Katz's monumental landscape paintings are executed in what is now considered a signature style characterized by
flattened planes of color, shallow pictorial space, and lean, reductive but acutely descriptive lines.
Painting in what is now considered a signature style characterized by
flattened planes of color, shallow pictorial space, and lean, reductive but acutely descriptive lines, Katz sought to convey the appearance of things as they are both felt and perceived in the «present tense,» the now.
Not exact matches
Mame Diarra Niang's «Metropolis Central» series
of photographs
flattens Johannesburg's urban landscape into arrangements
of colored planes, refashioning it into an imaginary, mutable territory that stands in for the artist's peripatetic upbringing.
Feitelson's oil and enamel on burlap paintings feature geometric
planes of uniform
color with
flattened space, smooth paint application and simplified forms.