Sentences with phrase «flat against a work»

Roll the light green piece of dough into a fat log and then shape it into a triangle (I did this by gently pinching the dough with my fingers as I pressed the dough flat against a work surface).
just get a nice long piece of waxed dental floss (one could use thread too, but that can stick a wee bit), hold it flat against the work surface, with a thumb on each side, and slide it under the log of dough.

Not exact matches

Maybe Whiz can figure out how to use a play that always works against the Chargers in short yardage: The play action fake to Gordon, with a pass in the flat to the left side tight end.
... as well as regular use of a pro-style Hank concept, which uses an option route in the middle of the field to open the curl - flat combo on the outside, though it worked better against Virginia Tech in the bowl game:
People who have epidurals often must give birth flat on their backs, which means gravity is working against them.
You could make the first point also against income tax (after all, it is more telling if I work in Sony or in P0rn Productions, Inc. that if I have MS stock or a flat).
Asked in a session with reporters if he had a response to the complaints Mr. Ferrer and Mr. Weiner had lodged against him — that he was too close to the Republican president; that he had not done enough to help the poor or working class — the mayor initially answered with a flat «no.»
Start with your heels a little further away and then work your way up to being flat against the wall for the exercises.
Start with your toes tucked under, tops of feet lifted, and work your way to feet flat against the floor.
I have bigger bones, wide shoulders, full bust, fleshy arms and I'm short so most slip dress features work against me and do not flatter.
Make sure those clues are working for you, not against you — a big pile of dirty washing behind you in an untidy - looking flat isn't going to do you any favours.
His writing is less successful than his direction: the derivative nature of the plot clangs up against some poorly executed references to other horror films (one reference to The Thing is flat - out terrible), resulting in another example of a genre film - maker trying to appeal through referencing better work than doing good work themselves.
Lie - flat mode is great for the lay - back crowd and it works well to bring the screen up to eye level on a seat - back tray or resting against a tablet stand.
There is a desk with work chair next to the bed, a wardrobe, cupboard with tea / coffee maker, microwave and a flat - screen TV mounted against a wooden wall panel, all in the same espresso wood.
These works are noted for their dynamic forms where flat shapes were being pushed or contained against moving borders and other geometric constructions.
In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.
Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the «flatter» surfaces of Barnett Newman's work and the «target» paintings of Jasper Johns.
Some works are flat against the wall while others, definitely planar, are installed in a way that makes you consider the space around and behind them.
Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.
These later works, which neither occupy volume nor hang flat against the wall, exist somewhere between painting and sculpture.
In the strongest work in this show, what look like cut - up scraps of painted canvas are really thick swaths of acrylic paint, peeled off a flat surface and draped over bare wood stretcher bars leaning against the wall.
His early work features broad, calm rectangles in the manner of the American Color Field painters, but Hoyland's distinctive contribution has been to break with the modernist insistence on a flat surface and to put perspective back into abstract painting: his mature work is characterised by depth and texture, in which strange objects float in the foreground or middle distance, against an often mysterious background, in a way that is oddly reminiscent of Miro.
The works are quietly, humbly rebelling, flat on their back, against the need for objects to be more grand than individuals.
For instance, Self Born, 1949, while taking full advantage of the «drip, blob, and spatter» method used by Jackson Pollock and Robert Motherwell, among others, went one dramatic step further by employing these devices not against the kind of flat, implied space that existed in Pollock's and Motherwell's canvases but within the infinite, clearly defined atmospheric space also found in the works of such Surrealists as Dali and Tanguy.
While many works from this series are presented flat against a wall, this three - dimensional construction is comprised of lengths of blue acrylic yarn suspended at non-intersecting angles in space.
The three - dimensional black spheres that make up this work are in some ways distant relatives of the pixels of that original, two - dimensional photograph, but instead of being transcribed into a flat image as micro dots of ink on paper, here they well up into great waves that crash against the very walls of their original subject matter.
The exhibition will feature three oversized paintings — the artist's largest works created to - date — which will be exhibited on flat aluminum blocks on the floor and leaned against the gallery walls.
He also dismissed climate change skeptics as Flat Earthers and urged US citizens at all levels to take steps to reduce climate change causing emissions and push back against those who would work to undermine US policy to reduce the threat of climate change.
But I thought it was a little sketchy that while possibly trying to make hay of how a well placed trend line can make an effect appear to come into being (the flat line of «the pause») or disappear (as it does here), he neglected to mention that the trend he used to do his work was so shallow that, in any other context, he or any of his regular readers would instinctively argue against it, which actually happened in responses to my original comment.
The Playbar also has a unique multipositional design: it works flat against a tabletop or flat against a wall for mounting.
I can use the keyboard and quickly switch apps, then set the iPad flat against the keyboard's back and sketch on it, or use my fingers to work on a music composition.
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