Silver Ice Metallic and
flat black graphics package.
Not exact matches
Your interpretation of her
black and white polkadot creation was spot on, and reflected not only the quirky and unexpected fashion theme you both share, but added the sophisticated and polished edge you are so good at creating (like opting for a textured top and knee high
black boots, rather than a simple
graphic T and
flats, and pulling your hair up rather than leaving it loose about your shoulders).
SHOP MY LOOK: Brown studded jacket @Wilson's Leather White
graphic tee @Banana Republic Dark blue skinny jeans @Joe's @Nordstrom Rack
Black flats @TJ Maxx Bag @Coach Yellow sunglasses @Dior Silver bracelet @My arm Charms
Worn Denim blazer, LOFT, thrifted
graphic tee, Fashion's Night Out c / o Neiman Marcus cargos, LOFT silver layered necklace, LOFT
black ring, Old Navy
flats, Jessica Simpson via TJ Maxx silver handbag, Coach via Nordstrom
Chambray shirt / / Peach striped tank / / Fuschia chiffon blouse / / Merci
graphic sweater
Black flared skirt / / Gold belt / / Denim jeans Hot pink belt / / Nude strappy stilettos Mint green shorts / /
Black strap sandals / / Bow ballet
flats
The white with
black graphic design T - shirt is edgy and on trend but still very
flattering.
It included Z - Spec ground effects, a spoiler, unique grille and
graphics package, Torch Red body colour, Z - Spec concept 18 - inch wheels, Cobalt Red cabin features perforated
black suede seat inserts, a Z - Spec sport pedal kit, sport shift knob and a racing - style
flat - bottom steering wheel, performance brakes with four - piston calipers, a new high - flow exhaust system and performance suspension parts.
The hood stripe and side
graphics are
Flat Black.
The can't - miss
graphics are reminiscent of 1970s and»80s Dodge trucks, and while I dislike wallpaper, a
flat -
black hood is advantageous for glare reduction.
Using the stroke of a
flat wide brush as his instrument, he gradually «drew» an essentially
graphic composition of all - over horizontal and vertical, long and short,
black lines, and curves.
From this point on, Lichtenstein continued to synthesize often found (but also at times imagined) imagery into a
graphic language of
flat primary colors (red, blue and yellow) edged in straight
black and modeled in space through the conventions of advertising and
graphic design rather than those of painterly naturalism.