Sentences with phrase «first square screen»

Matthew Ball, BlackBerry Managing Director, Australia and New Zealand said, «We are excited to bring the first square screen design and touch - enabled...

Not exact matches

The first major overhaul since Apple introduced Retina Display screens in 2012, the new lineup features a thinner, more squared off body, the elimination of almost all ports but the USB - C connector, and the cool looking «Touch Bar» screen atop the keyboard.

At first glance the mammoth screen running down a former parking ramp at Lincoln Center looks like something on loan from Times Square, about a dozen blocks to the south.

When I first heard about the wind waker HD remake I thought it would have been interesting to see a sort of Wind Waker HD collection: including Wind Waker, Phantom Hourglass and Spirit tracks, it would have taken longer sure but all we needed was technically there: the two screens... And it's not like making a gamer from a portable to a console is anything new, I mean square enix did it with chain of memories a GBA game then into a PS2 game.

But as Saudi Arabia opens its first movie theater in 30 years with a screening of «Black Panther» — imagine women who finally got the right to drive this year beholding the Dora Milaje — Turkish people are alarmed that their government, which just disrupted the last major dissenting newspaper chain, threatened people over their footage of Taksim Square, intermittently shut off YouTube and Twitter, and is poised to ban teaching evolution in schools, is making it hard to share their stories with the outside world.

The upper right square, the first to appear on - screen, is occupied by Emma Green (Figgis regular Saffron Burrows), the troubled wife of philandering movie producer Alex Green (Stellan Skarsgard), who tends to occupy the lower right square.

Discussion Topics Rating System Announcement Jackson Square Stories Reed's Prediction The Court of Public Opinion Spoilers First Memories of On - Screen Nudity Mom Mentality

A disjointed exercise in cosplay action theatrics that evidences the worst instincts of cobbled - together Hollywood overindulgence, «G.I. Joe: Retaliation» by and large ditches the characters of its first big screen iteration, 2009's «G.I. Joe: The Rise of Cobra,» in favor of a new story of square - jawed elite military defense against terrorism.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

For the rest of us, we'll have to check out these first few screens from the next cross-over fighting game from Square Enix.

When you launch C&C Generals for the first time you view these amazing 3D battle shots with a detailed menu system, and all the while the screen rotates around the city square under attack.

Now in its sixth year, Sculpture in the City, the City of London's annual public art programme, launches tomorrow with the first ever screening of Petroc Sesti's digital piece Solar Relay — one of 17 works of art in the open - air sculpture take - over of the Square Mile, Sculpture in the City.

• The first public screening of the Tate Movie Project's The Itch of the Golden Nit, in which more than 34,000 children across the UK participated, took place in Trafalgar Square in July 2011.

The first exhibition comprised four installations from the»60s and»70s as well as Mirror Film, 1969; for the second, Morris has constructed a gigantic (1,000 - square - meter) labyrinth, wherein four of his vintage performances will be presented on video screens: 21.3, 1964; Arizona, 1963; two versions of Waterman Switch, 1965; and the now - famous Site, 1964, in which Carolee Schneemann appears in the role of Manet's Olympia.

Encased in an open - weave wood screen, the 33,000 square foot structure is the Japanese architect's first permanent museum in North America.

On Friday 8 September, audiences can enjoy a specially curated selections of video works from The Centre Of The Less Good Idea's first season, which will be projected on a large outdoor screen in Nelson Mandela Square.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

The LG G Watch sports a square 280 x 280 screen, under which beats a Qualcomm Snapdragon 400 processor, a fairly common component in first - generation Android Wear pieces that also graced the ZTE ZMAX and the original Moto G. Another spec that was common among the first - generation devices, and is indeed shared with the aforementioned Moto 360, is 512 MB of RAM, an amount that, in the land of smartphones, was relegated to devices from 2010, for the most part.

You may not notice it at first, but the bezel around the display actually rounds off the edges of the screen making that square display look less awkward inside the more rounded body.

A leaked photo that first appeared on SlashLeaks before winding up on Android Headlines claims to show the S8 Plus alongside a Galaxy S8 and squares with what we've heard about the screen sizes for the new phones — a 6.2 - inch display for the S8 Plus and a 5.8 - inch screen on the S8.

As you can see in the image above, the Galaxy S8 and Galaxy S8 Plus shown appear to be black color options and the Always - On Display, which first debuted on the Galaxy S7 and S7 edge, show the current time, date, and square on - screen button toward the bottom of both displays.

It was jarring at first to see all the little tiles and squares on the Lumia 635's screen, instead of app icons.