Sentences with phrase «first screenplay credit»

This is Kazan's first screenplay credit, but we have no reservations on the quality of her work: her Off - Broadway play «We Live Here» unfortunately drew comparisons to the often histrionic and extravagant «Rachel Getting Married» for sharing a similar plot, but the former was actually a much stronger and subtler work without all of the miserablist Oscar - beggar mayhem.

But the most significant talent the filmmakers tapped was Rowling herself, who, having already churned out a stage - bound sequel («Harry Potter and the Cursed Child»), now earns her first screenplay credit with this cinematic prequel.

Not exact matches

Robbie Collin, The Telegraph: ««London Has Fallen's» screenplay is credited to four people, though I'd gently suggest that when your hero's dialogue becomes indistinguishable from a Britain First Facebook thread, it's time to abandon further script polishes and turn to a box of matches and a flame - charred oil drum.»

Certainly fans can rest assured that Fantastic Beasts is no conveyor - belt cash - in — with David Yates, the director of the final four Harry Potter films, at the helm and a script penned by Rowling herself (her first credited screenplay).

First, an almost flawless first time original screenplay by Aaron Guzikowski, whose only other writing credit was for his adaptation of the Icelandic film that became the Mark Wahlberg hit «Contraband.&rFirst, an almost flawless first time original screenplay by Aaron Guzikowski, whose only other writing credit was for his adaptation of the Icelandic film that became the Mark Wahlberg hit «Contraband.&rfirst time original screenplay by Aaron Guzikowski, whose only other writing credit was for his adaptation of the Icelandic film that became the Mark Wahlberg hit «Contraband.»

(He also wrote the screenplay but it's not his first; he shared credit for last year's Keanu.)

Park brought the DP Chung - hoon Chung, his regular cinematographer since Oldboy, but the rest of the talent was provided by the producers, from the stars to ace production designer Thérèse DePrez (wooed by hardcore indies as well as studio executives), including the actor Wentworth Miller, who signs here his first screenplay (and gets a production credit).

Leitch's first credited directorial effort is on «Atomic Blonde,» whose screenplay was written by Kurt Johnstad.

Her latest, Laggies, is her first directorial outing where Shelton has not also written the screenplay (Andrea Siegel gets her first credit instead), which divorces the film from a body of work largely improvised and often careening off the cuff to mostly enjoyable effect.

Francis Coppola's (he dropped the «Ford» in the»80s) Life Without Zoe (34:19) is the film's insignificant weak link, although it is noteworthy for being the first writing credit of Coppola's daughter Sofia, who has since blossomed into an esteemed director herself and an original screenplay Oscar winner.

Evidently, «The Grand Budapest Hotel» was conceived of with an old friend, but it will be the first feature - length screenplay that Anderson has penned that won't feature a co-authoring credit.

Josh Heald, who conceived the first film and shared screenplay credit with the duo of Sean Anders and John Morris, gets no credited help this time around.

As first reported by TheWrap, Joe Robert Cole will write «Black Panther,» and while it's unclear whether Coogler will have an official screenplay credit, he'll likely work with Cole and Marvel executives to hone one cohesive vision for the film, which is an important entry in the Marvel Comic Universe.

Essentially, the screenplay (credited to series veteran Simon Kinberg, from a story by him, Singer, Michael Dougherty and Dan Harris) follows one major through - line: the world's first and most powerful mutant, Apocalypse, has awoken after thousands of years.

Although Suzanne Collins, the author of the novels on which the franchise is based, has a screenplay credit in the first of the four films (along with two male co-writers) all four films were directed by men.

Alexander Payne (The Descendants, Paris I Love You) directs a decade - old Bob Nelson («The Eyes of Nye») screenplay, which marks his first time not receiving a writer credit on a film he directed.

The screenplay is by Lawrence Kasdan, who wrote or co-wrote original trilogy Star Wars movies The Empire Strikes Back and Return of the Jedi, as well as 2015 franchise reboot The Force Awakens, along with his son Jonathan Kasdan, whose previous credits include writing and directing the rom - com The First Time.

Starring Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye - Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano and Jaimie Alexander with Rene Russo and Anthony Hopkins as Odin, «Thor: The Dark World» is directed by Alan Taylor, produced by Kevin Feige, from a story by Don Payne (credit not final) and screenplay by Christopher Yost and Christopher Markus & Stephen McFeely (credit not final) and is based on Marvel's classic Super Hero Thor, who first appeared in the comic book «Journey into Mystery» # 83 in August, 1962.

Night of the Living Carrots (11:30; 12:30 with end credits)(First part released October 13, 2011) Director: Robert Porter / Writers: Bill Riling (screenplay); Robert Porter, Spencer Filichia (additional screenplay material); Rob Letterman, Conrad Vernon (characters)

His first prominent screen credit, which won him an Oscar, was for the screenplay of Midnight Express (1978)-- Alan Parker's masochistic bit of bombast about an American preppy serving time in a Turkish prison for possessing hash.

Likely the first time a comic book adaptation can be credited for putting as much effort into dialogue and screenplay as it does visual effects and stunts.

Ant - Man and the Wasp has 5 screenplay credits, Community and The Lego Batman Movie writers Erik Sommers and Chris McKenna, Gabriel Ferrari and Andrew Barrer who were production writers on the first film - and Paul Rudd himself.

A two - time Oscar winner for adapted screenplay, Payne has turned for the first time to a script he does not have a writing credit on, an original by Bob Nelson, who began his career as a comedy writer before turning his attention to Woodrow T. Grant, Woody to his friends, a man on a mission.

Paul Rudd returns (and is credited on the screenplay) as Scott Lang, dealing with the consequences of what happened in the first movie.