Sentences with phrase «first viewing of the films»

I reviewed the English language versions of each film, in my first viewing of the films since Anchor Bay first released them to VHS at the end of the nineties.

I have no wish to spoil anyone's first viewing of the film, so I'll keep the specifics of the major points out of this review, but some details have to be discussed in evaluating whether the film is a creative success.

Not exact matches

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A film which deserves multiple viewings, one of the aspects which stands out is the mad combination of seriously expensive and impressive special effects with a message so radical it's a surprise Hollywood allowed the film to be produced in the first place.

The hills are alive... During the first of many backpacking trips, Gazzaley shot 70 rolls of film, including this view of Otago Peninsula on New Zealand's South Island, and experienced a sense of connectedness with nature that he'd never felt before.

The researchers then used functional magnetic resonance imaging (fMRI) to scan 21 of the participants» brains while they viewed pairs of short film clips showing classmates of varying status within this social network, telling them all they needed to do was indicate whether the clips in each pair were the same or different, and that this task was unrelated to the first part of the experiment.

The 38 - year - old was first spotted sporting the heels for a viewing of the new film «Can't Stop, Won't Stop: The Bad Boy Story» with Kendall Jenner and friends on Wednesday.

But speaking as one not of the demographic, and having seen the first film and enjoyed Dudley Moore's antics, my repeat viewing of the remake comes from an admittedly skewed lens.

The film was funny when first released, however it's not one of those films that has stood the test of time, and quite frankly got sillier with every viewing.

I felt the need to state that after my viewing of The Killing of a Sacred Deer, because this is a film that will truly make people not see another movie for weeks or just simply turn it off after the very first frame (I'm not exaggerating).

The film constantly plays with expectation like this; for both fans of the comic and the first film there is a lot of cleverness at play here and so many types of jokes stuffed into a single scene that repeat viewing will surely be required.

The film is hilarious, if viewed in context, but of course having watched it dozens and dozens of times since my first viewing in the early 1960's in an «art cinema» in Greenwich village, I no longer laugh out loud, but enjoy my silent amusement, because I love satire.

What made the first film work as well as it did was the way Hirst took and reworked historical facts to suit the rise (or decline, depending on your point of view) of an innocent, love - hungry young woman into a cold, sometimes cruel statue of a queen.

Upon first viewing «Alice Sweet Alice» it comes across like you average Italian Gaillo / Slasher type film but as it slowly unfolds you begin to realize that it's an indictment of how religious fanaticism can effect the minds of those who are not that stable to begin with.

Perhaps it's nostalgia, if not for the simpler thrills of childhood viewings (this was my first time seeing the film) than for the off - the - wall, predictable, and good - natured stories that the Disney studio has long dabbled in.

One small but important note; though most of the film is in English, some of it is not and the needed subtitles were not activated by default for me on my first viewing.

His subsequent career as a director did not quite hit the heights of that first film, but what followed still proved Hopper to be a fascinating filmmaker with a unique point of view.

It has been many years since my last viewing of the first film, so I should probably watch it again soon.

Alfredson's two major points - of - reference in Tinker, Tailor appear to be the later films of Jean - Pierre Melville (who seemed to be the dominant influence the first time I saw the film, projected) and the current work of David Fincher (whose influence seemed to dominate my second viewing, from DVD).

I admit I really didn't enjoy this one upon a first viewing, but after watching the director's cut of the film, which is far superior, I really got into this one.

In Black & White: The Women (published on Parallax View here) The first of two articles on women in film, this one stepping off from a review of Molly Haskell's From Reverence to Rape By Kathleen Murphy

An extremely positive view of what goes on inside the Grey Lady is made memorable by the film's center character David Carr, who initiated the Times» first dip into the Oscar pool with «The Carpetbagger.»

Every piece of the frame is alive with details that can go unnoticed on a first viewing, and I urge a second viewing to really see this film.

Spurned first by the French New Wave iconoclasts as belonging to the «tradition of quality» and later for the extremist political views their director embraced as a member of the right - wing National Front, Claude Autant - Lara's wartime films are rarely seen today.

Still, there are a few films whose second or third viewing is as likely to «set the hook» as the first, and David O. Russell's 2004 existential screwball comedy is one of them.

With Krieps on board, it also somehow feels like the Hitchcock movie Audrey Hepburn didn't get to make but clearly channeled through the unique mind of Anderson, a film - savvy writer - director responsible for such fever dreams as Boogie Nights, Magnolia, Inherent Vice, and of course There Will Be Blood, his previous adventure with Day - Lewis that also felt like a movie stitched together out of something not easily explained on first viewing.

On first viewing, the jargon can overwhelm viewers less philosophically inclined, but in his efforts to find meaning in a series of coincidences, Albert Markovski (Jason Schwartzman) is engaged in the same comedy as the film's viewers — desperately trying find order and meaning in a chaotic world.

Rating: Hoopla Factor: Nolan manages to add layer upon layer, taking the concept of parallel and interwoven storylines to new levels of insanity, and yet the film remains clear and understandable on the first viewing.

The best films of the first week of the festival can be viewed here.

Interestingly, Klute is the first film of what some people refer to as Alan J. Pakula's «paranoia trilogy,» joining The Parallax View and All the President's Men.

Fifty years after it first appeared, Mike Nichols» film (re-released in a restored 4K digital print) makes such beguiling viewing largely because of Hoffman's performance as Benjamin, which combines humour, boredom and panic in equal measure.

It should never be seen without first viewing the other two films within a reasonably short period of time beforehand, so make sure you watch the first two films with as much attention to detail as you can for the full effect.

«Star Wars: Episode VII - The Force Awakens» Though it won't premiere until Dec. 18, the buzz around this overdue «Star Wars» installment is almost worthy of its own film: The latest trailer was viewed over 88 million times in its first 24 hours.

Netflix has already completely rewritten the movie and TV - viewing rulebook by pouring a hundred million dollar budget into a film without a theatrical release, and creating their now ubiquitous «binge - watch» format that the service rolled out for the first season of House of Cards.

Although much talked about in the previous films, Psycho IV: The Beginning is the first to show a living Norma Bates (Hussey, Rome and Juliet), and to give is a first - hand viewing of how bizarre an upbringing a young Norman (Thomas, Cloak & Dagger) would have, resulting in overwhelming feeling of guilt in his actions that he didn't have the maturity or mental balance to keep a grip on.

First doesn't always mean better in terms of release dates (both the disaster movies and Snow White films battles above prove that), but there's always the danger that audiences will view a second similar movie as a copycat.

It's not so interesting so as to warrant a viewing by those who aren't fans of the movie in the first place, but I did find it significantly less tiring than the actual film.

Being a film adaptation of a television show, I wasn't at all expecting much, but I left the theater wanting to watch the movie again in much the same way I did after my first viewing of Olympus Has Fallen.

It's been a mystery ever since my first viewing as to why the film has generated the millions of fans that it has.

Take My Nose... Please: The acclaimed film, directed by the 89 year - old first time filmmaker Joan Kron (former editor at Allure Magazine for over 25 years and at New York Magazine), is a comedic point of view on women and plastic surgery.

It has been many years since my last viewing of the first film, soRead More →

Sony and Warner, two of the first studios to embrace the format, viewed DVD as a successor to VHS and operated under the belief that customers didn't want or need widescreen presentations of comedies and family films.

At first I assumed that this was going to be one of Clooney's films in which he pushes his moral and political views to the fore (think Good Night, and Good Luck, Michael Clayton or Up in the Air) and whilst Governor Morris» policies are clearly left wing wet dreams, the film's portrayal of what goes on behind the scenes is so negative that it practically negates all the good work Morris hopes to do when in office.

Peeping Tom is considered the first slasher film in movie history and introduced the convention of seeing the murder through the killer's point of view.

is considered the first slasher film in movie history and introduced the convention of seeing the murder through the killer's point of view.

The first hour of the film is told almost entirely from the point of view of Briony.

The guys talk about the thought process behind the approach to their short and talk about some of the takeaways from viewing the first film that helped guide their segment.

Yet it's this film — A Room with a View, the first of three E.M. Forster adaptations from producer Ismail Merchant and director James Ivory — that cemented Merchant - Ivory as shorthand for genteel people in pretty settings.

But when the audience gets their first look at the secretive, Afrofuturistic country of Wakanda in the film, it is truly breathtaking, with stunning aerial views of waterfalls and lush trees and hills.

DVD Details: Director Ridley Scott approaches this third Hannibal Lecter film (Manhunter was the first) from the point of view of Lecter himself, a smooth, highly intelligent, cultured villain.