Moving from one drawing to the next the viewer will also discover thickets of angled sticks; lightly rendered
floating lozenges; surprisingly colored vortexes; compilations of line passing as broad brushed symbols; hermetic compositions repeating within the same drawing; forgotten hieroglyphs becoming form; atmospheres menacing and combative and others lighter than the last wisp of sun - dissipated fog.
Not exact matches
The starting point for the exhibition is Blinky Palermo's Graue Scheibe from 1970, in which form attains a precarious autonomy: an irregular
lozenge of shaped noncolor,
floating (almost) freely on the gallery wall.
The starting point for the exhibition is Blinky Palermo's Graue Scheibe from 1970, in which form attains a precarious autonomy: an irregular
lozenge of shaped noncolor,
floating (almost) freely on the -LSB-...]
Parker's paintings utilizing this method of stacked, clearly colored
lozenges and
floating forms are straightforward and basically geometric in shape.