reaction shots created so many laugh - out - loud moments in the first two films.

Shot back in 2007 and first screened in 2008, $ 5 a Day made a few film festival appearances, then got delayed, according to Cole, by a studio / investor legal dispute.

No footage was screened but Lee said it is the first time ever that a film is being shot on Sony cameras in 3D at 120 frames per second and he believes the future of filmmaking is exciting and will provide audiences with a new type of cinematic experience.

After all, the guy didn't just die off screen in the first movie — he was shot point blank right in the face.

The brutal, sickeningly realistic scenes of violence were met with audible gasps and appreciative applause in turn, and in the Q&A after the screening, director Jeremy Saulnier — by his own admission a little tipsy — waxed nostalgic about his teenage punk days and praised Patrick Stewart for his professionalism after Saulnier «shit the bed» on the first day of shooting.

Strother Martin must have gotten used to working fast in the»50s, when directors, while clearly enamored of his humorously harried manners and quick - to - turn - to - jelly face, would often give him only a single scene in which to make his mark: in John Huston's The Asphalt Jungle, his first screen appearance, he's given only a single shot.