Sentences with phrase «flat paint marks»

Not exact matches

Directed by Mark Waters (Freaky Friday; Ghosts of Girlfriends Past; Mean Girls), who paints his story upon the tableau of New York City with featured tourist stops including the Guggenheim Museum, the Flat Iron Building, and (naturally) Central Park, the cinematic Popper is no longer a poor house painter like his literary counterpart.

By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.

Now painting could show itself as it is, marks on an essentially flat canvas.

A series of lithographs, like Pet Stains, 1990, hark back to Synthetic Cubism: puddles of black paint mark a stack of trompe l'oeil newspapers so as to create a tension between flat representation and illusionistic space.

(1) Mark Bradford The World Is Flat, 2007 Billboard paper, photomechanical reproductions, acrylic gel medium, twine, wrapping paper, carbon paper, acrylic paint, and additional mixed media on canvas 101 1/4 x 142 1/2 inches Collection of Rachel and Jean - Pierre Lehmann Photo: Bruce White (2) Mark Bradford Potable Water, 2005 Billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media 130 x 196 inches Collection of Hunter Gray Photo: Bruce White (3) Mark Bradford Untitled (Shoe), 2003 Billboard paper, acrylic gel medium, and additional mixed media on canvas 30 x 31 1/2 inches The Speyer Family Collection Photo: Bruce White (4) Mark Bradford Pinocchio Is On Fire, 2010 Multimedia installation Dimensions variable Courtesy of the artist and Sikkema Jenkins & Co., New York Photo: Sven Kahns

Yet even in those paintings which flatter, especially those of women, their boldly coloured, enticing lips dangle question marks about their integrity.

The play between various lines, the use of expressive marks and the drip of the paint in comparison to the repetitive rhythm or creation of a flat and decorative surface, all covey a different understanding of the world and the different, in a sense, sound of the visual language.

Reed: Often in new paintings I'm using horizontal brush marks made with the painting on the wall showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.

Joe Reihsen's deceptively flat - textured paintings explore the differences — or possible lack thereof — between analog and digital mark - making.

Mark Grotjahn: «Painted Sculpture» (through Oct. 29) This talented painter's pitting of modernist abstraction and Expressionism against the crucial influences of African art is best when he pits oil paint against bronze, in this case casts of cardboard boxes for flat - screen TVs.

«On black tarpaulin lying flat on the rooftop, capital letters in white paint implore, «HELP... read more... «Mark Bradford's live feed in LA»

The paint texture, marks and subtle variations in color, and bleeds / drips / rips of paint similarly create their own interference, breaking the illusion of depth and space within the pattern, and bringing the eye back to the surface of the paint, the «skin» covering the flat canvas.

(Flat - footed, as in an intentional awkwardness to the handling of the medium best exemplified by Philip Guston's return to figurative abstraction — his thick, deliberate marks forced critics to talk about things like «the speed» of his paint as they tried to understand his aesthetic decisions.)

These paintings consist of flat expanses of slate and gun - metal gray paint with a surface like suede and animated by graffitilike marks in white.

The New York Times art critic John Canaday was highly critical, but Clement Greenberg proclaimed abstract expressionism in general and Jackson Pollock in particular, as the epitome of aesthetic value, enthusiastically supporting Pollock's work on formalistic grounds as the best painting of its day and the heir to an art tradition - stretching back to the Cubism of Pablo Picasso, the cube - like pictures of Paul Cézanne and the Water Lily series of Claude Monet - whose defining characteristic is the making of marks on a flat surface.

In particular he was a fan of the all - over action - painting style of Jackson Pollock, and the flat surfaces of the Colour Field Painting movement, embodied by Mark Rothko andpainting style of Jackson Pollock, and the flat surfaces of the Colour Field Painting movement, embodied by Mark Rothko andPainting movement, embodied by Mark Rothko and others.

Painting will no longer create space as a theatre; it will give space itself a theatre.5 The paint will meet the surface sensuously, In a broad, flat engagement of the palm, by fingertip daubs, and through varieties of clawing and caressing.6 Painting will always tremble, but very precisely.7 There will be no difference in the world between planning airily away from the canvas and actually taking your brush and making the first mark.8 The revolution will be painted.

The stacked paintings are marked by planes of very flat colour and chequered pattern, the planes are often misaligned, vying against each other to be in front.

In the latter these painted grounds offer a great deal of information, and create a flatter plane where the stage beneath consumes the marks and shapes above, only their faint traces visible.

TCOP: Ultimately, though, you want the paint to look flat — no thick paint, no obvious marks.

I always use flat paint and a standard color so I can foam roller over the marks in 2 hours.

Chalk paint alone has a flat finish that would mark up from footprints, etc very fast.

The only problem I can see is that since chalk paint is flat — you will see every scuff mark and footprint and not be able to clean them off without scrubbing.

If you leave chalk paint unsealed, it will be marked up in days since it is a very flat paint.

Flat paint is ideal for high - traffic areas and ceilings where irregularities and lap marks may exist.

I like the look of flat paint and since most scuffs and marks have to be painted over anyway, the flat paint is easier to spot - paint because it doesn't show where I painted.

I've painted a few rooms but I still have the builder's flat paint in many areas and it marks incredibly easily.