Sentences with phrase «flashbacks explain»

When he made these comments in 2001, he did so based on a work - in - progress screening that was, in three respects, vastly different from the final product: Marlin was voiced by William H. Macy, instead of Albert Brooks; the angelfish Gill was, in spite of being the leader of the fish in P. Sherman's aquarium, lying about his sordid past; and Stanton chose to dole out a series of flashbacks explaining what happened to Nemo's mother, Coral, instead of beginning the film this way.

There's never a dramatic revelation scene about Ronit and Esti's past, nor a detailed monologue or flashback explaining their girlhoods.

There are multiple flashbacks explaining the ex-girlfriend (played by Diane Kruger).

A flashback explains that, earlier that evening, James had proposed to Kristen at their friends» wedding and she had said no.

Not exact matches

As the sisters try to explain their way out of trouble, in a flashback, we see the party itself, where, amongst groups of gyrating teens, a platter of Subway sandwiches is prominently displayed.

While everyone experiences PTSD differently, anxiety, depression, flashbacks, substance abuse, suicidal thoughts, and persistent mental health and interpersonal problems are all possible symptoms, as the Centers for Disease Control and Prevention (CDC) explained.

There is even a flashback that explains the sinister role Snape played in Harry's life story that I found unexpectedly touching.

His father is a goose, and the nature of that pairing is explained in flashbacks that have a nice style of their own (the computer - type animation morphs into pen - and - ink in those memory sequences).

This may explain the decision by Jon Amiel, the director of «Creation,» to present Charles Darwin's authorship of «On the Origin of Species» in a weird web of flashbacks and ghostly fantasy sequences.

Renegade Vulcan Sybok isn't really explained at all unless you count Spock's brief flashback where we are given more big news that he and Spock are half brothers.

Lena does know some things, though, which we see in flashback as she explains how she came to enter the Shimmer.

As the shrew of the movie's title, she drives her Yugo into a lake during the early minutes and spends the rest of movie in flashbacks from the perspective of the town's elated, guilty - looking characters who try to explain her death to the sheriff (Danny DeVito).

This may seem like the start of a great time at the movies, but unfortunately, the next forty or so minutes is filled with flashback that give new information to the opening sequence of the original, following kidnappers (not the one I first mentioned, but a second), and many attempts to explain the reason for why the movie exists.

But it does feature a few tributes to Back to the Future, namely Crispin Glover (spot on as a surly one - armed bellhop whose appendage - ectomy is anticipated all through the eighties flashback), a future birth threatened by the trampling the space - time continuum (aka the butterfly effect, which resident nerd Duke explains ad infinitum) and the dubious lesson that self - empowerment is merely a matter of beating up that bully from the past.

Woven in between this seemingly random imagery are flitting flashbacks that take us into Joe's head — some of which are explained later in the film, others of which are left to linger, horribly, at the edge of our imagination.

The explanation makes even less sense when the details are doled out in a flashback sequence, complete with a narration that explains the hunch about what happened to the woman is correct.

Dear Mick: Can you explain to me why so many stories in movies can not be told in chronological order rather than with constant flashbacks and / or jumping from one time frame to another?

In a flashback sequence, explaining events that led up to our hero's attempted suicide, we see him showing up in various locations and killing everybody.

But for all the exposition and flashback, The Hateful Eight struggles to explain exactly what makes Domergue so evil, and why she's the focal point the film's plot eventually begins to revolve around as characters like the hangman Oswaldo Mobray (Tim Roth), the grunting Mexican caretaker Bob (Demian Bechir), and the soft - spoken cowboy Joe Gage (Michael Madsen) sniff around on the sidelines.

In a flashback sequence, viewers witness a childhood trauma with a wild horse which, supposedly, serves to explain his sadistic fetish for bridles and bondage.

Her flashbacks show how Paul got into his accident, and help to explain some of the various plots that are happening simultaneously.

The story unfolds in flashback as Li explains to a warlord how he eliminated three would - be assassins (who happen to be three of Hong Kong cinema's biggest stars, incidentally)-- but all may not be precisely how it seems.

He also makes hugely imaginative use of flashbacks, explaining the origins of certain characters, and even showing scenes of «fictional» stories that never took place (such as Tim Roth's men's room story).

Recess attempts to hook in older viewers by providing a flashback story for Principal Prickly (voiced by Dabney Coleman) and Benedict, explaining where this plot to eliminate lunchtime recess came from.

However, we have come to expect absolutely no sense from the story, so we let the answer land on a random character, watch them awkwardly try to explain it with some flashbacks and then go away to watch a real movie.

In another, he explains to a nurse that being in a home reminds Jorge of being in prison — something Courtenay has already pointed out between flashbacks.

Highlights of the much looser latter portion of the series are in episode 1.5, Giedroyc's «Closer Than Sisters,» which is built around an extended flashback that explains how Murray and Ives became fellow travelers.

A series of flashbacks designed to explain Uncle Charlie's presence, as well as his motives, are more confounding than clarifying; while the reveal isn't completely obvious, it still feels too convenient.

Considering there are several points during the game where Muddy experiences flashbacks that explain his combat abilities it would have made far more sense to tie these upgrades into those moments.

Through out the game Ghat explains things to Deadra through the use of flashbacks.

The crossover fails to come together, as two sections starring the movie characters bookend a confusing and lengthy flashback to explain the Dark Spark's origins back on the Transformers» home planet.

But ODST does hit back thanks to it's co-op campaign gameplay, allowing you and up to 3 other friends to battle the Covenent, the wierd thing is that the story tell you that you're a lone Trooper in hostile territory and never explains where 3 other ODST's amazingly appear from, it's the same in flashback missions it's never explained how these people got here or why they are carbon copies of the main characters.

A number of the Elder Scrolls games have similar areas and enemies (for example that one quest in Morrowind where you have to transport into a room totally separate from any other area that exists basically in a void and fight a unique enemy), and for an example of story, that hidden Prothean orb in the first Mass Effect game that gives Shepard a flashback of Protheans observing and messing with caveman - era humans is haunting and unlike anything else in the game (and sadly pretty much never gets explained in the rest of the franchise).

Flashback 2010: Dr. Roger Pielke, Jr. explains climate silliness: «There is something about climate issue that makes people — especially but not limited to academics and scientists — completely and utterly lose their senses» — August 12, 2010

Flashback June 2009: New NSIDC director Serreze explains the «death spiral» of Arctic ice, brushes off the «breathtaking ignorance» of blogs like WattsUpWithThat