Sentences with phrase «flatness of»

«The mix of the flatness of the tiles, the glossy wood, and the beauty of the marble is fantastic.»

Confirmation is reported of an earlier finding that the symptoms of patients with chronic schizophrenia segregate into three syndromes: psychomotor poverty (poverty of speech, flatness of affect, decreased spontaneous movement); disorganisation (disorders of the form of thought, inappropriate affect); and reality distortion (delusions and hallucinations).

It lacks the soft edges of the Apple Watch, the flatness of the Fitbit Blaze watch, and the is - it - a-smartwatch-or-is-it-a-normal-watch look of some Android Wear models.

They have an opinion, but I could have an opinion that the world is flat because when I walk outside it looks flat to me, so I could opine the flatness of the world ad nauseam.

These devices help solar lighting move beyond the flatness of traditional photovoltaic cells.

The (relative) flatness of a hockey - stick's shaft can be verified by observing a (relative) lengthening of the hockey - stick's blade.

That explains the flatness of the curves.

You see Engelbeen, the slow long term changes — that indeed is another and more complex case — can not change the fact, that The short term changes are far to big for the flatness of the Antarctic CO2 curve to be true.

In general my results are similar to theirs but the flatness of temperature before 1976 is to some extent enhanced.

Mick Peter solo exhibition Director Mary Doyle gives an introduction talk about artist Mick Peter's work, who transforms imagery derived from fiction, illustration and graphic design into playful installations, resembling quick hand drawn sketches which seem to have been cut from the flatness of the paper and dragged into three - dimensional space.

«I represent urgent bodies (bodies of the mind, bodies with minds) but entities that can only exist within the flatness of two dimensions.»

Armstrong's intentions are towards a kind of painting that is «packed with detail» and has «no depth», with figures and elements reading with the flatness of stickers.

The works emphasize the flatness of the canvas or paper because that is what a painting is literally about.

Airbrushed atmospheres, gradients, hypnotic curlicues, industrial roller marks, thin skeins of paint, paint squeezed directly out of a tube — Benson knows that each of these techniques creates a discrete physical sensation of create ocular depth and tactility that belies the flatness of the canvas.

But when a swath of blue - to - silver or green - to - gray makes contact with another swatch of color, the suggestion of mountain or lake is revoked and we're made to see the flatness of the canvas again, the pigment as pigment alone.

Layering flat passages of pinkish gray, he teases the literal flatness of the canvas.

The conflict between the flatness of the...

The stolid, deliberately primitive flatness of Swimmer belies the cheekiness of a butt crack exposed by sagging swim trunks, possibly unbeknownst to the white man it belongs to, who diffidently covers his naked torso with his arms while chatting with an outgoing black woman standing uninhibited in a teensy bikini.

My own fascination with black in painting comes not from abstract expressionism, but from an earlier period — the infinite, stark black backgrounds in Velázquez's The Water Seller of Seville (1618 - 22), the black clouds that envelop Rembrandt's The Abduction of Proserpine (1631), the almost surreal flatness of Zurburan's Christ on the Cross (1627).

By «dilemma» I think you mean a kind of crisis, and I think the crisis for me is the flatness of the surface of the painting.

The conflict between the flatness of the image and the physicality of the paint became only fully apparent in person.

If Tintoretto and the other old masters were «acknowledging the picture plane» or «acknowledging two dimensionality» by creating an unbroken surface skin, and modernist painting, since the breaking up of the surface, initiated by Constable (according to Heron, quoted by Robin in a recent thread), has acknowledged the picture plane through flatness of the remaining fragments / pictorial planes, then maybe one way forward would be to discover new ways of acknowledging two dimensionality that do not involve flatness.

Wound together, the pictures I make float in and out of illusory space while simultaneously denoting flatness of their plane materiality.

Lebasque began to incorporate flatness of form and wild colour choices into his own works.

A leading theoretician of formalist doctrine, Greenberg maintained that the key impulse of Modernism was to strip art to essentials - in the case of paintings, to shapes and colors that affirmed «the flatness of the picture plane.»

Between them, they jettisoned many of the traditional concepts of composition, space, volume and depth, allowing the flatness of the picture plane to take centre stage.

Thus, by showcasing the thickness of the paint and the flatness of the canvas, Hofmann helped to declare this medium as autonomous, setting it apart from other marks of artistic expression.

In short, Pollock (and others) jettisoned all the traditional concepts of composition, space, volume and depth, allowing the flatness of the picture plane to take centre stage.

These early works emphasized the flatness of the picture plane while remaining representational, and this insistence on figuration placed him outside the contemporary avant - garde mainstream, in which abstraction and chance were key qualities.

You see it in the flatness of his surfaces and the arch distortions of space.

Elements of Balzer's work run parallel to contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly colored foils create a contemporary twist on the theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.

The constructed allusion of space repeatedly draws back to the flatness of the picture plane as the viewer's eyes travel across the paintings, moving through time and space.

His flatness of form and boldness of color presented with emotional detachment are immediately recognizable.

His paintings are defined by their flatness of colour and form, their economy of line, and their cool but seductive emotional detachment.

Dordoy aims to expand the traditional flatness of painting and image - making by producing works that explore beyond the limits of the canvas or page and move into the three - dimensional physical world.

Alex Dordoy aims to expand the traditional flatness of painting and image - making by producing Works that explore beyond the limits of the canvas or page and move into the three - dimensional physical world.

The deliberately artificial nature of his work, emphasizing the flatness of the picture plane, further emphasized by metallic or fluorescent paints, won considerable attention.

[12] His paintings are defined by their flatness of colour and form, their economy of line, and their cool but seductive emotional detachment.

Yet McNeil is steadfastly a modernist in that she remains faithful to the flatness of the surface, eschewing modeling or linear perspective to create the illusion of depth through color and shape.

The flatness of the Minimalist plane becomes bulbous.

Not content with the flatness of the picture plane, the artist strives for three - dimensionality.

Think of the light in Hopper's paintings or Caravaggio's, or even the flatness of light in early Renaissance painting, like in Piero della Francesca's.

The flatness of this landscape is taken to an extreme; with the removal of one - point perspective, these roadside signals float into abstraction.

He experimented with bands of pure color in bull's - eye and chevron motifs and horizontal parallel stripes, emphasizing the flatness of his usually large canvases and the vibrancy of his colors by staining paint into raw canvas and using uniform color values.

Muscular and gestural, they assert the flatness of the canvas and reveal her intense involvement with the paint itself.

The extreme flatness of the painting created a powerful impact, and color pulses seemed to radiate from the canvas.

In Rush's photo, there is a crisp tension between the flatness of the horizon line and the gate, both of which are parallel to the picture plane, and the illusionistic perspective of the pier itself, which leads our eye deep into the composition.This pictorial incongruence is to some extent reminiscent of the irrational juxtapositions in paintings by the popular Surrealist artist Rene Magritte (1898 - 1967).

Only rather than simulate the compositional flatness of a collage, as he did early on, he is again emphasizing sculptural volume.

The paintings are influenced by Paul Klee's work and mix the flatness of Egyptian or Mayan writing with the crudity of the late black paintings by Jackson Pollock.

He has gone on to produce a major body of work that shuns the flatness of the picture plane replacing it with a divergent mix of high and low art materials that are bolshy and strident, elegant and considered, yet seldom demure.