Sentences with phrase «first video installation»

The first video installation The Weeping Woman, Tate Liverpool 2009 and a smaller contemplative video portrait entitled Ruth Drawing Picasso, Tate Liverpool 2009.

Doug Aitken's first video installation in New York for 10 years, New Era, tracks the reflections of Martin Cooper, inventor of the mobile phone.

And one day I walked into this gallery where I saw the very first video installation of my life.

Not exact matches

Manifesto started out as a multiscreen video installation, first exhibited at the Australian Centre for the Moving Image, Melbourne back in 2015, before additional screenings in Berlin and New York last year.

From the magic lantern - style innovation of his sculpture installation Six Men Getting Sick to the fixed camera placements of The Alphabet to the rudimentary narrative of The Grandmother (whose heavy's freakishly accentuated jawline transforms his countenance into that of a snarling villain in the «Perils of Pauline» mode) to, finally, the total aesthetic compromise of the shot - on - video The Amputee, the first few entries contained on «The Short Films of David Lynch» imply that there is only one destiny for the medium, whether its evolution is spread out over a century or concentrated in the time it takes for an artist to develop a conscience.

His first major work, Bear (1993), was a video installation that depicted two naked men standing in an empty room and exchanging glances that could be read as either flirtatious or antagonistic.

However, I'd highly recommend watching their installation video first, that's what I did, before getting started.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

The haunting installation, which features imitation artifacts, photographs, video and a reproduction of the bar's entrance, was first shown at the Contemporary Arts Center in 2008 during Prospect.1.

For his first solo museum exhibition, Arunanondchai presents 2012 — 2555, a large - scale installation which is the first in a trilogy of video - installations.

On view for the first time in U.S. is Transbarroco, Varejão's only multi-channel video installation to date.

Organized by the Stuttgart - based Institut für Auslandsbeziehungen (IFA) and featuring more than 200 photographs spanning 1986 to 2017, as well as installations, video works, and publications, this is the artist's first exhibition in Africa.

Showing for the first time at LWP, Silva will present an assortment of 2D collage sculptures and paintings in Gallery Y and a large - scale multi-sensory, multi-media, video animation installation in Gallery X. Featured in Gallery O is...

On view last year at Jeu de Paume in Paris (Simpon's first European exhibition), the presentation at Addison Gallery features «Chess,» 2013, a three - channel video installation making its U.S. debut.

This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture and power structures through video, media, installation and performance.

MoMA PS1 presents a series of solo project exhibitions by four international emerging artists, including the New York premiere of videos by both Edgardo Aragón and Ilja Karilampi, Caitlin Keogh's first solo museum exhibition, and the presentation of a new installation by Rey Akdogan.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

@ Blaffer Art Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger Delta.

Working in photography, as well as video and installation, her projects have documented same - sex marriage and used first - person accounts to surface the «experience of living in a country that constitutionally protects the rights of LGBTI people but often fails to defend them from targeted violence.»

First, enter Modisakeng's Passage (2017), a three - channel video installation that is a poetic, heartrending meditation on displacement, slavery, and violence.

This is the first UK exhibition by Swiss artists Silvia Bächli and Eric Hattan, including drawing, video installation and sculpture.

Johnson first received critical attention at the age of 24 at the Freestyle exhibition at the Studio Museum in Harlem, has worked in photography, sculpture, and mixed media / video installation.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

His first US retrospective «Juan Downey: The Invisible Architect» was held last year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.

Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.

That means Elizabeth Price is showing the same video installation, The Woolworths Choir of 1979, as she did at the Baltic in Gateshead; Luke Fowler is exhibiting his 93 - minute film All Divided Selves, exploring the controversial psychiatrist RD Laing, which was first shown in Edinburgh; and Chetwynd is restaging key moments from a month of performance madness that she organised at Sadie Coles Gallery in London.

Eight, Eighteen Teresa Hubbard and Alexander Birchler present two video installations — Eight, which was first presented in 2002 at Artpace, and the world premiere of its follow - up, Eighteen — and a selection of other recent video and photographic work.

Life and death 7 January Oscar - winning artist / film - maker Steve McQueen's fifth exhibition at Marian Goodman Gallery, Paris (and the gallery's first for 2016) comprises a two - channel synchronised video, Ashes, and a new neon light installation.

Having conquered the U.K., Prouvost is now taking her offbeat, literarily minded work to the New Museum for her first solo show in the United States, a lobby installation called For Forgetting that will feature a mural, «scattered sculptural elements,» videos, a film, and more.

For the first time, Prospect will also exhibit in Lafayette, Louisiana with a video installation by Grazia Toderi presented at the Acadiana Center for the Arts.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding...

In the first interactive video art disc, indeed the first interactive art installation, users make decisions for Hershman Leeson's agoraphobic female protagonist, interacting with the piece through the use of a remote control connected to a television set.

For this installation, the North American artist connected touch screen and video disc to an artistic work for the first time.

His first solo show in Russia focuses on a new video installation called Young Turks, a documentary - style exploration of modern Turkish identity; it follows students at Turkish international schools as they prepare for a competition called the «Turkish Olympics.»

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding into ideas of history and place.

Featuring 52 artists / artist collectives in total, the exhibition will occupy the whole first floor of the museum and present work ranging from painting, sculpture, installation to video and animation.

The survey comprises nine video installations, from his first two - screen project Interface in 1995 to Immersion, 2009, about the use of virtual reality in the treatment of traumatised US soldiers -LSB-...]

While German artist Wolf Vostell was the frist ot incorporate television sets into his installations, the first formal explorations of video art came during the Pop Art movement of the mid-twentieth century.

Jon Rafman (b. 1981) is a Montréal - born and based artist who, for his first major museum exhibition in Canada, has assembled a vast body of work in a variety of photographic works and video installations.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

For her first solo exhibition with the gallery she will debut two significant new video installations, Roja (2016) and Sarah (2016), including new photographs from the Roja series.

The first contains Secondary Stories and the next room holds a video installation that's inspired by the first day of Lent (and the contrast that brings following Carnival).

This first major survey dedicated to the collective brings together multipart projects from the past five years, comprising video, installation, and sculptural works that represent the scope of the group's artistic practice.

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

Marking its first appearance in the U.S. in nearly two decades, the final gallery presents an immersive six - channel video installation titled It's late It's late and the wind carries a faint sound as it moves through the trees.

«24/7,» the artist's first solo museum show, celebrated the obsessive and creative mapping of her daily rituals as a consumer / collector in a dazzling selection of over 20 works, including drawings, sculptures, installations and videos from 2001 to the present.

In the first floor galleries, a three - channel video installation features the dancing figure of the artist illuminated by a scanning light source.

Since first making innovative use of audio and visual technology in the early 1980s, her groundbreaking installations, multi-screen videos and audio works have achieved international recognition.

An exhibition that pays homage to the very first artists in residency in Qatar 15 years ago, it includes installations, photographs and videos of what Doha's inaugural art residences were like, introducing visitors to a part of Qatar's recent history that has never been shared so extensively before.