Sentences with phrase «first words of dialogue»

Flash animations help visualize correct Greatest Opening Film Lines and Quotes: These are many of the best - known opening lines, fade - ins, and first words of dialogue heard throughout cinematic

It must have been tough on your mother, not Greatest Opening Film Lines and Quotes: These are many of the best - known opening lines, fade - ins, and first words of dialogue heard throughout cinematic

Not exact matches

We must first be open to the word, to the presence of language in dialogue, poetry, and experience.

The «Declaration on the Relation of the Church to Non-Christian Religions» now known simply as Nostra Aetate (or, «In our Time,» from the first words of its Latin text), denounced all forms of religious hatred, and called for a new dialogue among the world's religions.

It's called Dialogue and it's just the right supply to document about the first words of your baby, silly conversations with a loved one, sweet answers of younglings, real conversations from your life.

The first spoken word is almost a half hour into the film, and there's less than 40 minutes of dialogue in the entire film.

After all, this is a movie in which the first comprehensible word is spoken 25 minutes after the open credits; a movie which spends only 40 minutes of its 139 minutes actually in dialogue.

*** out of **** Tobe Hooper's «Eaten Alive» is a film so tasteless and sleazy that literally the first few words of dialogue spoken are by Robert Englund as Buck, who is as he says, «fixin'to fuck».

Accordingly, the parts of Sentinel that bog down are the parts that rely too much on the cast to provide backstory and motivation when the best, most poetic bits of the picture are the first ten minutes (including its credit sequence) that tells all one needs to know without a word of dialogue.

The opening makes a brave statement as we follow what seems to be a snipers ritual in a bold move to have not one word of dialogue in those first 10 minutes.

The first words of an open and exploratory dialogue that would, ultimately, bring me very close to God, indeed.

In an earlier blog post we talked about the importance of developmental editing and why the focus on big - picture stuff — structure, book - spanning issues like plot or organization, character development, dialogue, and that sort of thing — needs to come first, before you spend too much time worrying about the finer points of style and wording.

From our first collaboration, we have sought to construct a thoughtful back - and - forth dialogue that begins with the text and continues to the completion of the final art, often changing words or pictures as we progress.

In all honesty, the story started to bore me within the first 10 minutes or so due to the characters falling into that peculiarly east - asian trap of taking 200 words of dialogue to tell you something that could've been communicated in 20 words of dialogue.

So when reasonable see words like «earmarks», «trick» or «ploy», the category of «first draft reviewer» being created for the beauty of one's argument, the hammering of «secrecy», implicitely identified as the absence of absolute transparency, or expressions showing evaluations like «not much downside for me», they can only see a dialogue.