Sentences with phrase «flat application of color»

Many of these seemingly jovial paintings incorporated sculptural elements, which created a clever juxtaposition with the flat application of color and form.

Depicting everyday scenes of domestic, city, and country life, painter and printmaker Milton Avery favored simplified forms and the flat application of color, inspired by Henri Matisse and Pablo Picasso.

Not exact matches

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Next, use a flatter shadow brush for a precise application of your darkest color.

The car also had many unique body features such as rhombus - pattern cover on the air inlets and outlets, continuous aluminum lip spoiler, glass roof with two large transparent sections, glazed engine compartment behind the seats, NACA duct in the middle of the roof for cooling of the bigger V12 engine, optional carbon fibre lining of the engine compartment, LED headlights with color temperature of 6,000 kelvin, 365 mm (14.37 in) three - spoke flat bottom diecast magnesium core sport steering wheel upholstered in Valcona leather, aluminum application on the center console, 24 - piston (total) brake calipers (red six - piston monobloc aluminum front calipers, fixed rear calipers) and ventilated carbon fibre reinforced silicon carbide ceramic brake discs.

From Odita's perspective, the flat surface of his paintings further suggests a «ground of whiteness» that exists prior to the application of color.

Through a variety of application methods Edwards works the surface of his paintings to set static backdrops through combinations of gestural abstraction, smooth gradients, and flat color.

[5] For thirty years he experimented with color theory in three main series: Semaphores, Scrolls and Diptychs, all of which are characterized by their flat application of acrylic lacquer onto aluminum.

When he titles an oil on linen work depicting a freshly painted room Quiet Grace (2011) it elevates the mundane scene of drop cloths, a ladder, and paint color swatches to an unapparent seriousness, and his masterful application of light versus shadow and flat versus slick color give the scene the psychological resonance of the sublime.

Using a range of paint applications, Mason creates pools of color that vary in density — flat expanses merge with delicate clouds of pigment, coalescing into deceptively complex compositions.