Sentences with phrase «flattering your form during»

Not exact matches

Because oxygen is critical to many forms of life and geochemical processes, numerous models and indirect proxies for the oxygen content in the atmosphere have been developed over the years, but there was no consensus on whether oxygen concentrations were rising, falling or flat during the past million years (and before fossil fuel burning).

Friedman: Well, it -LSB-'s] precisely because — and again [this] goes back to the thesis — in a world that is hot, flat, and crowded, clean power, clean technology, the ability to have your energy in both the clean form where you know the cost of your power and you can control that much better; that's going to be a source of power generally and that's going to be a currency of power, every bit Is [as] much as tanks, planes, and nuclear missiles have been during the cold war.

Tighter than our seamless leggings, the Flat Seam Legging in three - quarter length restricts during your workout without unsightly vertical seams, resulting in a truly flattering compression form.

During the residency Thomasson used the flat as the location for a series of practical workshops forming the basis of a new video and series of drawings born from his interest in the use of performance as a strategy for negotiating everyday life.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

During his residency at Camden Arts Centre, Jonathan Baldock has been emptying out large bags of wet clay, which he rolls flat, and fixes together to form tubes that he works over before leaving to air dry.

Other works included in this exhibition are: Poem B (The Guest House), a triptych from 2006, in which images form a tapestry of shifting memories from the exhibitions to the present; Bodies of Light, 2006 a flat panel diptych which takes its inspiration from Tantric Buddhist descriptions of the dissolution of the body during the process of birth and death; Old Oak (Study), (2005); and Four Hands (2001).

During the late - 50s he made sculptures such as Wave Relief I (1959, Private Collection), sometimes using cut out flat forms silhouetted against interior walls.

In the exhibition catalogue, Carolyn Lanchner, retired Curator of Painting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a painting.