Sentences with phrase «first work in the exhibition»

Not exact matches

Many allusions to German culture and history in his work are likely to go unrecognized by the first - time American viewer, especially anyone who has not read some of the growing critical literature on Kiefer or the excellent guide by Mark Rosenthal to the Kiefer exhibition now touring the United States.

The Galaxy finished its off - season work at about the same time it was kicking off its preseason schedule Saturday, completing a deal for Dutch midfielder Nigel de Jong just a couple of hours before limping past Armenian club FC Shirak, 2 - 1, in its first exhibition of the winter.

It will be the first exhibition of Lowry's work by a public institution in London since his death in 1976, and comprises around 80 paintings.

The first large - scale exhibition at the Southbank Centre of work by Jeremy Deller, innovative and unconventional social artist, will certainly illustrate his instinctively introspective «joy in people».

Starting tomorrow, fifty of his works will go on public display at London's Gallery 27 in Mayfair, the first British exhibition of his work; on March 3, they will move to the Dome in Edinburgh for four days.

He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».

Significant space and priority is given to the professional category of Illustrators, who can find at Bologna Children's Book Fair support and encouragement to develop their work and opportunities to meet with other operators in the publishing market and other sectors: first of all, the annual Illustrators Exhibition, but also the Illustrators Café — a space for conferences and meetings — and the Illustrators Survival Corner, with a rich programme of workshops, portfolio reviews and meetings with international artists.

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

The thematic, site - responsive exhibition «Home Land Security» will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work serieIn addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

His work has also been featured in a series of major outdoor exhibitions in cities since the early 1970s, including in 1975 the first exhibition of a living artist at the Tuilleries in Paris and then a citywide exhibition presenting work in all five boroughs in New York City.

In a battle of epic proportions, SonicFox battled GO1 in a first - to - 10 DragonBall FighterZ exhibition match at Final Round 2018 to show the fighting game community who should be be considered the best at the latest Arc Systems Works 3v3 fighting gamIn a battle of epic proportions, SonicFox battled GO1 in a first - to - 10 DragonBall FighterZ exhibition match at Final Round 2018 to show the fighting game community who should be be considered the best at the latest Arc Systems Works 3v3 fighting gamin a first - to - 10 DragonBall FighterZ exhibition match at Final Round 2018 to show the fighting game community who should be be considered the best at the latest Arc Systems Works 3v3 fighting game.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

Opening: Alberto Burri at the Guggenheim This exhibition, titled «The Trauma of Painting,» represents the first U.S. survey in over 35 years — and the most comprehensive show — of the works of post-World War II Italian painter and sculptor Alberto Burri.

His first encounter with Western painting was an exhibition of the work of Edvard Munch at the Shanghai Museum in 2000.

Her work has been included in exhibitions at the Hammer Museum and Overduin & Co., where she had her first solo show in L.A. last year Read More

The first thing that strikes you at the glorious new exhibition of Allan D'Arcangelo's work is the blues — vibrant, arresting tones deployed in various hues across his beguiling, bold canvases.

British silkscreen and collage star Joe Webb stages his first ever retrospective at For Arts Sake gallery in London this spring, in a large - scale exhibition displaying some of his most famous pieces alongside never - before - seen works.

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Her work has been exhibited internationally in cities like London, Cape Town, and Berlin and locally at various DC spaces including Transformer, the Katzen Art Museum, and Civilian Art Projects, where she held her first solo exhibition.

This was apparent in his first solo exhibition at the Betty Parsons Gallery in New York City (1951), where the titles of many of the works «incorporated weighty poetic or religious references, including Eden (c. 1950), Trinity (c. 1949 - 1950), and Crucifixion and Reflection (1950).»

This exhibition is the first comprehensive look at the artist's work in nearly twenty years and includes rarely exhibited watercolors and early experiments.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

This will be Woods» first solo exhibition with Light Work since her residency here in 2016.

This exhibition is a first, not only in Austria, with its overview of Oehlen's work from the early 1980s to the present, and key works from different stages in the painter's career.

Not exhibited since Donegan's first solo exhibition at Elizabeth Koury Gallery in New York in 1993, High Line Art presents Guide (1993) and Sunflower (1993), two short works that showcase Donegan's signature quick, gestural style.

In his first one - man exhibition in the United States the artist will show his 1992 work entitled «Hors - Champs.&raquIn his first one - man exhibition in the United States the artist will show his 1992 work entitled «Hors - Champs.&raquin the United States the artist will show his 1992 work entitled «Hors - Champs.»

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movemenIn 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movemenin the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movemenin New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

The Brood surveyed 25 years of Lisa Yuskavage's work and was her first solo museum exhibition in the United States in more than 15 years.

On view at David Zwirner will be new drawings originating in works that were first presented in Serra's 2017 exhibition at the Museum Boijmans van Beuningen, Rotterdam, The Netherlands.

Helen Frankenthaler (American, 1928 — 2011) had her first solo exhibition at Tibor de Nagy Gallery in 1951, an exhibition that synthesized the most radical aspects of works by Arshile Gorky, Willem de Kooning, and Jackson Pollock, with ambitious canvases of textured surfaces, pale color, and calligraphic drawing.

Since its first exhibition in January 1975, MATRIX has shown over 1,000 works of art by more than 160 artists.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

Characterized as a «silent and reflective meditation on his life and work,» this presentation is the first solo exhibition in the United Kingdom of Terry Adkins (1953 - 2014), a multi-media artist, musician, and composer.

On view November 2, 2017 through January 13, 2018 at 32 East 57th Street, Agnes Martin, Richard Tuttle: Crossing Lines marks the first time in nearly 20 years that works by the two artists and longtime friends have been shown together in a focused exhibition.

There have been a large number of international exhibitions of his work since his first solo exhibition at the Frye Art Museum in Seattle, USA, 2012.

This is the first showing of Hartung's works in New York since his controversial 1975 exhibition at the Metropolitan Museum of Art, and focuses on the artistic output of his last years of life.

The Hamptons» own Lee Krasner demonstrates the expressive possibilities of the first medium in «The Umber Paintings, 1959 — 1962,» while «David Hockney: Works on Paper, 1961 — 2009» provides a close - up view of the world of the beloved British painter, who is currently the subject of a major exhibition at The Met.

Featuring 50 works, «Maryland to Murano» is the first exhibition to pair the beaded neckpieces and wall hangings Scott constructs in her Baltimore studio — her foundational work — with the blown glass sculptures she has created over the past five years in Murano, Italy.

In 1965, Carl Andre challenged preconceived notions of sculpture by placing work flat on the floor in his first public exhibition, Shape and StructurIn 1965, Carl Andre challenged preconceived notions of sculpture by placing work flat on the floor in his first public exhibition, Shape and Structurin his first public exhibition, Shape and Structure.

Williams's work was first presented in Hanover as part of group exhibitions at the Sprengel Museum in the early 1990s.

This is the first exhibition of Gil's work in her native state of Vermont.

Developed in close consultation with the artists, the exhibition features original works by Rachel Harrison, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, and Adrian Piper created specifically for the show and shown here for the first time.

A collection of never - before - seen older works and new pieces, this presentation marks Jake and Dinos Chapman's first major solo exhibition in North America.

The exhibition, organized in collaboration with the Estate of Bernard Buffet, marks the first major solo presentation of Buffet's work in New York in nearly three decades.

Coddled and Bruised is Harris's second solo exhibition in Chicago, and the first to showcase new work.

He has written a number of essays on Donald Judd and organized several exhibitions of the artist's work including Judd's first major museum exhibition at the Whitney Museum of American Art, New York in 1968.

The show marks twenty years since the gallery, then called Wooster Gardens, first presented Tony Feher's work in his premier solo exhibition in New York.

Exhibitions of his work in the late 80s, often controversial in content, sparked debates about public funding for the arts, censorship, First Amendment rights, and broadly, what defines art.