Not only are they unveiling Bookerly,
the first typeface designed for the Kindle for scratch, but they're finally solving the Kindle's typesetting problems with an all - new layout engine that introduces better text justification, kerning, drop caps, image positioning, and more.
The company has made a big step towards better typography with the advent of Bookerly,
the first typeface designed for the Kindle for scratch.
It is
the first typeface designed for the Kindle for scratch and solves a longstanding problems with text justification, kerning, drop caps, image positioning, and more.
Not exact matches
In 1551, 12 years after Olaus Magnus
designed his famous Carta Marina, Antonio de Espinosa — unknown to the World but adored in Mexico — cut the
first original printing
typefaces of the Americas, severing the strict lash of Seville over anything book in the territories that now we call Latin America.
This catalog was produced on the occasion of the exhibition ARLENE SHECHET In the Meantime April 27 — May 27, 2017 Corbett vs. Dempsey 1120 North Ashland Avenue, 3rd Floor Chicago, IL 60622 Tel. 773-278-1664 www.corbettvsdempsey.com Text John Corbett Publication Editor Emily Letourneau Photography Lee Stalsworth Phoebe d'Heurle Arlene Shechet Catalog
Design David Giordano
First printing, edition of 1,000 Printed on 100 # Classic Crest Eggshell cover stock And 100 # GPA Silk text stock
Typefaces: ITC Cheltenham Std, Nueu Haas Grotesk Text Std © 2017 Corbett vs. Dempsey All rights reserved All works © Arlene Shechet 2017 ISBN 978 -0-9974995-9-9 Printed in Illinois CvsD0110
Charting its Bauhaus origins to its use as the
first font on the moon in 1969, Futura: The
Typeface is a new book that tells the story of how the typeface went from representing radicalism in design to depend
Typeface is a new book that tells the story of how the
typeface went from representing radicalism in design to depend
typeface went from representing radicalism in
design to dependability.
Fiona Banner has
designed her own
typeface for the
first time, used across Ikon print and signage for the duration of her exhibition.
In honor of the
first typeface acquired for MoMA's collection, the installation presents posters, signage, and other graphic material demonstrating the variety of uses and enduring beauty of this
design classic.