Sentences with phrase «first section of the film»

21:10 - The first sections of film have just been shown.

The first section of the film, in which Charley's life seems to be on an upswing, is filled with quiet moments of idyllic and even romantic seclusion — Charley working with the horses, cleaning up after them, taking scenic road trips with Del, watching the horses race, taking in the starry sky while lying the bed of Del's pickup truck.

It's a distinct change of pace after the first section of the film, which is, I think, why I didn't like it as much the first time I saw it, but in fact this part of the story is well done and quite compelling.

The first section of the film establishes the relationships between Dinesen, the Spanish lieutenant Pittaluga, Inga, and Inga's Spanish soldier - lover Corto.

Many nudge - nudge hints are dropped in the first section of the film, so when the film goes back to fill in the sordid details, it feels schematic and exasperating.

The first section of the film sees the formation of a shambolic artistic collective, consisting of Paul and Stan (Hugo Conzelmann) as Paradise Garage - influenced DJ duo Cheers, their cartoonist friend Cyril (Roman Kolinka, looking like a young Alain Delon), Cyril's girlfriend Anaïs (Zita Hanrot), and later, music journo - slash - club night organiser Arnaud (Vincent Macaigne).

The montage that makes up the first section of the film feels awkward also (and is in fact similar to The New World — it feels as if it had been cut down).

The first section of the film is an expositional wonder, as not only are the main characters (including Secretary of State William Seward (David Strathairn), Republican poobah Preston Blair (Hal Holbrook), radical abolitionist Thaddeus Stevens (Tommy Lee Jones) and various members of the White House - hold, among others) introduced and motivated, but the political issues involved are explained with a detail, clarity and respect for the audience's intelligence that's extremely rare in a Hollywood film.

Not exact matches

That's a pretty good description of the first third of «Deathly Hallows: Part 2,» and it may be no coincidence that it's the film's strongest section.

Most of the film's best moments come in this middle section, as we watch the couple deal with the strain and anxiety of deciding whose needs should be put first, and for how long.

The film also meanders aimlessly for large sections of the film, particularly for the first hour.

The Camera d'Or, which is given to the best first film from any section of the festival, went to Leonor Serrail's «Jeune Femme,» which screened in the Un Certain Regard section.

The first section of the podcast my guest, Gold Rush Gang member Matt Dinn, and I talk about the impact of this on the current landscape of the Oscar race, specifically to The Weinstein Company's awards efforts and the surprising news last week that Ridley Scott would cut Kevin Spacey out of his Getty kidnapping drama All the Money in the World, replace him with Christopher Plummer (the actor he originally wanted for the role of Getty) and the race to do this and keep the film's December 22nd release date.

«I am a Flatbush girl», first - time feature director Eliza Hittman said proudly at the world premiere of It Felt Like Love in the Next section (it later went to Competition in Rotterdam), and, while not entirely autobiographical, the film draws from her experience of growing up in this largely working - class neighbourhood of New York City's most populous borough, of these endless summers where you have to escape to the sea with your friends for fear of melting like the asphalt under your feet.

While the first two chapters of section one dealt with the field of Japanese cinema as one composed around actual films, the other two chapters in this section suggest that the field is one that analyses discourses around cinema culture at large.

Populated by an eager groom (Alexander Skarsgård), eccentric parents (Charlotte Rampling and John Hurt) and arrogant brother - in - law (Kiefer Sutherland) in the first half, before making room for an intimate examination of the family dynamic in the second section, the cleverly compelling film captures attention from the operatic opening to the moving conclusion.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaOF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaof love, loss, memory and the mystical.

The only indications of war that we get in the film are the occasional sirens and overhead planes, and if memory serves these are heard mainly in the first section, set in 1951.

The third part is little more than a fight against creatures that are a bigger threat to both sides than each other, but the momentum of the first two sections carries the film through its relatively anticlimactic final act.

The film begins sombre enough, yet finds amusement after the first section, which is carried through the rest of the duration.

It's such a wonderful score, and it's so good to be able to hear all of it for the first time away from the film - but on the other hand, the original album was exceptionally well - sequenced, balancing the action / adventure and romantic sections beautifully with each other.

(2) Two prizes were awarded, first to an animation film from Belgium, Oh Willy... by Emma De Swaef and Marc Roels and to a short live action film showcased in the Young Americans section, Roger Hayn's Introducing Bobby, the portrait of a bed - ridden ex-con.

A film designed to be the fiery response to critics of his combative style is his most pandering (in the first section Solondz uses a red square to obscure a violent (but consensual) sex act, a flaccid pre-emptive strike against the MPAA) and, in the end, his most fearful and apologetic.

His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival.

The comments section will be lit up with the inevitable questions about how I feel about the first «Blade Runner» so let's kick it off with saying, I am not a fan of the original film by Ridley Scott.

He's twice competed for the Palme d'Or and his first entry, 2009's «I Killed My Mother,» pulled in a series of awards and nods independent from its SCAD win, which goes to the best film in the Directors» Fortnight section.

Saldana spends the film's first section huffing over Spock's coldness, but once that conflict is resolved with a few lines, her screen presence consists of holding her hand to her mouth in shock.

In addition to these 11 first features in competition, the New Directors section of SFIFF57 includes 14 out - of - competition films, which will be announced at the Festival's press conference Tuesday, April 1.

This is the first time that Zombie has debuted a film at the world renowned Sundance Film Festival, where the Midnight section is notorious for being a «special showcase of the most challenging but rewarding film experiences from around the world brought to you at the most arduous hour.»

Fresnadillo is yet another director to watch (this is his second feature film), and he manages thrills out of the weaker sections 28 Weeks Later, which should be a completely unnecessary sequel as a whole in the first place.

The Forum Expanded section will be host to a double bill from experimental film great Ken Jacobs, with a new film Cyclops Observes the Celestial Bodies, a 15 - minute vision of «Cyclopean 3D», screening alongside Orchard Street (1955) which will be presented for the first time in its originally planned half - hour cut.

The parallel Un Certain Regard section also opened, and the Kenyan film «Rafiki» from director Wanuri Kahiu was one of the first films screened.

Muslims were a success story this year, including Mahershala Ali, beginning of section, who was the first Muslim to win an acting award and Asghar Farhadi who won Best Foreign Language film.

We also reject the notion in the beginning section of the film, because the screenplay by director Nuri Bilge Ceylan and his wife Ebru Ceylan spends the entirety of the first act on a conflict that Aydin appears to do everything in his power to avoid.

CBGB is titled after the Bowery - section, East Village Manhattan nightclub established by Hilly Kristal (played in the film by Alan Rickman, The Butler) in 1973, mostly known for being one of the first places to break in many American punk rock and new wave acts.

On the first weekend, there's «An Afternoon with Molly Shannon» and the World Premiere of her new film Miles, and Viggo Mortensen will receive the Outstanding Achievement in Acting Award on Saturday, June 11 with a screening of Captain Fantastic, the spotlight section of a retrospective that includes revivals of Eastern Promises, A Walk on the Moon, and a midnight screening of Lord of the Rings: Return of the King.

The motion picture based on the first book is opening on Valentines Day and this is leading bookstores to capitalize on the film by once again devoting a large section of real estate to promote the book.

«The document states that: «Any person who intends to distribute any film, game, or certain publication in the Republic of South Africa shall first comply with section 18 (1) of the [1996 Films and Publications] Act by applying, in the prescribed manner, for registration as film or game and publications distributor.»»

The first section of the exhibition displays photographs, paintings and films in which the stolen or missing object becomes the scene or evidence of a crime.

Her first short film «What do I Know», premiered in Corto Cortissimo section of (64th) Venice International Film Festival and circulated over 40 film festivals winning Best Short Film awards at (5th) Zagreb Film Festival and (15th) Adana Film Festival.

The Woolworths Choir of 1979 (2012) is a film installation which comprises three distinct sections; the first examines the choral architecture of churches; the second concentrates on coordinated dance routines performed by pop groups and backing singers; and the third focuses on archive footage from a fire at the Woolworths department store in Manchester in 1979.

Cairo - based Maxa Zoller curates the Film section, which includes Takashi Murakami's first feature film Jellyfish Eyes and the European premier of Lisa Immordino Vreeland's Peggy Guggenheim: Art Addict.