Sentences with phrase «first such exhibition»

The first such exhibition is scheduled for November 2010: a solo show by the German artist Anton Henning featuring twenty paintings, three sculptures, an installation, four videos and eleven drawings.

The Indivisible Present is the first such exhibition, focussing on unconventional perspectives on time.

The Pennsylvania Academy of the Fine Arts offers a comprehensive retrospective of the career of Norman Lewis, the first such exhibition to be devoted to this African - American Modernist painter and one that invites viewers to consider Mr. Lewis's place in the history of the country's art.

Not exact matches

Many of the historical details, such as the first person Barnum ever put on exhibition — a nearly blind and paralyzed slave woman named Joice Heth he claimed was over 100 years old and owned by George Washington himself — are completely removed from the story.

As one of the first festivals to champion VR as a dynamic form of storytelling, this year's offerings include 33 virtual reality (VR) innovative exhibitions and experiences from top creators such as Jeremy Bailenson, Chris Milk, Eliza McNitt, Eugene Chung, Gabo Arora, and Saschka Unseld, and emerging artists Asad J. Malik, Gabriela Arp, and Lucas Rizzotto.

Sanctioning is one of the first steps toward being approved to hold AKC dog shows and obedience trials, a long - range goal of the club.Sproul and other club officers say they are making a determined effort to continue the programs that Seminole has initiated.The Seminole club has initiated such programs as annual purebred dog exhibitions demonstrating important aspects of owning, raising and training dogs; health seminars that bring in experts to discuss topics that have included hereditary eye defects, skin disorders and behavioral studies; and matches offering ring conditions to provide experience for handlers and dogs.

«I am delighted that World Travel Market Latin America is the first exhibition that is able to facilitate such business opportunities for both Brazil and the region.»

Reed Travel Exhibitions Director World Travel Market Simon Press said: «I am delighted with the line - up for the first WTM Vision Conference — Beijing after such as a successful conference last year in Shanghai.

It doesn't end there, the exhibition also walks through the world of consoles from the first console to ever be released, «The Brown Box» (1968) to hand held consoles such as the original Nintendo Gameboy (1989).

As is becoming increasingly more common with the plethora of exciting new advancements in the series, this tournament will be rife with a plethora of announcements of upcoming events such as our 2nd holiday event and our first ever AniClash Elite Exhibition, and — naturally — will also be packed with an intense suite of top tier BlazBlue netplay action.

BOOKSHELF To learn more about Robert Colescott's work consider «Robert Colescott: A Retrospective, 1975 - 1986,» which accompanied his first survey exhibition, along with other catalogs, such as «Robert Colescott, Recent Paintings» (1997) and «Robert Colescott: Troubled Goods - A Ten Year Survey (1997 - 2007).»

Consisting of twelve identically scaled anodized aluminum works, the historic exhibition at the Kunsthalle Baden - Baden was significant in that it marked the first time Judd used colored anodized aluminum in such a large, floor - mounted format.

VHILS — has a double exhibition coming up in Paris at Danysz Gallery and Centquatre, the first of such a scale in France.

The exhibition concludes with artefacts from the formation of Experiments in Art and Technology (E.A.T) in New York in 1966 which saw performances over nine evenings from artists such as Robert Rauschenberg, John Cage and Yvonne Rainer working together with engineers from American engineering company Bell Laboratories in one of the first major collaborations between the industrial technology sector and the arts.

The exhibition will also feature many little - known treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, and recent acquisitions on view for the first time at MoMA by Ruth Asawa, Carol Rama, and Alma Woodsey Thomas.»

She first received public recognition in New York when her richly - colored canvases holding single shapes were prominently featured in the New Image Painting exhibition at the Whitney Museum in 1968 with works by artists such as Susan Rothenberg and Joe Zucker.

After being shown at prestigious museums such as Moderna Museet in Stockholm, and the Hamburger Bahnhof in Berlin, the exhibition comes to Museo Picasso Málaga, presenting for the first time in Spain the work of this unusual artist, with more than 200 works that summarize her complex, consistent and radical career.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

Since 2005, Bojan worked closely with Ulay, writing, curating, and producing materials for several international exhibitions such as Ulay's first major retrospective, GEN.E.T.RATION ULTIMA RATIO, (2005), at Centro Parraga, Murcia, Spain, while contributing to his recent retrospectives at Nederlandse Fotomuseum, Rotterdam, and Schirn Kunsthalle Frankfurt.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).

Included were group exhibitions such as Heart of Darkness, Kröller - Müller Museum, Otterlo, The Netherlands; First Shanghai Biennial, Shanghai Art Museum, Shanghai; Hong Kong, Etc., Second Johannesburg Biennial, South Africa; and Aperto Overall, 48th Venice Biennale.

Said the board, «Ghez has played a pioneering role in the field by introducing and giving young artists such as Jeff Wall, Mike Kelley, Isa Genzken, Thomas Struth, and Kara Walker their first museum exhibitions.»

While the exhibition sticks to sculpture, France, too, had a Minimalism, with such painters as Daniel Buren and Olivier Moesset, the first two letters of what now and again billed itself as BMPT.

bau bau is the first exhibition devoted to Céline Condorelli that includes the many - facets of her work, such as sculpture, installation, display devices, research, writing and teaching; her comprehensive approach draws from Italian traditions of art and design, such as that of Bruno Munari, as well as conceptual art and the relational art of the 1990s.

A number of them — such as Berlinde De Bruyckere, Thierry De Cordier, Anton Henning, Roni Horn, Anri Sala, Fiona Tan, Rosemarie Trockel and Luc Tuymans — were introduced to the Netherlands by De Pont or had their first major exhibition here.

Her work has been included in national juried exhibitions, at venues such as Louisiana's Ogden Museum of Southern Art, New Orleans Contemporary Art Center, River Oaks Art Center, and at LSU's Student Union Gallery, where she was awarded first place at the 20x20x20 National Compact Exhibition.

The Container has received rave reviews from the very first exhibition, proving the potential of such experimental curatorial approaches and forms of display.

The first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.

The exhibition's deconstructed shapes and splitting of light aren't a vacant imitation of the formalism that art history knows and loves, but a pop cultural celebration of discovering such simplicity for the first time.

We can't wait to be a part of such a vibrant and growing art scene, and look forward to introducing Alexandre Farto's bodies of works for his first solo exhibition in America.»

This being Frieze week, there are plenty of other — free — art shows to check out, such as the first major solo exhibition of Oscar Murillo at the South London Gallery.

Prior to her trumpeted appointment, she'd made her mark on the Los Angeles art landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradford.

There she founded the first graduate level curatorial studies program in Latin America; RIM, a residency program for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.

We are thrilled to announce Katy Moran's first solo exhibition at Andrea Rosen Gallery, and to welcome such a dedicated painter to the gallery's program.

The first section of the exhibition features these early experiments, conducted in the mid - and late - 50s, while Oiticica was a member of Grupo Frente (The Forward Group), which was led by his teacher, the painter Ivan Serpa, and included such artists as Lygia Clark and Lygia Pape.

Saville is represented by seventeen paintings and a number of drawings that span her career thus far, including several monumental paintings, such as Fulcrum and Ruben's Flap (1999), first exhibited in her landmark 1999 solo exhibition at Gagosian's former Wooster Street gallery in New York.

His first one - person exhibition took place in 1950, and was shown in major solo exhibits, in group exhibitions such as MoMA's «The Art of Assemblage» and the 1970 Venice Biennale, and is in many major museum collections.

Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.

The gallery has organized and curated exhibitions that have become seminal in the Nordic context, successfully launching the careers of Scandinavian artists such as Annika Larsson, Matts Leiderstam and Annika von Hausswolff and giving artists such as Uta Barth, Siobhán Hapaska, Nandipha Mntambo and Xavier Veilhan their first European or Scandinavian one - person exhibition.

His work received also much attention in France where he participated in major exhibitions such as Electra, Musée d'Art Moderne de la Ville de Paris, 1983, Britannica, 30 years of Sculpture, Musée des Beaux - Arts André Malraux (1990), Le Havre, where he had his first French retrospective in the same year.

Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).

February brought us Leap Before You Look: Black Mountain College 1933 - 1957, the first comprehensive museum exhibition in the United States about the experimental liberal arts college where influential artists such as Robert Rauschenberg, John Cage, Josef and Anni Albers, and Merce Cunningham studied and taught.

Other notable solo exhibitions explore significant artists working today, such as Salon 94's presentation of new works by MoMA - honored Pakistani sculptor Huma Bhabha, and the first four - decade survey of Joyce Pensato's work, presented by Petzel.

Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.

The exhibition begins with paintings based on the square, the grid and architectural details, such as The First Vent (1972).

In collaboration with the Gordon Parks Foundation, this first half of a two - part exhibition focuses on Parks» lesser - known bodies of work, such as his elegant compositions of artists in their studios, as well as his timeless fashion photography.

When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.