Sentences with phrase «flat skin surfaces»

Not exact matches

Place the turkey breast on a flat surface and gently lift the skin to expose the breast.

To make «Duck» Rolls: Place bean curd skins flat on work surface.

In theory, chicken under a brick is a brilliant idea: Put a whole spatchcocked bird flat on the grill, weigh the whole thing down with a couple of foil - wrapped bricks for speedy cooking and maximum surface area for crisping, then grill until the skin is crackling and the meat is juicy.

The vibrations can be so slight the user barely notices them, but they stretch skin receptors in the user's finger in the same way as if they were touching something with depth, fooling the senses into believing the surface is not flat.

The nanogenerator itself includes thin electrode sheets on the front and back of the mesoporous polymer film, and the researchers can attach this soft, flexible film seamlessly to flat, rough or curvy surfaces, including human skin.

Researchers have created a synthetic form of cephalopod skin that can transform from a flat, 2D surface to a three - dimensional one with bumps and pits, they report today (Oct. 12) in the journal Science.

Researchers have created a synthetic form of octopus skin that can transform from a flat, 2D surface to a three - dimensional one with bumps and pits

Place the peppers on a cutting board or other flat surface and using a knife, easily peel off the skins.

The visual appearance of our top layer of skin is effected by uneven indents and dimples, taking away what was once a smooth, flat surface.

The foundation end of Smashbox Studio Skin Shaping Foundation is flat for broad application, and also easy to swipe a foundation brush over the surface.

To assemble the dumplings, lay a spring roll skin flat on a work surface and put 1 1/2 tablespoons of the cooled filling in the center.

Normal round skin cells become dry and flat scales of keratin as they age and move up to the surface of the skin.

Lichenoid Dermatosis: Flat skin nodules that is covered with a thick surface.

For Jue Chang — Fifty Strokes to Each (1998), Chen stretched animal skins over the flat surfaces of more than one hundred chairs and beds collected from different parts of the world, creating makeshift drums hung from a large wooden frame.

The paint texture, marks and subtle variations in color, and bleeds / drips / rips of paint similarly create their own interference, breaking the illusion of depth and space within the pattern, and bringing the eye back to the surface of the paint, the «skin» covering the flat canvas.

I suppose I'm assuming that the old masters and modern painters have always been concerned to create pictures without «holes» and «bumps» but that they have maybe achieved this in two different ways — modernist with flat planes parallel to the picture surface; old masters with an unbroken «skin» across the entire picture.

The skin is made with recycled foam materials that can be flat - packed and then folded into various blossom - like forms that act like planters, also increasing the surface area for growing plants.