Sentences with phrase «flat areas of colour»

Hard Edge Painting Term coined in 1959 to describe abstract (but not geometric) painting, using large, flat areas of colour with precise edges.

The picture made full use of the fashionable technique of Cloisonnism (from the French cloison, meaning partition) a method popular with French symbolist painters, which was characterized by flat areas of colour bordered by heavy outlines.

• Synthetism (1888 - 94) Noted for its flat areas of colour.

Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), his Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk - screen printmaking to achieve his characteristic hard edges and flat areas of colour.

Not exact matches

Brighten the area with a creamy, light base colour and then add a wash of a flattering satiny colour.

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mechanical PAS, Low washer fluid indicator, MMI - Multi Media Interface control system, On board computer, Service interval indicator, Voice control system, Audi music interface, DAB digital radio module, Speed dependent audio volume control, Acoustic windscreen, Body coloured bumpers, Chrome exhaust tailpipe, Coming home function, Door mirror integrated indicators, Front and rear electric windows, Full paint finish, Heated windscreen washer jets, LED daytime running lights, Light and rain sensor for auto activation of lights and windscreen wipers, Loading sill protector in stainless steel, Rear wiper, RS design body styling, Sunband for windscreen, Towbar preparation, Xenon Plus headlights + washers + auto range adjust, 12V power in rear centre console, 3 spoke flat bottomed multifunction steering wheel, Aluminium door sill trims, Aluminium gear shift paddles, Cupholders in centre console, Dual zone climate control, Electric front lumbar adjustment, Front and rear interior lights with delay, Front and rear velour floor mats, Front centre armrest with storage compartment and angle adjustment, Front sports seats, Heated front seats, Height adjustable front headrests, Height / reach adjust steering wheel, Illuminated glovebox, ISOFIX on front passenger and rear outer seats, Perforated leather gearknob, Perforated leather steering wheel, Rear headrests, Reversible boot floor, Split fold rear seat, Tool kit, Top tether anchor plate for isofix child seat, Under floor storage in luggage area, 3x3 point rear seatbelts, ABS+E lectronic Brake force Distribution, Curtain airbags, Driver and passenger airbags, Driver and passenger side airbags, EDL + ASR, Electrically operated child locks on rear doors, Electromechanical parking brake, Electronic stability control, First aid kit, Front passenger airbag deactivation, HBA (Hydraulic Brake Assist), Height adjustable front seatbelts, Seatbelt warning light, Tyre pressure monitoring system, Warning triangle, Locking wheel bolts, Remote central locking, Thatcham category 1 alarm + immobiliser, Sports suspension, Tyre mobility system, Audi Rs Q3 2.5 T FSI Quattro 5dr S Colour driver's information system display, Electro - 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Impressive though his hand is, this alone is not the defining characteristic of Jones's work; his eye for colour is uniquely his own, juxtaposing mint greens with deep reds and vast areas of flat luminous yellow with thick navy blue outlines.

Hard - edge painting is characterized by large, simplified, usually geometric forms on an overall flat surface, precise, razor - sharp contours and broad areas of bright, unmodulated colour that have been stained into unprimed canvas.

By simplifying images into shapes, flat fields of colour and areas of mark making, an image is pushed towards the unrecognizable.

White space is clearly as important to Holyhead as the application of colour, the tension between the two is an intrinsic aspect of his compositions, with crisp, stencil - like geometric shapes cutting into flat translucent areas of wash, heightening both gestural process and media and making artistic intentions — an investigation into the enduring possibilities of painting — subtly present.

And then a longing for the return of curves and for work with larger areas of colour brought paintings where flat planes of colour appear to weave in space in compositions of lyrical and exuberant rhythms.

With their areas of flat, unmodulated colour and deceptively simple compositions, Tal R's paintings have long questioned our conception of and presumptions about our surrounding reality — what we see and where its meaning and beauty lies.

The silkscreen process, which lends itself to large areas of flat, sharply defined colour, was ideal for the formal simplicity of Caulfield's compositions.

Later in that decade and into the 1980s, she began to use thick and heavy impasto in carefully designed arrangements; and in recent decades, she has developed a distinctive style of simplified organic motifs and areas of flat yet intense colour.

In other words the tendency for for colour areas to fluctuate ambivalently in spatial location in «flat» painting, is counteracted by the further cues of shape.

Thomson's design experience permeates his late canvases, which feature stylized tree branches and flat areas of strong colour.

Areas of flat colour were screenprinted at Kelpra.

The various areas of flat grey colour would have been next, just prior to the final applications of thicker (and relatively glossy) acrylic paint.

He saw no need for any imitation of nature, or linear perspective to create a false «depth» to the painting, because he thought that nothing was more concrete (or more real) than a line, a colour, or a plane (a flat area) of colour.

Calder's friend Joan Miró was known for both his paintings and his sculptures, the former demonstrating his reliance on flat, intense areas of primary colour and playful black outlines.

These painters used large areas, or fields, of flat colour and thin, diaphanous paint to achieve quiet, subtle, almost meditative effects.

According to his entry in Benezit, Schuster's paintings «are very structured, built on geometrical forms painted in areas of flat colour which are nevertheless reminiscent of landscapes and architectural views.

A friend of the French Intimist painters Edouard Vuillard (1868 - 1940) and Pierre Bonnard (1867 — 1947), Prendergast's personal «mosaic» style employed contrasting, jewel - like colors, and patternlike flat areas of unmodulated colour.

Typically, he used flat areas of simple colour surrounded by black outlines.

By utilizing negative space and alternating between a sense of representing a discrete object or a cutaway section of the ground, he re-examines formal ideas of figure and ground relationships and the image shifts between flat areas of modern colour and illusory depth.

Mark Rothko, Clyfford Stills, Barnett Newman) were experimenting with the use of flat areas or fields of colour to induce contemplation in the viewer - even to a pitch of mystic intensity.

Back in the United States during the Great Depression of the 1930s, he developed a new style based on the rhythmic contrast between geometric areas of flat colour and objects clearly defined in linear perspective.

Simon Carter: Even someone like — I've just been down to see the Patrick Caulfield show at Tate Britain — in reproduction you just think they're big areas of flat colour, but you get a physical sense off them standing in front of the painting.

Despite bold colour still being evident, as in Flat Screen 2012 - 13, there are also other paintings where large menacing areas of black provide compositional structure to the painting as in Trinity, 2007.

With their areas of flat, unmodulated colour and deceptively simple compositions, Tal R's paintings have long questioned our conception of and presumptions about our surrounding reality — what we...