Sentences with phrase «flat wall work»

Maychack, who could be labeled a sculptor, has largely created flat wall works, with the exception of a few freestanding sculptures in the center of the gallery.

Not exact matches

Baby brag walls, flat - screen TVs and a Bring Your Nursling to Work policy?

Scientists at the Texas Advanced Computing Center (TACC) at the University of Texas» Austin campus turned to Stallion, a 328 - megapixel system that uses 80 30 - inch flat - panel monitors covering a single wall, and worked closely with the National Oceanic and Atmospheric Administration and state emergency management teams.

Start with your heels a little further away and then work your way up to being flat against the wall for the exercises.

Wall straddle stretches, where you're flat on your back, letting gravity do the work of bringing your legs down.

There's no fire to the combatants in Mann's nightmare dreamscape, just a flat - eyed hunger that plays out as the dull thuds of bullets splintering bone and impacting on concrete along industrial waterways; and nights spent in sweaty nightclubs, working out the kinks in walls of anonymous flesh and light.

Amenities include tea - and coffee - making facilities, wall - mounted flat - screen TVs, drinking water, minibar, safe and free WiFi (which works).

There is a large desk and task chair to do work, a wall - mounted flat - screen TV as well as a bench for luggage, plenty of closet space, a laptop - size safe, mini fridge and coffee / tea facilities.

There is a desk with work chair next to the bed, a wardrobe, cupboard with tea / coffee maker, microwave and a flat - screen TV mounted against a wooden wall panel, all in the same espresso wood.

In - room facilities include a high - definition flat - screen HD TV with access to local programmes as per DStv Compact, BASIC self - catering facilities, which include bar fridge, microwave, kettle, toaster and coffee plunger, crockery and cutlery, built - in cupboards, a wall - mounted work - station with space - saving fold - down counter and free Wi - Fi internet access.

Wall - mounted 32» HD flat screen televisions and work desks with ergonomic chairs add extra creature comforts.

Dungeon Defenders had enough variety that you could usually work your way around any walls you hit, but that's another issue with levelling: it creates a weird geography of difficulty peaks and troughs to navigate instead of a flat plane, pitched perfectly with a very deliberate and considered flow.

Beginning with Flag (1954 - 55), the seminal work in «Something Resembling Truth» at The Broad, Johns» flags, targets and maps are all paintings of things that are inherently flat, rectangular, and often hang on the wall like a painting.

His video works are mounted flat on the walls much like a traditional photograph, except the video loops reveal the subtlest of movements and changes in lighting.

With Op Art the argument was made that the canvas work was made to be seen on the wall, flat, not draped and paraded about on debs at swank parties.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

Some works are flat against the wall while others, definitely planar, are installed in a way that makes you consider the space around and behind them.

A three - part work hangs high and almost flat on the wall, with the leanest, angled slats could pass for drawing in perspective.

Also included is a work from 1969 in which lengths of braided stainless steel wire form a horizontal sequence of five subtly - reflective squares, mounted flat against the wall; and Untitled (Eight - part Vertical Construction), 1992, a composition of black, gray, white, and red lengths of yarn stretched vertically between floor and ceiling in perpendicular and parallel configurations that relate to the surrounding walls of the gallery.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

One notable event for the Yorkshire Sculpture Park was successfully saving Roger Hiorns» work Seizure, a remarkable project in which the artist covered the walls of a Peckham council flat with copper sulphate crystals.

The South London Gallery's # 2m redevelopment includes a flat in which artists have put work inside the walls

Along with others active at this time, these three artists questioned, for example, whether a painting had to be a flat, rectangular object mounted on a stretcher, affixed to a wall, and viewed from one vantage point; that paper was only a surface to be painted, printed, or drawn on, rather than a medium for creative manipulation in its own right; or that there was only one way for a work of art to be installed.

From these objects he then transitioned to the early reliefs where the work projects off the wall and is less a flat painting than a three - dimensional object confronting the viewer.

These later works, which neither occupy volume nor hang flat against the wall, exist somewhere between painting and sculpture.

Pascali's other works involving canvas include «Grande bacino di donna, mons Venus», and «Labbra rosse», these works were large flat canvases that became three - dimensional sculptures through the use of wooden structures, paint, and other materials, though they were still able to be hung on the wall.

In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and smaller wall pieces, sculptures as flat as the wall on which they are placed as though they were paintings.

Also on view will be sculptures and dioramas accompanied by flat, wall - mounted works on paper.

In the strongest work in this show, what look like cut - up scraps of painted canvas are really thick swaths of acrylic paint, peeled off a flat surface and draped over bare wood stretcher bars leaning against the wall.

However, due to the use of translucent material, seemingly flat areas of color eventually permit the viewer's gaze to pass into the depths of these wall works.»

Each wall in the exhibition is overflowing, floor to ceiling, with work ranging from Bridget Mullen's flat cardboard tessellation to Max Davis's grid of aerial photography.

Remember: Gallery walls can consist of pieces other than flat works!

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.

One piece is Rachel Whiteread's US Embassy (Flat pack house; 2013 - 1015), a wall sculpture at the entrance of the embassy, which is joined by works by such contemporary art luminaries as Sean Scully, Mark Bradford and Jenny Holzer.

Reed: Often in new paintings I'm using horizontal brush marks made with the painting on the wall showing the effects of gravity and also working on them flat, on Leo Steinberg's flatbed — no gravity.

In terms of this show, these handsome works are Hill's earlier attempts (the gargoyles come later) to get free of the domination of the wall - plane over the picture - plane: their construction blocks bulge out from the flat wall, but only a few inches — and not enough to change their basically parallel relationship with the wall, and their strict separation from the viewer's space.

So far Hammer curators have used this fund to buy nearly 100 works, including a set of drawings by Raymond Pettibon, a light box photograph by Jeff Wall and photographs by Sharon Lockhart from her Pine Flat series of portraits.

However, without such a compelling conceptual framework with which to interpret «Untitled 2» (its media, listed as «steel, flat screen, and youth,» are not so enlightening), I can not but read the work in heavy, metonymic terms: the TV as technology, the boy as humanity, the Wall Street Journal as hegemonic power, the nude as vulnerable body — all rather hackneyed dichotomies of the day, made ready - to - hand by the exhibition's press release.

Moving beyond the membrane - as - enclosure, Balema's most gestural and abstract works are flat, twisty sheets of foam, some coated with brightly coloured latex, affixed to walls and ceilings by thin steel rods.

While many works from this series are presented flat against a wall, this three - dimensional construction is comprised of lengths of blue acrylic yarn suspended at non-intersecting angles in space.

There's something very flat - footed and predictable about this work — sub-Currin yes, but the insistent frontality, the patterns to floors and walls also made me think of the Leipziger, Ruckhaberle.

The three - dimensional black spheres that make up this work are in some ways distant relatives of the pixels of that original, two - dimensional photograph, but instead of being transcribed into a flat image as micro dots of ink on paper, here they well up into great waves that crash against the very walls of their original subject matter.

Do you always work flat, or do you also work on paintings hanging on the wall?

When hung, the beveled edges projected the works off of the wall and towards the viewer, removing the image from the flat, two - dimensional plane of traditional painting and into the viewer's physical space.

The exhibition will feature three oversized paintings — the artist's largest works created to - date — which will be exhibited on flat aluminum blocks on the floor and leaned against the gallery walls.

Each work, mounted on flat - white walls, somehow inspires the same meditative attention, the same essence, as reliquaries in the niched walls of a cathedral.

On the other wall from Lasker's works hang those of Swiss - born Olivier Mosset, who practises an ironical and exhausted high modernism, painting flat and uninflected grids and cruciform shapes vaguely reminiscent of paintings by Mondrian or Malevich.

Around this time he also began to incorporate three - dimensional elements into his otherwise flat works; first by introducing relief and eventually transgressing into wall - hung and freestanding sculpture by the mid-1990s.

The Playbar also has a unique multipositional design: it works flat against a tabletop or flat against a wall for mounting.

Provide direction for drainage remediation, flat work and retaining wall installations projects including managing 3rd party deliveries, inspection scheduling and customer interaction