Sentences with phrase «flat wall paint»

I just used regular flat wall paint on the rug.

What is the difference (benefits) of chalk paint vs flat wall paint?

Not exact matches

The gleaming space could easily house 30 employees, but as Frind strides in, it is eerily quiet — just a room with new carpets, freshly painted walls, and eight flat - screen computer monitors.

The paint and unsanded tile grout mix quickly and this wall was flat and unobstructed so it made for very quick painting.

Well, in this case I had the perfect flat thin piece of wood (not even sure what project this came from) and decided to paint it white and make a sign to fill this big empty wall in my Kitchen that of course needed a vintage «EAT» sign.

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With its painterly sets of jutting beams, leaning walls and heavy black lines painted on flats and arranged to suggest both a skewed sense of depth and a forced perspective that flaunts its artificiality, the film dropped audiences into an aggressively unreal world and celebrated its theatrical artifice as a vision of madness and horror.

It's quite a thing to look at — polished 18 - inch wheels, big chrome mirrors, even bigger chrome bumpers, a chrome grille that would make rapper Paul Wall blush, and optional $ 395 Copper Red metallic paint that catches and bends sunlight in extraordinarily flattering ways.

Measuring 26 by 26 by 4 inches, the AquaVista 500 hangs on your wall like a painting or a flat - screen TV.

Located in two buildings on the Nam Khan at the far end of the peninsula, Villa Somphong has small rooms with polished wood floors, flat screen TVs, neatly painted walls, beds... Read our full review of Villa Somphong.

There is a painting on the wall and also large flat screen TV that very comfortable to...

Rooms feature southwestern décor with paintings of the Grand Canyon adorning the walls, as well as comforts such as Keurig coffeemakers, flat - screen televisions and iHome docking stations.

There is a painting on the wall and also large flat screen TV that very comfortable to watch from the bed.

This suite includes 1 Living room, Air Conditioning, Ceiling Fan, 42» LCD Flat - TV, marble flooring, wall painting, Ensuite Bathroom with hot & cold shower, Room Safe, Mini Bar, Telephone and a large Veranda with sea view

Beginning with Flag (1954 - 55), the seminal work in «Something Resembling Truth» at The Broad, Johns» flags, targets and maps are all paintings of things that are inherently flat, rectangular, and often hang on the wall like a painting.

After all, a painting is made of paint, and Benton is one of those painters who seem to be trying to overcome that as though that were an unfortunate drawback, Sometimes avant garde people say things like that, like Donald Judd who's quoted as saying that the trouble with a painting is it has four corners and it's flat on the wall or something like that, or that it's mounted on stretchers or it hangs up.

While the walls of the museum are painted a flat black and covered from floor to ceiling with partially erased names of films, at Regen Projects, Simmons creates canvases in muted tones of gray that highlight the names of the actors who were featured in the films.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

Arthur Dove traces the artist's career from the Fauvist - inspired Still Life Against Flowered Wall Paper (1909) to the monumental Flat Surfaces (1946), painted in the year of the artist's death.

We call them paintings because that is the convention for flat images made by hand that hang on a wall, and we call them abstract because they might remind us of, say, a painting by Sam Gilliam, Al Loving, Jean - Paul Riopelle, Cy Twombly or Jack Whitten.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Yet he made a crucial decision to stay with painting, with the flat plane on the wall.

That's why some of my recent paintings are flat on the wall, like film posters.

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

From these objects he then transitioned to the early reliefs where the work projects off the wall and is less a flat painting than a three - dimensional object confronting the viewer.

These later works, which neither occupy volume nor hang flat against the wall, exist somewhere between painting and sculpture.

The precision and technical rigor with which they are painted, and with which Espírito Santo has been associated from the outset of his career, makes it possible for the eye to perceive a sense of depth to the wall paintings, though in fact they are flat, two - dimensional surfaces.

Such spatial mutability is more refined in the «Homage to the Square» paintings, which often read simultaneously as receding, like a sunken walled court; protruding, like a flat - topped pyramid; and holding steady in a single slightly vibrating plane — a temple gate to another world.

Pascali's other works involving canvas include «Grande bacino di donna, mons Venus», and «Labbra rosse», these works were large flat canvases that became three - dimensional sculptures through the use of wooden structures, paint, and other materials, though they were still able to be hung on the wall.

The painting became not a flat image, but an object hung on a flat wall — emphasizing its material conditions without the slightest subjective gesture.

Eventually, after decades in the wilderness with paintings stacking up four deep against the walls of her Manhattan flat, Neel summoned sufficient courage to approach art - world figures.

In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and smaller wall pieces, sculptures as flat as the wall on which they are placed as though they were paintings.

In early sculptures such as Untitled (Latin Study), 1985, he used wooden armatures to create three - dimensional constructions that appear as constellations of floating painted brushstrokes rendered tangible, their shadows producing flat compositions on the walls behind them.

In the strongest work in this show, what look like cut - up scraps of painted canvas are really thick swaths of acrylic paint, peeled off a flat surface and draped over bare wood stretcher bars leaning against the wall.

While some pieces are gnarly tree formations isolated atop pedestals to illustrate their status, others are flat wall - mounted compositions made of cast broom clippings and quinoa, that create large color field paintings of, in fact, large colorful fields.

The wall flats adhere to the conventions of theatrical and filmic staging while taking on qualities of large - scale painting and sculpture.

Amie Cunat Bedroom (Shaker Studies), 2017 Flat latex paint on wall, cardboard, paper, washi paper, acrylic, and gouache Dimensions variable.

Typically, this involved the creation of large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found» objects, commonly fragments of furniture, painted in flat uniform colours - black, gold or white.

At first glance, Metrican's painting Dodgeball, could be a painting of a wall constructed out of Straffordshire blue brick and looks as flat as any other wall does.

We expect a painting to hang flat on a wall, to have a discrete rectangular surface, usually framed.

The walls themselves, painted with layers of flat, burnished blue - black paint, seem to recede like a dark sea into the night, while the line, lit with blue light (a technique she has used before), appears to hover untethered in the space.

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.

Reed: Often in new paintings I'm using horizontal brush marks made with the painting on the wall showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.

Using the logic of radical material transformation, lightweight panels lean flat against the wall, while others, warped by the application of water - based paint, stand independently in space.

«I have been concentrating on monoprints and paintings on flat clay tablets and dimensional wall square installations.

Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall.

Do you always work flat, or do you also work on paintings hanging on the wall?

When hung, the beveled edges projected the works off of the wall and towards the viewer, removing the image from the flat, two - dimensional plane of traditional painting and into the viewer's physical space.