Not exact matches
But it takes a step
back to get the wide angle of where gender equality
fits into the
story of Jesus, the
story of God's redeeming work
in this world.
Where I hope Wenger won't be «Wenger» will be to start playing him at Wing
back, HE IS A DAMN GOOD ATTACKING MIDFIELDER AND HE IS NOT VERSATILE (
in Yesterdays» game he scored 2 great goes the moment he moved to the AM position from the WB position — that tells you where home is for this talented young man) He will
fit well across the front 3, end of
story.
Films that might have
fit this putative strand included the charming but overlong Timeless
Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a
story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and
back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works
in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples
in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots
in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up
in the Sky, shown
in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Certainly it isn't because it's a
fitting ending to the journey of Bilbo, as he's not even involved
in the majority of this film, instead taking a
back seat to a host of characters that are either greatly beefed up from their small supporting roles
in the original Tolkien work, or, as
in the case of lovelorn wood elf Tauriel (Lilly, The Long Weekend) and handsome dwarf Kili (Turner, The Mortal Instruments), complete fabrications injected to put
in a love
story for, presumably, the young female set.
The initial challenge, and this involved going
back to the drawing - board on some songs, was to find the right people to help us find a lyrical language that was poetic enough, that was unfussy enough to
fit with the naturalism we were going for, and craftsmanlike enough to do what theatrical lyrics do, which is continue to tell a
story, so that musical numbers aren't just pauses
in the narrative.
I do not believe it is always the case...
in my own family of three sisters my mom had a different relationship with each of us... reflecting
back now that she is gone, I see how my siblings and I had different personalities that
fit or clashed with hers... since my mom's recent death, as the mother of my own grown daughter, I have been thinking lately about the secrets we hold from our children... Paula's mother told
stories to express her inner feelings and history but suppose she had been more honest with her daughter about her past... is total honesty necessary
in families?
This contrast though
fits well within the
story and works
in tandem with the game and the characters, giving an almost primal feel to the game, with the machines bringing us
back to the future.
While Minecraft might be devoid of a
back story, we do see the evidence of some sort of past civilization
in the abandoned mine shafts, strongholds, and vanilla dungeons and the more sophisticated dungeons created by MCDungeons
fit right into the general feel.