Not exact matches
The one - point perspective and intentional
flatness used by D'Arcangelo allows for a democratisation of the picture plane, removing any hierarchical elements
within the landscape: road, pylon and sky are all equal.»
His portraits and landscapes are characterised by their
flatness of colour and fluidity of line, reinventing both genres
within the context of abstract painting and contemporary image - making.
Both the work and the viewer are caught
within a subtle warp of spatial dislocation, whereby two dimensions unfurl into three, and three dimensions fold into
flatness.
Here, she brings these paintings full circle to Purchase College, where the grand scale and the
flatness of the buildings highlight the architectural legacy of the college, designed by Edward Larrabee Barnes
within a rural landscape in the early 1960s and «70s.
Without a visual anchor, viewers can only drift
within the spaces in which grid and cross intermingle, uncomfortably caught between two - and three - dimensional spaces where boundaries between pictorial depth and surface
flatness begin to get fuzzy.
A couple of the paintings, such as «Hebe» 2011 (pictured) have been split into two sections — at first, the cut is hard to perceive; it disappears
within the shadows and shapes depicted on the surface of the canvas — treading a careful line between an impulse towards sculpture whilst asserting the
flatness of the painted surface.
Formal elements
within the work reference various art historical movements: from the gesture of Abstract Expressionism to the
flatness of Minimalist paintings, to the spatial considerations of architectural theory.
Today, his work follows geometric design principles of the old masters and he's currently «exploring the simultaneous illusion of form and
flatness in space» and has a goal to «portray and better understand our various states of consciousness
within ourselves».
A more rigorous engagement with «pure Abstraction» was left to Mondrian, but this involved the suppression of the space - making properties of colour, entrapping primary colour of minimal sensuosity
within a prison of black bars, and a commitment to a radical «
flatness».
Serra has written of these drawings, «By the nature of their weight, shape, location,
flatness, and delineation along their edges, the black canvases enabled me to define spaces
within a given architectural enclosure.
Her work suggests paradoxes and simultaneities; the paradox that living things can now embody synthetic elements, the simultaneity of
flatness and depth, and the illusion of movement that can be suggested
within still images.
But you can achieve relative
flatness,
within which the colors and the proportions might push back and forth creating an extra tension.
His lush surfaces and inventive palette form intricately layered planes of depth and
flatness; objects continually dissolve and re-emerge, creating elusive, ambiguous spaces
within each picture.
Pierre Soulages, Nicolas de Staël and Hans Hartung taught him that an illusion of space existed
within the materiality of a painting's surface, something dismissed by previous abstract artists who focused on
flatness.
«I represent urgent bodies (bodies of the mind, bodies with minds) but entities that can only exist
within the
flatness of two dimensions.»
The role of the HMF polarity in the GCR modulation
within the heliosphere varies with the phase of solar cycle and subsequently with the
flatness / waviness of the HCS.