Sentences with phrase «flat surfaces of the work»

Meanwhile, the flat surfaces of the work throw forward their competing narratives, offering textile stories from disparate times and places, with the fiery foot of a winged messenger descending from the sky.

Not exact matches

Scoop out a large tablespoon of batter roll it into a ball then pat it flat on your floured surface and roll it out to a 1/4 inch thick round with your rolling pin (sorry folks, I have no photos of process other the top one) making sure the lefse doesn't stick to the rolling pin or work surface (I carefully use a bench scraper to lift it from my marble to the skillet).

Turn the uncovered half of dough onto a work surface dusted with gluten - free flour and form it into a flat disk.

Roll the light green piece of dough into a fat log and then shape it into a triangle (I did this by gently pinching the dough with my fingers as I pressed the dough flat against a work surface).

Place on a flat work surface, and in the bottom third of the wrapper, arrange a bit of rice, a smear of the oregano sauce, a few tofu strips, and a few slices of avocado (see lead photo).

just get a nice long piece of waxed dental floss (one could use thread too, but that can stick a wee bit), hold it flat against the work surface, with a thumb on each side, and slide it under the log of dough.

Lay the tortillas flat on a work surface and top half of each tortilla with the mashed beans.

Transfer the mixture to a foil - lined pan (I used a 5 1/2 ″ x 12 ″ biscotti pan, but an 8 ″ square pan would also work) and press down into the bottom of the pan to cover the entire surface in a flat, compact layer.

Working with 1 tortilla at a time, place tortilla on a flat work surface; spoon 1/4 cup chicken mixture onto 1 end of tortilla.

Lay each tortilla on a flat work surface, place a large spoonful of ceviche in the center; top with avocado slices and a sprinkle with cotija cheese.

Lay the corn tortillas flat on a work surface and spread the mashed avocado onto two of them.

Lay 1 grape (vine) leaf flat on a work surface, put a spoonful of the filling on top, and carefully roll up the leaf into a cigar shape.

To make each roll, simply wet a sheet of rice paper with warm water and lay it on a flat working surface, like a cutting board.

Purchased plain white T - shirt of good quality (in grandma's size and toddler size) Different colors of fabric paint Old plastic containers Flat work surface covered in newspaper

Researchers from QMUL's School of Electronic Engineering and Computer Science, worked with UK industry to demonstrate for the first time a practical cloaking device that allows curved surfaces to appear flat to electromagnetic waves.

The research builds on the team's previous work with a technique called three - dimensional culture, which involves incubating stem cells in a floating ball - shaped aggregate, unlike traditional cell culture in which cells grow in a flat layer on the surface of a culture dish.

«It will act almost as a spackle does when filling a hole, giving you a flatter surface to work on,» says Lijha Stewart, Make Up For Ever's director of artistry and education.

Place the top half of the planter box on a flat working surface and place the bottom half upside down on top of it.

A helpful tip is to work on a sturdy flat surface or place a piece of cardboard in between your pillow case.

Since the piece has a base, to get it completely flat on the paper, pull the paper and the wood piece to the edge of a table or work surface.

The space is enhanced by the design's elimination of engine intrusion into the cabin area — along with the fold - down front passenger seat that provides a flat work surface.

Well, we say laptop, but only if you're working on a flat surface, because the design is not very helpful to those who like to lie down and type on the sofa or in bed or even on your knees, as you can do with something like the Asus Transformer Infinity or Prime which rather negates the idea of it truly working like a laptop.

The system adapts to work seamlessly not only for flat surfaces like a sheet of paper, but even for curved surfaces like that of a book.

To assemble the dumplings, lay a spring roll skin flat on a work surface and put 1 1/2 tablespoons of the cooled filling in the center.

A: Slow feeders for dogs are bowls designed to make your pet «work» to get the food out, often with obstacles or barriers to break up the flat surface of a bowl that allows pets to take big bites or eat too quickly.

These spacious rooms have adaptive equipment including hand rails, lowered work surfaces, wet room shower, plus LCD flat screen television, desk located near the large window at the far end of the room from the door, mini bar and tea and coffee making facilities.

Yet these works deny their painterly roots, sitting flat on the surface of the stretched cotton as if the result of a print process rather than from the hand of the artist.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Deeply inspired by Matisse, his work is a negotiation of the flat surface of the canvas in which figuration becomes form and deeply intimate things become neutral.

The objectness of the shaped paintings from this period makes them always more than the working out of abstracted, biomorphic or geometric forms on a flat surface, since the form of the support itself is a biomorphic or geometric abstraction.

Ms. Heft's work is inspired by an exploratory approach to materials, and the interchange of two and three dimensional space on flat surfaces.

Which is almost like the way Ad Reinhardt's paintings work; there's a lot of difference in them but when you first encounter one of his black paintings, it just seems to be a solid black, flat surface.

Works such as Detroit - based Matthew Angelo - Harrison's self - built, 3D - printer, The Consequence of Platforms (2016)-- which meanders in an unpredictable formation, pushing a thin tube of grey clay out onto a low - level flat surface into the shape of an unknowable male face — echoes the kind of liminal confusion produced by both Kline and Evans.

Taylor's «B» is angled to remind us that it has been applied on the flat surface of the picture, not on the door in illusionistic space; the white drips on the floor could be in the room itself, or a result of his vigorous work on the canvas.

Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the «flatter» surfaces of Barnett Newman's work and the «target» paintings of Jasper Johns.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

The artist worked flat, brushing and rebrushing the surface to remove all traces of the stroke.

Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.

The hues in Articulation Portfolio II Folder 28 (B) work in concert to give the flat surface the distinct appearance of a tunnel or other 3 - dimensional space; while the form on the left appears to move towards the viewer, the form on the right seems to lead directly into the canvas.

He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version of the image as a blocked - out negative of flat colour.

In a text titled, «Post-War Reflection,» Kusama writes, «My Works are usually painted flat on undivided space so that each microscopic mass is followed by another and its surface has a concrete appearance when looked upon as a whole showing a group of remarkably vast masses.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

In these series he employed a wide range of techniques: pouring, brushing, scraping, and using his bare hands, and consistently worked on the floor or other flat surfaces.

Hedges is well versed in the tenets of mid-twentieth-century Modern painting, and has thoroughly absorbed the lessons of the push - and - pull of paint and dimensionality on a flat surface, as taught by Hans Hofmann, who was informed not a little by the pre-cubist works of Paul Cézanne.

Working across a range of media, the artists in the exhibition touch on how we might perceive a space of infinite and ever changing content, laminated to a surface defined by its attempt to recede into a flat plane.

Matthew Radford removes the effects of gravity in his painting process by working with his canvas flat upon the floor and employing improvised walkways across the surface of the larger pieces.

These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or «painting as object») which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution — a new beginning — in Western painting's history (Malevich).

Her work shifted from the multi-layered, dimensional surfaces of her early, sculptural work to the flatter paintings with cutouts filled with transparent muslin and the creation of floating pieces hung from the ceiling.

Looking to the fundamental conundrum of painting presented by the transference of objects to a flat surface, Stephan's work toggles endlessly back and forth between statement of fact and fiction.

Deriving from a traditional practice, Wang produces his Coffin paintings by working with his canvas resting flat on the studio floor, systematically applying layers of acrylic paint in alternating colors — at times monochromatic, at times colorful — resulting in a densely stratified surface.