Sentences with phrase «flat colour which»

Bomberg's The Mud Bath (1914, Tate Modern, London) is a typical example of the group's style, with lots of straight lines, blocks of flat colour which gives a feeling of movement and dynamism.

According to his entry in Benezit, Schuster's paintings «are very structured, built on geometrical forms painted in areas of flat colour which are nevertheless reminiscent of landscapes and architectural views.

Harman's new series, 1 Pixel Portraits, are printed blocks of pure, flat colour which record the compressed data taken from found images of portraits.

Not exact matches

Newton was sufficiently encouraged by this to offer the society another paper on light, which included a description of the way coloured rings of light (now known as Newton's rings) are produced when a lens is separated from a flat sheet of glass by a thin film of air.

However, my issue with it has always been two things: the garlic (it's far too overpowering) and the colour (which is just flat and uninteresting).

Amal usually wears a customised plum / red colour, which is flattering for everyone and is a modern alternative to the classic red.

Soft, comfortable LONGPANTS Colourful design»  -  Individual «Mix & Match possibilities -  Stay warm and dry on cold days and nights -  Flat lock seams, which adapt to the movements. -  more efficient moisture transport Colour: Black Gender: Women Material: Polyester Material: 100 % Polyester Pattern:

I Layering cardigans over short sleeved dresses (I'm anything but a fan of my upper arms), especially in darker colours, which can be quite flattering to one's figure, is one of my favourite styling techniques ever.

«It's a flattering colour that works with black, white, nude and metallic accessories, which is really rare for a dress!

as for lips, i use shisheido's rd 722 lipstick, which is the perfect nude for me, and when i go for subtler eyes, i mix a beige lip pencil with green undertones with chanel's rouge allure 116 envoutante, making a light plum / brownish shade, which i think looks flattering on any skin colour.

I absolutely love them — they're the perfect fit, they're high waisted (which is more flattering on my shape), the length is just right for my 5ft 4inch frame and the colour is spot on.

American Vintage, with their multitude of cuts (which are designed to fit and flatter a variety of body shapes while still maintaining that Tshirt look) and huge array of seasonal colours is a place I always recommend clients to shop at.

However, the overall look works, thanks mainly to a well - chosen auburn brown colour which really flatter Emma Stone's naturally fair complexion.

A hat which does not compliments the shape of your face and a colour that flatters your complexion can ruin the look of the entire outfit.

THE DVD A 1.78:1 anamorphic widescreen transfer is the flipside to a pan-and-scan DVD presentation of The Sandlot 2, both of which exhibit almost exactly the same flat, blooming colours and, particularly in the daytime sequences, the same subtle patina of overexposure haloing and bleed.

Equal effort has been expended on the interior, which benefits from the addition of a pair of heavily bolstered front seats and a flat - bottomed steering wheel, plus a generous helping of red trim accents — there are red inserts in the doors, dashboard and centre console, plus the same colour is used for stitching in the seat and wheels.

And all Polos now come with a sporty three - spoke flat - bottom steering wheel and a class - leading 5.0 - inch colour touch - screen infotainment system with AM / FM / CD / SD / MP3 / WMA compatibility, six speakers, USB input and Bluetooth phone and audio streaming, all of which works seamlessly.

Guest accommodation has a smart, modern décor, interiors of soft pale tones, drapes and patterned bedspreads of fresh colours, comfortable furnishings on cool tiled flooring and amenities for your convenience; features include a private balcony for most rooms, air - conditioning, private bathroom with bathtub or shower, a living / dining area, flat screen TV, DVD player, safe box, comfortable seating area, and a kitchenette which includes microwave, fridge, electric kettle, kitchenware, oven and washing machine.

Vibrant colours and attractive wood furnishings welcome you to this room, which accommodates up to four guests with two double beds, a 32» flat - screen TV, plush armchair, work desk, mini-fridge, coffee maker, and full bath amenities.

Room Facilities Guest accommodation has a smart, modern décor, interiors of soft pale tones, drapes and patterned bedspreads of fresh colours, comfortable furnishings on cool tiled flooring and amenities for your convenience; features include a private balcony for most rooms, air - conditioning, private bathroom with bathtub or shower and hair dryer, a living / dining area, flat screen TV, DVD player, safe box, comfortable seating area, and a kitchenette which includes microwave, fridge, electric kettle, kitchenware, and an oven and washing machine for some rooms.

And then there are hard - edged paintings in which space and colour are flat, flat, flat and the canvas plays tricks on your eyes, forming faces made from collections of interchangeable symbols such as smoke, fire, alligators, matches, razor blades, cigarettes and the letter «z».

One of the artist's most famous paintings, Large Reclining Nude, displays the daring scale, simplified forms, and bold, flat planes of colour with which the artist treated the female form in the 1930s.

As with all Craig - Martin's prints, this work exhibits an incredibly vivid use of colour, which enhances the flat appearance and sharply defined outlines of each element of the composition.

Beginning in the 1950s and 1960s, several Abstract Expressionist / color field artists (notably: Barnett Newman, Mark Rothko, Robert Motherwell, Adolph Gottlieb, Theodoros Stamos, Sam Francis, Ludwig Sander, Clyfford Still, Jules Olitski, and others) explored motifs that seemed to imply monochrome, employing broad, flat fields of colour in large scale pictures which proved highly influential to newer styles, such as Post-Painterly Abstraction, Lyrical Abstraction, and Minimalism.

These works follow on from Pollock's abstract action paintings which saw the artist drip brightly coloured paint onto canvases laid flat on the studio floor, and are far lesser known yet just as intriguing as these early, pioneering works.

The silkscreen process, which lends itself to large areas of flat, sharply defined colour, was ideal for the formal simplicity of Caulfield's compositions.

Primarily working from life, he produces images in which line and form are expressed through carefully composed strokes and planes of flat colour.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

Typically, this involved the creation of large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found» objects, commonly fragments of furniture, painted in flat uniform colours - black, gold or white.

Ivon Hitchens is a good example of someone using almost entirely abstract content (flat, anonymous, coloured shapes) to create paintings which, perceived as a whole, are figurative.

Thomson's design experience permeates his late canvases, which feature stylized tree branches and flat areas of strong colour.

Yet even in those paintings which flatter, especially those of women, their boldly coloured, enticing lips dangle question marks about their integrity.

Pioneered by Clyfford Still (1904 - 80), Barnett Newman (1905 - 70) and Mark Rothko (1903 - 70), this abstract art was characterised by large fields of flat, solid colour, which enveloped the spectator when seen at close quarters.

The picture made full use of the fashionable technique of Cloisonnism (from the French cloison, meaning partition) a method popular with French symbolist painters, which was characterized by flat areas of colour bordered by heavy outlines.

Helen Beard uses a vivid rainbow palette to create interlocking arrangements of bright primary colour, which combine to describe explicit sexual encounters in flat detail.

Rossetti had an unsurpassable gift for colour, and these drawings glow with a variegated fire which reminds one of stained glass, the likeness to which is increased by the way in which the colour is mapped out into flat or almost flat decorative shapes.

She is known for her gestural paintings, which playfully balance large block colours with simplified flat shapes.

The movement was characterised by simplified compositions of unbroken colour, which produced a flat picture plane.

However, let's say that white noise has a «flat power spectral density,» which seems to mean that at any frequency the signal contains equal power, much in the same way that a white light distributes power over the visual frequencies in a way that stimulates our colour receptors equally.

The flat, which is 589 sq ft, is bright and airy, with a neutral colour scheme used throughout.

The couple designed the kitchen, which features sleek flat - panelled cherry cabinetry stained a slate colour and white quartz countertops.