Sentences with phrase «flat paint brush»

My solution, I just took a flat paint brush and covered the tops with the same black acrylic paint.

Not exact matches

Using a brush will give your foundation the most polished look; paint on the foundation in long, flat strokes to apply and smooth out the edges.

Using a wide, flat paintbrush start brushing short strokes of paint over the length of the scarf, all going in the same direction.

Try this negative nail design by using the flat end of a paint brush and dot accordingly.

To paint the letters, use a flat sponge brush and dip it into the paint.

Using a sponge brush or sponge roller, cover the flat surface with chalkboard paint.

I like to use a flat foundation brush (the ones that look like a pair t brush) and dip that into the jar and then «paint» the mask onto my face!

«Start from the outside in, laying the brush flat in one corner of your lip and taking one long smooth stroke to the center of the lip to paint the edge,» says Oquendo.

Painted Ladies: The Coastal Scents Bionic Flat Top Buffer Brush could be a dupe for the UrbanContinue Reading...

I would use a foam roller with rounded ends to paint the flat parts of your hutch and a 2 ″ angled brush for the rest.

I used this eyeshadow palette to create a smokey eye, and applied this white face paint using a flat foundation brush.

AMG - specific front axle / suspension, linear sports steering, sportier setup of «S» transmission mode, sports exhaust, red seatbelts and black roofliner, AMG Body Styling, Red Inlays in Front and Rear Bumper, Aluminum Trim, Wheels: 18» AMG, Tires: P235 / 40R18, SPORT Badge on Fenders and Floormats, Sport Suspension, Sport Steering Wheel w / Flat Bottom, Red Painted Brake Calipers, Diamond Grille w / Silver Pins, Summer Tires, Brushed Aluminum Sport Pedals

Black Sapphire metallic paint, Upgrades - Sport automatic transmission, Comfort Access, Brushed Aluminium - Black interior trim, Sun protection glass, Ext. mirrors - folding with anti-dazzle, Elec Fr Seats + Driver Memory, Extended storage, Enhanced Bluetooth - wireless charging, WiFi hotspot preparation, Driver Comfort Package, Black Dakota leather interior, Standard Features - 18» 400 M light Star - Spoke alloy wheels, Run - flat tyres, Alarm system (Thatcham 1), Front armrest with sliding adjustment, Rear - view mirror.

Black Sapphire metallic paint, Upgrades - M Sport braking system, Sport automatic transmission, Variable sport steering, Brushed Aluminium - Black interior trim, Sun protection glass, High - beam Assistant, Enhanced Bluetooth - wireless charging, WiFi hotspot preparation, harman kardon loudspeaker system, Dynamic Package, M Sport Plus package, Black Dakota leather interior, Standard Features - Adaptive M Sport suspension, 19» Bicolour Orbit Grey 704 M double - spo, Run - flat tyres, Alarm system (Thatcham 1), Front armrest with sliding adjustment, Rear - view mirror.

Black Sapphire metallic paint, Upgrades - M Sport braking system, Comfort Access, Brushed Aluminium - Black interior trim, Sun protection glass, Ext. mirrors - folding with anti-dazzle, Elec Fr Seats + Driver Memory, Extended storage, High - beam Assistant, Enhanced Bluetooth - wireless charging, WiFi hotspot preparation, harman kardon loudspeaker system, Driver Comfort Package, M Sport Plus package, Black Dakota leather interior, Standard Features - 19» Bicolour Orbit Grey 704 M double - spo, Run - flat tyres, Alarm system (Thatcham 1), Front armrest with sliding adjustment, Rear - view mirror.

Black Sapphire metallic paint, Upgrades - Sport automatic transmission, Steering wheel heating, Front armrest with sliding adjustment, Brushed Aluminium - Black interior trim, Ext. mirrors - folding with anti-dazzle, Split - folding rear seats, Heated front seats, Driving Assistant, Real Time Traffic Information, Concierge Service, Remote Services, Online Entertainment, Enhanced Bluetooth - wireless charging, WiFi hotspot preparation, Navigation system Professional, Head - up Display, Speed limit display, Interior comfort package, Innovation package, Black with Dark Oyster highlight interior, Standard Features - M Sport braking system, 19» Bicolour Orbit Grey 704 M double - spo, Servotronic Steering, Run - flat tyres, Black mirror caps, Alarm system (Thatcham 1), Sun protection glass, Rear - view mirror.

Exteriorly, you'll find 18 - inch AMG ® twin 5 - spoke wheels and grey - painted brake calipers, while the cabin boasts sport front seats, brushed - metal pedals with rubber studs, a flat - bottom steering wheel, and an AMG ® menu with RACETIMER ®.

Black Sapphire metallic paint, Wireless charging, Wifi and more, Upgrades - M Sport braking system, Sport automatic transmission, Comfort Access, Brushed Aluminium - Black interior trim, Sun protection glass, Ext. mirrors - folding with anti-dazzle, Elec Fr Seats + Driver Memory, Extended storage, High - beam Assistant, Enhanced Bluetooth - wireless charging, WiFi hotspot preparation, harman kardon loudspeaker system, Driver Comfort Package, M Sport Plus package, Night Blue with Oyster highlights Dakota interior, Standard Features - 19» Bicolour Orbit Grey 704 M double - spo, Run - flat tyres, Alarm system (Thatcham 1), Front armrest with sliding adjustment, Rear - view mirror.

Notice below how I'm pushing the flat brush into the paint to get a good brushfull.

I then decided on a background colour and with a flat brush applied strokes of paint liberally onto the background.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Finally, with the flat brush and pale grey paint, I gently stamped some waterlines at the river banks and one or two ripples in mid-river:

Between 1968 and 1972 the New York Realist painter — known for his nude studies and the public murals he produced for the U.S. Department of Labor building — departed from his thick - brushed signature strokes to paint in blinding neon, flat foregrounds, and sharp geometric compositions.

He is also starting to let paint find its own way, with splatters or the tip of a loaded brush pressed flat.

It looks as if he paints the stripes with a flat brush, sans tape, so the ever - so - slight line variations within each stripe combine to generate many more visual watts than hue or color placement alone could do.

Nor do I think, like Sam, that «Red Label» is a flat image; I think it has, along with quite a bit of Smith's very early, freely - brushed but clearly structured work of the late fifties, more spatial «life» in it than much of the stuff that came later, work that attempted to wed painting to literal three - dimensionality.

[ok for week no. 2 meeting] white paper 90 lb smooth, notebook is fine exacto or utility knife rubber cement straight edge or ruler fashion magazines, instructions in class to follow commercial paint supply color strips, instructions in class to follow titanium white or equivalent gouache french ultramarine blue gouache cobalt blue gouache cerulean blue gouache veridian green gouache cadmium red medium alizarin crimson gouache magenta gouache cadmium yellow light gouache cadmium yellow deep gouache raw sienna gouache lamp black or equivalent gouache 2 glass containers with lids for water plastic paint palette with dividers 2 - 3 paint brushes including small round tip, medium flat, example # 8 flat or equivalent small spray bottle [facial atomizers are good] clean rag or paper towel

Characterized by flat primary colors contrasted against mirrored surfaces, these paintings contain overlapping screen - printed images along «with broad swipes of the brush and splashes of paint» that Artsy describes as both «dramatic and explosive.»

The paintings have a physicality that is described through the monochromatic brush strokes and the punctured holes of the drawn lines that pierce the surface of the canvas, yet from a distance, they appear to be flat and suggest a fine line drawing.

The 60s paintings are often packed tighter with more angles and movement, while the newer paintings are more open with a combination of flat and painterly brush strokes and surfaces that frequently include circular shapes.

In my mind's eye I see Ad eternally creating his «last painting,» workmanlike, in a methodical dance around a supine canvas, balancing the quickly drying paint in each corner, seeking an even, flat surface with no trace of his sure hand or the small brush he was brave enough to rely on.

One of the foremost scholars of that time was Mi Fu, who disregarded the use of lines, and painted his mountains with blobs of wet ink, transferred onto the paper with the flat part of the brush, reminding of the works of impressionists.

Lasker's positioning of contradictory elements (thick / thin, brushed / troweled, gestural / flat, unconscious / conscious) through his use of three elementary essentials — figure, ground and line — challenge more traditional readings of nonrepresentational painting.

Reed: Often in new paintings I'm using horizontal brush marks made with the painting on the wall showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.

These latter deploy brush strokes that have been liberated from the flat surface of his paintings and which now constitute condensed agglomerates in a medley of hues laid down on top of a base of bronze.

Mr. Stella rose to fame a half - century ago by painting pinstripes on canvases cut to look like geometric shapes — a move that helped push postwar art beyond the roiling brush strokes of Abstract Expressionism toward the flatter simplicity of Minimalism.

Painting will no longer create space as a theatre; it will give space itself a theatre.5 The paint will meet the surface sensuously, In a broad, flat engagement of the palm, by fingertip daubs, and through varieties of clawing and caressing.6 Painting will always tremble, but very precisely.7 There will be no difference in the world between planning airily away from the canvas and actually taking your brush and making the first mark.8 The revolution will be painted.

Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»

OR go to Home Bargain where a canvas, acrylic paints and brushes will cost you less than a «tenner», but you will have lots of fun creating your «flat» vision of what you see.

I would use a foam roller with rounded ends to paint the flat parts of your hutch and a 2 ″ angled brush for the rest.

This time I used the paint brush to still get into all the corners, but used a small foam roller to paint all the flat surfaces.

Everything from the brush strokes on the wooden floorboards to the painting and even the jug on the side table exist in the real flat.

Besides that, I just needed a can of off - white spray paint, a little flat black paint, an artist's brush, a sponge brush and some painter's tape.

I did use a regular paint brush first in all of the detail areas but all flat surfaces were painted with the foam roller.

Then using an 1 inch flat edge artist brush, we painted the blind.

Using a flat brush, paint a layer of all - purpose glue on the pumpkin.

Therefore, I ordered these in a sort of brushed bronze finish and spray painted them with Rustoleum flat white paint.

They painted the whole floor using Annie's newest 2 inch flat brush.

Includes: four colors of milk paint, Homestead House Stain & Finishing Oil in Cappucino, The Real Milk Paint Co's Dead Flat Finishing Cream, Miss Mustard Seed's Antiquing Wax, a Miss Mustard Seed waxing brush and a paint brush.

Finally use a small flat artist brush and paint some small leaves and dots with versailles green chalk paint.