This technique was central to Bacon's ability to create
flat colour fields rather than a more painterly, brushstroke - laden canvas.
Not exact matches
Is it being surrounded by brightly
coloured plastic and metal play equipment, or are you somewhere else, such as lying
flat in a
field of sweet - smelling summer grass, looking up at the clouds?
In addition to the instrument dials under the dome - shaped cowl behind the steering wheel and a central LCD
colour display integrated between them, the MMI also supplies information via its swivelling
flat screen, well positioned within the driver's
field of vision in the upper section of the centre console.
Flat opaque
fields with frayed edges mingle with translucent layered patches of
colour.
By simplifying images into shapes,
flat fields of
colour and areas of mark making, an image is pushed towards the unrecognizable.
Beginning in the 1950s and 1960s, several Abstract Expressionist / color
field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad,
flat fields of
colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.
Pioneered by Clyfford Still (1904 - 80), Barnett Newman (1905 - 70) and Mark Rothko (1903 - 70), this abstract art was characterised by large
fields of
flat, solid
colour, which enveloped the spectator when seen at close quarters.
The emergence of
Colour Field effectively divided Abstract Expressionist painting into two styles -(1) gestural and full of contrast and action; (2) smooth, flat, and relatively incident - free with large fields of rich c
Colour Field effectively divided Abstract Expressionist painting into two styles -(1) gestural and full of contrast and action; (2) smooth,
flat, and relatively incident - free with large
fields of rich
colourcolour.
Influenced by automatic drawing that he picked up from European surrealism and pushing boundaries withlarge
fields of
flat colour.
These painters used large areas, or
fields, of
flat colour and thin, diaphanous paint to achieve quiet, subtle, almost meditative effects.
The artist Kenneth Noland, who was a close friend, saw Annesley's sculptures as the extension of
colour field painting: as painting got
flatter, Annesley saw the potential of sculpture to take
colour to another dimension.
Mark Rothko, Clyfford Stills, Barnett Newman) were experimenting with the use of
flat areas or
fields of
colour to induce contemplation in the viewer - even to a pitch of mystic intensity.
In particular he was a fan of the all - over action - painting style of Jackson Pollock, and the
flat surfaces of the
Colour Field Painting movement, embodied by Mark Rothko and others.
The overall brushwork and vertical striations disappeared and the figures become concentrated sculptural forms isolated against
flat fields of
colour.