The artworks were printed on aluminum and bronze plaques and their short messages were accompanied by paintings of Peter Nadin, whose portraits of people attached to Holzer's messages emphasized the emptiness of both life and communication in the
digital age.The multimedia extravaganzas of Holzer's later installations, such as the 1989 Guggenheim
exhibition, are exemplified by a 535 - foot running electronic signboard spiraled around the core of Frank Lloyd Wright's architecture,
flashing garish lights on the monumental stone benches arranged in a large circle on the floor below.
She has exhibited both in group and solo
exhibitions, including Arti / fiction Realities at la Galerie du Nouvel - Ontario (Sudbury),
Digital Alterities at InterAccess Electronic Media Arts Centre (Toronto), and as part of the
Flash Forward festival for emergent photography (Boston).