Sentences with phrase «flat drawings in space»

«David Smith started with almost flat drawings in space and then made much larger geometric works.

Not exact matches

On the matter of comparing drawings with photographs, Bonnard said to his nephew Charles Terrasse, «To represent on a flat surface masses and objects situated in space, that is the problem of drawing.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

His work can be seen in the files of Museo del Barrio, N.Y.; Drawing Center, N.Y.; the flat files at Pierogi 2000, Brooklyn N.Y.; and Heskin Contemporary, N.Y. Currently he co-manages «Rumpelstiltskin,» an exhibition art space for aesthetic research in south west Guadalajara, Mexico, where he has curated Paranormal Bureu, a multimedia show with three artists from Brooklyn N.Y. My unorthodox practice links me to a generation of artists with a very wide range of approaches to art, that question the interest of the establishment particularly in museums and commercial venues.

In each work, the artist employs formal dualities from the art historical canon — namely, narration versus abstraction, color versus line, flat versus recessive space, and painting versus drawing — not as a means to a conceptual end, but rather as a method to push these painterly concerns to their extremes.

2017 Nominee, Tosa Studio Award at Minnesota Street Projects, San Francisco, CA Artist Talk with Caitlin Haskell, SFMoMA curator, Chandra Cerrito Contemporary, Oakland, CA 2016 Alternate for Artist Residency, Djerassi Resident Artist Program, Woodside, CA SECA Award nominee, SFMoMA, San Francisco, CA Artist in Residence, Wassaic Artist Residency, Wassaic, NY Grant, The Golden Rule Foundation, New York, NY 2015 Alternate for Artist Residency, Djerassi Resident Artist Program, Woodside, CA Grant, The Golden Rule Foundation, New York, NY 2014 Artist in Residence, Willapa Bay, Oysterville, WA (April 2015) Alternate for Artist Residency, The Ragdale Foundation, Lake Forest, IL 2013 Grant, Center for Cultural Innovation Grant, The Golden Rule Foundation, New York, NY Artist in Residence, The Ragdale Foundation, Lake Forest, IL 2012 Artist in Residence, The Sam and Adele Golden Foundation for the Arts, New Berlin, NY Alternate for Artist Residency, Headlands Center for the Arts, Sausalito, CA Artist in Residence, Vermont Studio Center, Johnson, VT Artist Grant, Vermont Studio Center, Johnson, VT 2010 Artist lecture, Academie Minerva, Groningen, The Netherlands Geoform, online flat files artist 2009 «Best of the San Francisco: One of three artists to watch», San Francisco Magazine Alternate for Artist Residency, Djerassi Resident Artist Program, Woodside, CA MINUS SPACE flat files, Brooklyn, NY Artist Grant, Goethe - Institute, San Francisco, CA 2007 The Drawing Center Viewing Program Artist Pierogi flat files, Brooklyn, NY 2004 Artist in Residence, Fine Arts Museums of San Francisco, San Francisco, CA Visiting Artist, University of California at Berkeley, Painting, Berkeley, CA 2002 - 5 Headlands Center for the Arts Affiliate Artist 1998 American Composers Forum Grant 1995 Samuel B. Fleisher Art Memorial, Challenge Award

Her work is held in flat files at Minus Space, Brooklyn; Pierogi, Brooklyn; NeoImages, Los Angeles; and the Drawing Center's Viewing Program.

«Open House» is presented across four exhibition venues, each with their own particular character, that draw upon emblematic spaces in Singapore: Housing Development Board flats (Singapore Art Museum and 8Q), shopping centres and night markets (National Museum of Singapore), and international air and sea ports (Old Kallang Airport).

LG: The cut - out shapes are very hard edged and flat however your collages often drawn with a naturalistic space, the perspective looks observed as if you were painting directly in response to an observed scene.

Selected group exhibitions include: Faction, The University of Dayton, Dayton, Ohio; In The Flat Field, Flanders Gallery, Raleigh, NC; In Substantiality, Theodore: Art, New York, NY (with Andreas Blank, Patrick Caulfield, Richard Paul); Mostly Monochrome, McKenzie Fine Art, New York, NY; Blue, James Graham and Sons, New York, NY (curated by John Zinsser, with Rudolf de Crignis, Joe Fyfe, James Hyde, Olivier Mosset, R.H. Quaytman, Kate Shepherd, Amy Sillman, Philip Taaffe, Dan Walsh); Accrochage, Gallery Sonja Roesch, Houston, TX; Monochrome Utopia, 532 Gallery, NY (with Sharon Brant, Matthew Deleget, Olivier Mosset, Erik Saxon, Li Trincere); In Good Company: Figurative Drawings from the Collection, Albright - Knox Art Gallery, Buffalo, NY; and Minus Space, PS1 Contemporary Art Center, New York, NY.

Within the space afforded by using two times the standard error you will be able to draw trend lines that are indistinguishable from previous recent decades, and they will be as «valid» as the «statistically flat» trend Dr. Whitehouse assures us is in this data.