Sentences with phrase «fit the narrative from»

The reported actions by authorities in South Korea fit the narrative from the region, whose officials have recently clamored for more restrictive regulations as well as multi-national cooperation.

The actions by authorities in South Korea fit the narrative from the region's officials, who have recently clamored for more restrictive regulations as well as multi-national cooperation.

It is unlikely that Jesus spoke all these discourses so connectedly, but the author, with an eye to topical arrangement, intersperses the «Q» material where it seems to fit the narrative from Mark.

Not exact matches

Chad You interpret the bible according to the Christian apologetics web sites that you cut and paste from and you shape your reality to fit that narrative.

Over the next several centuries, with what Wright considers the gradual loss of the «Israel - dimension» in the church's understanding of itself and its scriptures, «the notion of scriptural authority became detached from its narrative context, and thereby isolated from both the fit and the goal of the Kingdom,» according to Wright.

From Thucydides down, they all try to write speeches that fit the character of the speaker and the situation; it gave life and color to their narratives, and no one questioned the practice.

The Easter narratives from the other Gospels were in practice fitted into the Luke - Acts framework, which also set the pattern for the Christian year.

You wouldn't know it from the mass media, because a living, positive faith doesn't fit into the media narrative.

Here are the quotes from RGIII that don't fit the narrative described above however.

From diplomacy to photography, various elements of communication should be thought through and carefully planned to send the right messages and fit a narrative.

This fits in with a larger 2012 narrative nationwide in which moderates from both parties are struggling to keep their seats.

The front of Thursday's papers will have told Osborne that his changes to welfare played well — and fitted the «rescue» narrative — and the broadcast coverage of Thursday's infrastructure announcements from Danny Alexander showed that the «recovery» piece of the jigsaw also hit home.

Choose the variation on the pose, ranging from gentle to fiery, to fit the narrative of your personal story on the mat today.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The use of certain tropes in the narrative are also glaring given the film's inertia — when Dovid starts to read a succession speech from a piece of paper, only to go off - script in a fit of frustration — one can't help but wish that Lelio had taken more time to craft his love story adaptation by thinking through the enormity of every small artistic decision.

Bateman doesn't stray far from his likeable, every (white) man persona, but both the character and Bateman's performance fit perfectly in the grand scheme of narrative things.

Strobing cinematography from Natasha Braier proves infectious and mood - inducing, particularly in an early club scene that threatens to induce seizures for even the most mild epileptic, as The Neon Demon's delightful fits of highly - stylized violence offer respite from its tedious narrative footing.

The Lord of the Rings trilogy benefited greatly from characters being dropped from the story because they didn't fit the narrative arc of the project but in this case Jackson and his screenwriters raided Tolkien's notes and appendices from other stories to pad out what is essentially a very simple tale into a sprawling epic.

Each has been selected from a different literary magazine, and each offers its own solution to the problem of fitting a full and fulfilling narrative into a very small space.

Scenes settled, Davies begins to populate them, transposing figures from sketches or photographs into other scenes and molding them to fit her narrative.

Here they are divorced from the original environment and fitted seamlessly into the gallery walls, furthering the ambiguity of implied narrative.

«I started incorporating the figure into my work as a way to navigate my own sense of identity, particularly because I came from a place that didn't fit into one specific narrative.

Artists from Libya, Syria, Yemen, and Somalia, though impacted by the ban, are not represented in the re-hang due to logistical restraints and questions of what would fit within the art - historical narrative.

What is apparent is Victor is not independently reading these studies, but is being presented with them from dubious sources, with quotes selected to fit narrative.

From that evidence, they have deliberately chosen the more restricted data, and chosen it because it better fits their narrative (because it is smoother).

Perhaps I fit the late Andrew Breitbart's definition of «citizen journalist», as I mentioned at the end of my June 2011 Breitbart piece, but as seen there, (full text) what I was actually trying to do was to prompt mainstream journalists to step back from the abyss of only half - reporting the global warming issue and find their character via unabridged reporting on the issue and inquiries into narratives about details within it that don't line up right.

But I'm much more convinced that the skeptical narrative surrounding them comes from fitting their interpretation to a predetermined view of the issues and the emailers.

This reasoning, as soothing as it must be for EU constitutionalists, and as neatly as it fits into the narrative of «constitutionalisation» from van Gend onwards, remained contested in the latest appeal.

Alberta is historically known as a conservative province and the message coming from its provincial government fits the historical narrative well.

It's interesting when you look at market share, the iPhone is meant to complete against the entire Android market (from the $ 25 to $ 16,000 Android phones) but once in awhile when the narrative doesn't fit, the post is moved elsewhere.