Sentences with phrase «first tapestry work»

Not exact matches

It speaks directly to the old / new tapestry of this work, noting that her team's biggest test is staying faithful to Catholic education's «historic mission while updating it to stay relevant to a new generation of children and the challenges of the twenty - first century.»

As of early 2017, Hilton has 7 Tapestry Collection by Hilton properties in the works with the first expected to open in 2017.

In her first solo exhibition in a UK public institution, the Serpentine showed work from across her career and including paintings, drawings, poetry, film and tapestry.

Sneak into this first floor working studio featuring Brent Owens's tapestry - inspired wood sculptures, Sarah Bednarek's model shop, Stephen Truax's geometric paintings, and Jess Grable's creepy chandelier made from horseshoe crabs.

Upstairs, you can see other examples of the artist's lithographs and etchings, and one of her latest works — her first tapestry, depicting strange and sinister characters inspired by a 16th - century folk tale.

The exhibition (26 April - 28 August 2017) marks the first time the artist has worked in the medium of tapestry and will include a series of preparatory works on paper in an installation conceived by the artist for the Gallery's Sunley Room.

This show also features Rego's first tapestry; a large - scale work made this year, based on a 16th - century folk tale of a daughter whose father was raised by eagles.

The exhibition pays tribute to the vision and work of Professor Maryn Varbanov (1932 - 1989), a Bulgarian artist who started the Varbanov Tapestry Research Center in the Zhejiang Academy of Fine Arts in 1986, the first contemporary fiber art research center in China, which later led to the founding of the Fiber and Space Art Studio.

The Art Center first exhibited her work in 1987 as part of a three - person exhibition also organized by Richard Born who then described her tapestries as «simultaneously utilitarian objects and works of independent beauty intended both for use and appreciation at the same time.»

Opposite these works, two large new tapestries will be shown for the first time.

To highlight the connection — and a contemporary leap — of Close's work vis - à - vis the Dutch tradition of portraiture, the exhibition also includes a tapestry (arguably, the first digitized medium in history and of Northern European origin) and a smaller painted self - portrait on loan.

The magnificent tapestries from Peter Paul Rubens's «Eucharist» series (made in Brussels between 1625 and 1633) are hung with their modelli from the Prado's collection, offering a rare chance to compare developments from first ideas to finished works.

Knowing that her tapestries risked being dismissed as craft, Zorach made a point of referring to these works as «modernistic pictures done in wool» In 1923, the Montross Gallery mounted her first solo exhibition of her modernist pictures in wool, Embroidered Tapestries by Margueritapestries risked being dismissed as craft, Zorach made a point of referring to these works as «modernistic pictures done in wool» In 1923, the Montross Gallery mounted her first solo exhibition of her modernist pictures in wool, Embroidered Tapestries by MargueriTapestries by Marguerite Zorach.

(4) Knowing that her tapestries risked being dismissed as craft, Zorach made a point of referring to these works as «modernistic pictures done in wool» In 1923, the Montross Gallery mounted her first solo exhibition of her modernist pictures in wool, Embroidered Tapestries by Margueritapestries risked being dismissed as craft, Zorach made a point of referring to these works as «modernistic pictures done in wool» In 1923, the Montross Gallery mounted her first solo exhibition of her modernist pictures in wool, Embroidered Tapestries by MargueriTapestries by Marguerite Zorach.

In early 2011, the Museum of Art and Design in New York presented the first survey of Judy Chicago's work in tapestry which dates back to the mid 1970's.

Weaving the World is the first substantial monograph on the Swedish - born, Norwegian modernist textile artist Hannah Ryggen (1894 - 1970), and presents works from her entire career with an emphasis on her political tapestries from the 1930s.

This will be the artist's first exhibition with the gallery and will display the largest work from the artist to date, with tapestries over eight feet wide.

Working with Magnolia Editions, the artist translated the painting into a large - scale [14 - foot - wide (4.3 m)-RSB- Jacquard tapestry, his first and only textile work.

It will feature new works, including drawings, monoprints, sculptures, tapestries, embroideries and neons, and will be installed throughout Turner Contemporary's suite of first - floor galleries.

Victoria Miro sold a Grayson Perry tapestry in the first hours of the fair as well as a strong selection of works by Yayoi Kusama, and Hauser and Wirth capitalized on its selection of paintings by Zhang Enli, selling three between $ 180,000 and $ 240,000 in the first day, before selling another group of works by the artist as the fair moved into its second day.

She not only presented him with his first set of artist's materials but also gave him a series of postcards depicting the Bayeux Tapestry, a work Diebenkorn frequently cited as a shaping influence.

In 1953, Jan Yoors, the Belgian - born artist working in tapestry, painting, sculpture, and photography, had one of his first New York solo exhibitions at the gallery.

A work by Chinese Jia Ailli premiers on the western market and sells for $ 353.177 and the first Gerhard Richter tapestry to hit the auction market sold for $ 1.5 million.

An artist engaged since the early 70s with feminist discourse and digital media, Van Kerckhoven makes work in a variety of collage materials but in the current show has her first ever tapestry.

This exhibition foregrounds Milhazes» explorations in a variety of media including painting, installation, sculpture and collage and her first ever tapestry: a unique, major work created especially for the show.

EXHIBITION: British painter Chris Ofili «s first - ever tapestry is going on view, along with his sketches for the work, at the National Gallery in London.

Artist: Charlie Billingham Exhibition title: Schaulust Venue: Supportico Lopez, Berlin, Germany Date: June 15 — July 18, 2015 Photography: Nick Ash, images courtesy of the artist and Supportico Lopez, Berlin In his first solo exhibition at Supportico Lopez, Schaulust, Charlie Billingham presents a new body of work encompassing painting, tapestry and sculpture.

Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».

The first solo exhibition in France of the works of Etel Adnan, organized by the Institut du Monde Arabe, whose home is a Parisian landmark designed by Jean Nouvel, brings together a selection of paintings, drawings, films, poetry, and tapestries by the ninety - one - year - old Paris - based artist.

Forty - five works by Renaissance old masters will be on view in the Midwest for the first time in the exhibition Offering of the Angels: Paintings and Tapestries from the Uffizi Gallery.