The use of newspaper clippings provides a very
flat spatial field, recalls certain trompe l'oile 17th century still life and can deal directly with contemporary issues such as cloning and terrorism.
Not exact matches
In the exhibition «Ground», James Hyde uses the
flat field of painting as a topological arena that ties together the physical substance of painting and the ground on which it is laid, extracting
spatial dimensions and new meanings from this relationship.
But the picture is
flat and static, bound by edges and defined by depth of
field, reproducible and variable in size: an artificial organization of a world that is
spatial and temporal.