Sentences with phrase «first work by a living artist»

Was the first work by a living artist to be acquired by the National Gallery of Ireland.

Not exact matches

THE DANISH GIRL, directed by Academy Award winner Tom Hooper, is the remarkable love story inspired by the lives of artists Einar and Gerda Wegener (being portrayed, respectively, by Academy Award winner Eddie Redmayne and Alicia Vikander), whose marriage and work are cast into the unknown when Einar begins a groundbreaking journey to become one of the world's first transgender women, Lili Elbe.

The Danish Girl is the remarkable love story inspired by the lives of artists Einer and Gerda Wegner (portrayed by Eddie Redmayne and Alicia Vikander respectively) whose marriage and work are cast into the unknown when Einer begins a groundbreaking journey to become one of the world's first transgender women, Lili Elbe.

In 1973, as Mellon's highly enriched heirs were funding construction of the East Building, the Gallery acquired its first two works by living African - American artists.

The overview is arranged by the date the artist's work was first acquired, providing a timeline of the life of the Collection.

Frieze enjoys a strong tradition of commissioning artists» time - based work, with live and participatory works by Dora Budor, Pia Camil, Maurizio Cattelan, Giosetta Fioroni, Liz Glynn, Anthea Hamilton, Ryan McNamara and Eduardo Navarro featured in recent editions of Frieze New York; the first performance work ever acquired for the collection of the Tate, meanwhile, was acquired from Frieze London in 2004.

Chris Ofili portrait by Malick Sidibe in Oct. 6, 2014 issue of The New Yorker IN ADVANCE OF CHRIS OFILI»S first solo museum show in the United States, New Yorker writer Calvin Tompkins traveled to Trinidad where the artist lives and works.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

Curated by the celebrated US critic and author Hilton Als, Alice Neel, Uptown focuses on paintings made by the artist during the five decades in which she lived and worked in upper Manhattan, first in Spanish (East) Harlem, where she moved in 1938, and, later, the Upper West Side, where she lived from 1962 until her death in 1984.

You Only Live Once will feature the first line of Arcangel Surfware, produced in partnership with the global music merchandising company Bravado, alongside an installation of new work by the artist.

Ballroom Marfa is proud to announced its first group exhibition devoted to emerging artists whose work is informed by their experience of urban and suburban life in contemporary American culture.

Curated by Kitty Scott, the AGO's Carol and Morton Rapp Curator, Modern & Contemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with living artists.

His first show at Kate MacGarry is a chance to catch up, or be surprised for the first time, by an artist whose work is full of life, humour and pathos.

Curated by the celebrated US critic and author Hilton Als, Alice Neel, Uptown focuses on paintings made by the artist during the five decades in which she lived and worked in upper Manhattan, first in Spanish (East) Harlem, where she...

In Delahunty's words, this sculpture is «one of the first commissioned works by a living female artist to be installed at the entrance of an American Museum» and it is «by far the most ambitious sculpture she has ever made in terms of scale and painted surface.»

Angel of History is the first solo show in Poland by Aura Rosenberg, an American artist living and working in New York and Berlin.

Xavier Hufkens is pleased to announce the first solo exhibition at the gallery by American artist Matt Connors (b. 1973, Chicago, lives and works in New York).

Washington, DC — The first retrospective in 25 years of work by artist Garry Winogrand — renowned photographer of New York City and postwar American life — will be on view at the National Gallery of Art, Washington, March 2 through June 8, 2014.

Bronx Calling: The First Aim Biennial features experimental work by 72 emerging artists living in the New York City area.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

«As one of the first commissioned works by a living female artist to be installed at the entrance of an American museum, Pas de Deux (Plaza Monument) will serve as a beacon for the DMA's intent to broaden its collecting and exhibition habits.»

Inspired by his memory of living near the river in Shanghai, Nature C was part of Zhang's four Nature works that were first presented in his solo exhibition at the Shanghai Art Museum in 1987, a tumultuous decade for artists in China and pivotal for Zhang in particular.

«Entangled Orbits demonstrates the museum's commitment to presenting work by living artists in public spaces and the idea that art should be the first thing you see when you enter the museum and the last thing as you leave,» said BMA Dorothy Wagner Wallis Director Christopher Bedford.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Early Impressionist Influences — This area examines the work of Eugène Delacroix and Gustave Courbet within the contemporary productions of artists in the Lyon school and the first stirrings of impressionist still lifes by Frédéric Bazille and Pierre - Auguste Renoir.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

This month, Phillips — whose googleability went way down after Tom Hanks portrayed a certain real - life hero, Captain Phillips, first name Richard — will have his first solo museum show in the United States, a survey of old and new work at Dallas Contemporary called «Negation of the Universe,» which will be joined by his headline - grabbing public sculpture Playboy Marfa, the neon - lit, 40 - foot - tall roadside sign commissioned by the magazine and broadcasting the artist's queasy fusion of commercialism and art.

The murals, sandblasted directly onto the concrete walls of the building by the Norwegian artist Carl Nesjar, are the first in a series of monumental works in concrete realized by Picasso, and mark the beginning of a working relationship that would continue for the rest of Picasso's life.

Frieze has a significant history of presenting and commissioning time - based work by artists, with live and participatory works by Dora Budor, Pia Camil, Maurizio Cattelan, Giosetta Fioroni, Liz Glynn, Anthea Hamilton, Ryan McNamara and Eduardo Navarro featured in recent editions of Frieze New York; the first performance work in the Tate Collection (UK) was acquired from Frieze London in 2004.

Concrete Cuba is the first presentation in the United Kingdom to highlight the origins of concretism in Cuba during the 1950s, and will include important works by the eleven artists who were at different times associated with the short - lived group: Pedro Álvarez, Wifredo Arcay, Mario Carreño, Salvador Corratgé, Sandú Darié, Luis Martínez Pedro, Alberto Menocal, José Mijares, Pedro de Oraá, José Ángel Rosabal, Loló Soldevilla, and Rafael Soriano.

OVARTACI & THE ART OF MADNESS 16/9/2017 -31 / 1/2018 This exhibition for the first time ever presents a significant overview of the life's work created by the unique artist Ovartaci outside the psychiatric hospital in Risskov, where the artist was a patient for 56 years.

This exhibition brings together for the first time the work of seven internationally renowned artists working in the field of photography, including: YTO BARRADA (France and Morocco) RINEKE DIJKSTRA (The Netherlands) CUNY JANSSEN (The Netherlands) AN - MY LE (born in Vietnam, currently living in the US) CLARE RICHARDSON (UK) JOHN RIDDY (UK) and JOEL STERNFELD (US) It combines work by young, emerging artists with work by those who are more internationally renowned.

The exhibition will be accompanied by a fully illustrated catalogue, which will be the first publication devoted to exploring the life and work of this artist.

Inspired by a period working at the Time / Life publishing company where he bore witness to the powerful impact of mass media images in shaping consumer wishes, Prince had first gained recognition in the early 1970s as an artist for his alteration of advertisements from the media, representing them in new, slightly changed compositions.

In the fall Pace will present an exhibition of late works by the artist, many of which were first shown at the gallery during Rauschenberg's life.

David Shrigley: Life and Life Drawing is Shrigley's first major survey in Australia featuring new and recent work by the internationally renowned Glasgow - based artist.

Titled Picha / Pictures — Between Nairobi & Berlin, the first show will show works by children living in Kibera, East Africa's biggest slum, created for the organization One Fine Day as part of the collaboration with artists Zuzanna Czebatul, Zhivago Duncan, Andreas Golder, Amélie Grözinger, Markus Keibel, Caroline Kryzecki, Erik Schmidt, Pola Sieverding, and Ulrich Wulff.

Em» kal Eyongakpa wins inaugural Henrike Grohs Art Award Em» kal Eyongakpa has been awarded the first biennial Henrike Grohs Art Award, a new prize backed by the Goethe Institute that is dedicated to artists living and working in Africa.

Her commission will respond directly to the long and rich history of the Ashmolean's collection to produce a hugely significant new work — the first ever moving image work by a living artist to be acquired by the institution.

The Noguchi Museum was founded in 1985 by Isamu Noguchi (1904 — 1988), one of the leading sculptors and designers of the twentieth century, The museum was the first museum in America to be established, designed, and installed by a living artist to show their own work, according to The Noguchi Museum.

First, Pousttchi filmed a conversation between herself and French conceptual artist Daniel Buren (1938 --RRB-, who in the late 1960s began to live and work in situ, and thus gave up on conventional modes of art presentation, in an attempt to evade restrictions imposed by institutionalized art spaces in favour of the nomadic marking of different sites.

By Francis V. O'Connor, with a foreword by Thomas M. Messer and an introduction by Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty yearBy Francis V. O'Connor, with a foreword by Thomas M. Messer and an introduction by Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty yearby Thomas M. Messer and an introduction by Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty yearby Melvin P. Lader Hardcover with dustjacket: 12 x 10 inches 216 pages; 218 color illustrations (Hudson Hills Press, 2003) This is the first book devoted exclusively to Charles Seliger (American, b. 1926), and offers a rare glimpse at the working methods and personal life of an artist who has tirelessly pursued organic abstraction for over sixty years.

The 70 works by 27 artists from South Korea, Indonesia, the Philippines, Thailand and India comprise the Society's first large - scale showing of living Asian artists, as well as the first major exhibition of contemporary art from selected Asian countries ever organized in the U.S.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arWorks, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arworks Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The first was Essays by 40 Working Artists, and the final book, Last Artist Standing: Living and Sustaining a Creative Life, is scheduled to be released in 2020.

Tate Britain's Paul Nash retrospective (26 October 2016 — 5 March 2017) falls in the middle of the nation's First World War centenary commemorations, which seems fitting for an artist whose life and work was altered so dramatically by his experiences on the Western Front.

At first glance it reminded me of the severe still lifes by the great Spanish artist Francisco de Zurbarán — which is fitting, as Paco Martin Dominguez is from Spain and can claim the work of Zurbarán as his heritage.

2016 A major award from Wellcome Trust for a new work in 2018 2013 Le Jeu de Paume production award for the Toulouse Festival, France 2012 Sharjah Artist's Production Award 2010 Paul Hamlyn Awards for Artists 2010 Arts Council England, Grants for the Arts for a residency in Tasmania 2009 Winner of Film London & Channel 4's Jarman Award (cash prize and a broadcast commission for Channel 4's, 3 Minute Wonder strand) 2009 Arts Council Individual Artist Award 2007 Wingate Scholarship at British Academy / British School at Rome 2007 British Council Award for new work 2006 AHRC Research Leave Award 2006 Arts Council National Touring Award 2005 British Council Award 2005 Arts Council Individual Artist Award 2004 Triangle International Artists Workshop, Mauritius 2003 Arts Council and Triangle Trust funded residency in Paraguay 1999 Arte Viva, residency and exhibition, Senigallia, Italy 1998 Beach Life, Public Art Project, supported by Islington Council 1997 - 2001 Residency with Acme Studios, The Old Fire Station, London 1997 Residency at The Irish Museum of Modern Art 1995 First Base Studio Award (One year studio residency at ACAVA) 1995 Ray Finnis Award (Slade) 1993 Slade Prize (Pankerd Jones Memorial Prize)

This London original comes to New York for the first time, with a carnival theme, presenting artists working on canvas and concrete alike, with commissions by governments and city councils to bring urban landscapes to life.

The result of research conducted on two fronts — conservation and curatorial — the catalogue offers a reconsideration of the cut - outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.