Mr. Maupin
first visited his studio in an industrial area of Beijing about five years ago, and started following his work, which he'd seen it in the Chinese pavilion at the Venice Biennale in 2005.
Not exact matches
Last week, I paid a
visit to Ubisoft Toronto to get a look at how the
studio's
first big game, Splinter Cell: Blacklist, is coming along.
If the
first thing your toddler does every morning is put on her tutu, encourage her fascination by
visiting a ballet
studio during rehearsal time or attending a local dance recital so your child can watch older children doing what she dreams of.
«The vast majority of yoga
studios will require you complete a new student information form on your
first visit,» she says.
WHAT YOU NEED TO KNOW BEFORE YOUR
FIRST VISIT For your first visit to the studio, try to arrive at least 15 minutes before class is scheduled to b
FIRST VISIT For your first visit to the studio, try to arrive at least 15 minutes before class is scheduled to b
VISIT For your
first visit to the studio, try to arrive at least 15 minutes before class is scheduled to b
first visit to the studio, try to arrive at least 15 minutes before class is scheduled to b
visit to the
studio, try to arrive at least 15 minutes before class is scheduled to begin.
On your
first visit, simply arrive at the
studio 10 minutes early to complete our registration form.
What looks at
first to be your everyday updo head - on is actually two French braids woven into a chic top knot, seen on during a
visit to the SiriusXM
studios in N.Y.C.
Having just
visited their animation
studio last week in Pasadena, I saw
first - hand the many dedicated artisans and behind - the - scenes contributors who enjoy what they do.
While
visiting Chicago's Essanay
studios in 1913, the 15 - year - old Swanson was hired as an extra and it was in this capacity that she met her
first husband, Wallace Beery, then starred in the
studio's Sweedie comedies.
Since Kojima
visited a lot of
first party Sony
studios, there is a good chance he is utilizing one of their engine.
To search for an engine for Death Stranding, Hideo Kojima, and Mark Cerny
visited different Sony's
first party
studio (Naughty Dog, Sucker Punch, and numerous others).
Deadline's
studio at the Tribeca Film Festival kicked off the
first of five talent - filled days at the NYC fest with
visits by Zoey Deutch and Max Winkler (Flower), Julian Sands (The Escape), Tom Bernard & Michael Barker of Sony Pictures Classics, and many more.
Whether you are a long time «Islaholic» or this is your
first time
visiting the island, you'll find accommodations to fit any budget - from a cozy
studio apartment or a five bedroom villa set in tropical gardens to a lovely, traditional Mexican hotel, charming B&B's and even 5 - star resorts.
First Level has laundry room, 2 storages room,
visit bedroom and its bathroom with toilett, sink and shower, long artist
studio and long covered porch.
The efforts made by Florblanca to accommodate and enhance their natural environment and local community, are extensions of their founding mission to offer their guest a premium travel experience with the utmost
first - class amenities and services, which includes their award - winning Spa Bambu, highly - reviewed and
visited yoga
studio, superior Villas and stunning manicured grounds.
While surfing is the main focus, we do make available optional activities including a
first - day
visit to the colonial city of Granada, zip - lining through the clouds, horseback riding on pristine beaches, spa treatments such as Thai massage and body scrubs, yoga classes through Zen Yoga
studio, pool - side lounging at Pelican Eyes, volunteer work, engaging in the local community, and more!
There is no mention of Short Circuit in any account of the momentous 1957
visit Leo Castelli and his wife Ileana Sonnabend made to Rauschenberg's
studio, where they
first met Johns and offered him a show on the spot.
«Any kind of formal invention in the work of black artists was seen as, if not second rate, then something done the second time around,» says Odita, noting that Clark laid claim to making the
first shaped painting — before Frank Stella — and that the king - making art critic Clement Greenberg regularly
visited Bowling's
studio but never took the opportunity to write one word in support of his work.
Currently he is unable to leave China and therefore we are developing his
first major institutional survey in Britain virtually, and of course through regular
studio visits.
We found on our
first visit to Anderson's
studio one of the walls dominated by «Idyll III», a painting Anderson had been working on for more than thirty years.
In addition to monthly
studio hours, artists are expected to help at Smack Mellon's benefit the
first weekend in May and make themselves available for
studio visits with school groups and other tour groups outside of Open
Studio event hours.
I had a large painting from 1968, North Star, hanging in the Stanford Museum which I
visited and then I went to Los Angeles and
visited William Pettet's
studio for the
first time.
When Christian Haye from The Project came for my
first studio visit, he was three hours late.
In the
first installment of our exclusive video series with the legendary artist, Artspace editor - in - chief
visited Kelly in his upstate New York
studio.
The book's interview with the artist reveals that his
first museum show happened not through a
studio visit, but by bringing curators to his hoarder apartment full of found objects.
By Eva Buttacavoli Photo: David Leach & Naysan McIlhargey, ceramic, glaze I took the occasion of the recent collaboration of potter Naysan McIlhargey with printmaker David Leach, drawer / printmaker Erin Holscher Almazan and painter / printmaker Jennifer Rosengarten to
visit McIlhargey's
studio, Miami Valley Pottery, for the
first time.
Takes a year off from studies at Amherst to live in Italy; takes drawing classes at the Accademia di Belle Arti in Florence; studies the work of Renzo Vespignani and other Italian neorealists as well as the Italian old masters; learns Italian; while in Florence,
visits the
studio of American sculptor Bernard Reder; buys his
first prints, which include works by Georges Rouault, Käthe Kollwitz, Rodolphe Bresdin, and illustrations from the German periodical Die Stürm; on his return to the U.S., reads Dante's Divine Comedy in the original Italian.
A
studio visit with Megan Smallwood By Eva Buttacavoli Photo: Megan Smallwood, Griffin My
first and only physical encounter with one of Louise Bourgeois's gargantuan, dare - to - walk - underneath - her «mama - spiders» (Maman, 1997), made me consider just how some artists can defy logic and the rules of nature and transform our daydreams and nightmares right there into our daily -LSB-...]
A distinguished curator, scholar and arts professional, Deborah Willis
first participated in the NOLA
Studio Program by providing professional development and critical feedback to the artists in a series of
studio visits.
Later, over email, Wagner reflected almost wistfully, «While [Founder] Austin Thomas wasn't the
first Bushwick art presence (we were doing artist
studio visits in the area before Pocket Utopia)... I can't think of the building — or of the larger Bushwick art scene — separate from her magical space and its mission».
The exhibition is conceived around two pivotal moments in Post-War abstraction: the
first is Morris Louis and Kenneth Noland's 1953
studio visit with Helen Frankenthaler.
I
first did a
studio visit with her when she was finishing her B.F.A. at UCLA, and she was already a skilled painter.
Sheryl Kasak, a
visiting associate professor and coordinator of the
first - year design
studio in Pratt Institute's Department of Interior Design, recently received a 2011 Innovative Interior Design Education merit award from the Council for Interior...
I
first visited Trish McKinney in 2014 when she opened a gallery /
studio, Trish McKinney Studios, a retail gallery and open
studio space on the 2nd floor of the Hotel Gallery in Tipp City.
Sheryl Kasak, a
visiting associate professor and coordinator of the
first - year design
studio in Pratt Institute's Department of Interior Design, recently received a 2011 Innovative Interior Design Education merit award from the Council for Interior Design Accreditation (CIDA) for her entry, titled, «Retail: Changing Room — a collaborative exploration of materials and occupancy at full scale.»
After
visiting Piet Mondrian's
studio in 1930, Calder began experimenting with abstract constructions, exhibiting his
first non-objective works in 1931.
This ambitious endeavor was
first begun in his teens through two formative
studio encounters — one with the brilliant, omnivorous painter Gerhard Richter, the other with the arch conceptualists Fischli / Weiss — and has stretched out over the ensuing decades to encompass
visits with thousands of artists and curators around the world, many of which he has recorded and published in his books.
This encounter with Richter led to a
studio visit later that year when I then travelled to Cologne and met Gerhard there for the
first time.
Haynes will be a mentor in the fifth cycle of BURNAWAY's Art Writers Mentorship Program, as well as the
first guest in Flux Projects's new
Visiting Curator series that will invite esteemed national and international curators to conduct
studio visits with Atlanta - based artists throughout the year.
When on January 28, 2013, I made my
first visit to Annette Lemieux's spacious
studio in Allston, Massachusetts, I was delighted and excited to see a museum - quality array of over a dozen paintings, sculptures, and photographic prints arranged on the walls, floor, and propped up on a variety of chairs and stools.
Regionally, he has regularly participated in
studio visits,
First Fridays, engagement with curators throughout Virginia, and so much more.
«Joe was the very
first artist I asked to
visit when I started on my
studio -
visit process for the W.B.,» the artist Michelle Grabner, who is co-curating this year's Whitney Biennial, told me via email.
Although salons are popular today, Cheryl McGinnis Gallery, a contemporary salon was one of the
first to take this notion of artist's discussing their works,
studio visits for viewers and a more open and accessible space.
In the
first part of our interview, we discussed what Hoffmann gains as a curator by
visiting artists»
studios; the art scenes of the American Midwest; the problem of wealthy American patrons who finance a museum in their home city and import the MoMA model; and why it is good to be generous as a curator.
I remember Ms. Gund came to
visit me at the
studio in the middle of renovation, and I said to her, «The
first painting I'm going to do when I get this
studio together is going to be the 9/11 painting.»
It is not known if Untitled [glossy black painting] was produced as part of the
first or second campaign.8 But the work's facture resembles that seen in paintings associated with the
first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953
visit to Alberto Burri's (1915 — 1995)
studio in Rome.9
I had just had my
first studio visit in Los Angeles.
Virginia Dwan, who offered him support at that time, remembers that he had a largely «underground» reputation.1 Dwan recalls
first seeing Reinhardt's nine - foot black paintings at the Betty Parsons Gallery in New York and, later,
visiting the artist in his
studio.
Joining Govan and Hammer director Ann Philbin for the low - key affair were curators Eva Meyer - Hermann, who co-organized the touring Allan Kaprow retrospective and is now working on a show with Mike Kelley; Russell Ferguson, who discussed his major Francis Alÿs survey forthcoming this autumn at the Hammer; Gary Garrels, who brought the Vija Celmins show to the US («It was my
first phone call after accepting the job here»); and Shamim Momin, in town to do
studio visits (ostensibly for the 2008 Whitney Biennial).
In what now seems to be a familiar tale, the fakes had
first surfaced years earlier at a smaller Berlin auction house, from a seller whose father had supposedly
visited Fischl in his New York
studio and bought several works at once.