Sentences with phrase «floor installation view»
A second - floor installation view: These Heilmann - designed chairs are coordinated with the paintings in this and the other galleries.
http://joannemattera.blogspot.ru/
Second - floor installation view of Mary Heilmann: To Be Someone at the New Museum.
Not exact matches
Sprinter High Roof Cargo, High Roof Cargo,, 12V Power Outlet At Driver Seat Base, 2 Additional Master Keys, 3.923 Axle Ratio, 5 Front Radio Speakers, AGM Battery 12V 95 Ah, Becker Map Pilot, Cable Duct on Rear Portal, Cable Duct on Side Wall, Cargo Van Wood Floor, Comfort Driver's Seat, Comfort Passenger Seat, Cruise Control, Driver Comfort Package, Driver Efficiency Package, Fog Lamps, Heated and Electrically Adjustable Exterior Mirrors, High Roof, Hinged Lid For Storage Compartment, Left Rear Door Assist Handle, Mounting Rails For Roof Rack,Pre - Installation For Bulkhead, Radio: Audio 15 AM / FM, Rear Gray Bumper Step, Rear View Camera, Right Rear Door Assist Handles, Trailer Hitch Prep Package
Yayoi Kusama, installation view of Infinity Mirror Room — Phalli's Field, 1965, in «Floor Show,» Castellane Gallery, New York, 1965, sewn stuffed cotton fabric, board, and mirrors.
Gorgeous installation views of Katharina Grosse's exhibition One Floor Up More Highly at MASS MoCA on view through October 31, 2011.
Installation view of «Infinity Mirror Room — Phalli's Field,» 1965, in Floor Show, Castellane Gallery.
Starting in February, two sculptural installations by Banks Violette (b. 1973, USA) and two works of sculpture by Oscar Tuazon (b. 1975, USA) will be on view on the museum's ground floor, complemented by an audio installation for which Tuazon collaborated with Vito Acconci (1940 — 2017, USA).
Installation view of Katharina Grosse, This Drove my Mother up the Wall, acrylic on wall and floor, in the main galleries, 2017.
An installation view of «Untitled» by sculptor Chung Hyun on the first floor of Kumho Museum of Art (Kumho Museum of Art) At his solo exhibition at Kumho Museum of Art in Seoul, Chung, who is well known for his exhibition «The Standing Man» — a group of 47
Installation view, ASSISTED, curated by Jessica Stockholder, Kavi Gupta Elizabeth Street, Floor Two.
Hélio Oiticica Tropicália, 1967 Installation in two parts: PN2 «Purity Is a Myth»: Four painted wooden panels mounted on wooden structure of floor and ceiling; door, glass and sand PN3 «Imagetical»: 10 wooden panels, plastic accessories, fabric, agglomerate (Duratex), and television set Variable dimensions Installation view: Carnegie Museum of Art, Pittsburgh, Pennsylvania, 2016
Installation view: Floor 7.
Photographs documenting this installation include twenty - one views of artworks installed in galleries on the museum's second floor, third floor and Decorative Arts Wing.
Installation view Whitney Biennial 2014 (March 7 — May 25, 2014), 2nd floor.
Installation view The Gregory Battcock Archive, 2009 - 14 by Joseph Grigley and Rebecca Morris Installation view Whitney Biennial 2014 (March 7 — May 25, 2014), 2nd floor.
Untitled (Vertical Screen), The Sanservero Chapel floor transcribed from postcard, Untitled (Horizontal Screen) Installation view, 2017
Installation view Whitney Biennial 2014 (March 7 — May 25, 2014), fourth floor.
On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.
LB Blanket, The Sanservero Chapel floor transcribed from postcard, Lost Keeper Lite Installation view, July 2017
Additionally, the book features little - seen archival imagery of Riley at work over the years; documentation of her recent commissions for St. Mary's Hospital in West London, taken especially for this publication; and installation views of the exhibition itself, installed throughout the three floors of the gallery's eighteenth - century Georgian townhouse located in the heart of Mayfair.
Installation view of Äppärät, 2015 Sophie Jung Floor: Repetitive Strain Injury (Sock it to Me), 2015; Wall right and wall left: Text neck, 2015; Center wall left: Out, damned spots, 2015; Center wall right: Wildcatting, 2015 Courtesy the artist and Ballroom Marfa Photo © Thierry Bal
Various research materials from René d'Harnoncourt Papers, REG 393, Museum of Modern Art Archives, New York, including installation view and floor plan of Timeless Aspects of Modern Art, 1948.
View of Sarah Sze's second floor installation at the Fabric Workshop and Museum, 2013, mixed media, dimensions variable.
The magnificently located Schinkel Pavillon — in the grounds of the Kronprinzenpalais, with floor - to - ceiling windows and stunning views across Museum Island — is opening a new installation of the work of the great French artist Louise Bourgeois to coincide with Gallery Weekend.
Julianne Swartz, We Complete, 2017, modified park bench, metal sign, vinyl floor graphics, PA speaker, electronics, soundtrack, installation view at Cambridge Common Park, Cambridge, MA
On view on the upper floor of the Podium is an installation titled Before the Beginning and After the End the result of a collaboration between Goshka Macuga and Patrick Tresset.
American artist Kevin Beasley takes found materials — including his own clothing, instruments, household objects and detritus he finds on the street — and moulds them into sculptural forms, using a mixture of resin and polyurethane.The sculptural installation BEATEN - FACE / TOMS / ARMS, TIES, & LEG / FLOOR / BODY / BASS, 2014 was acquired by the AGO in 2014 and included in the exhibition Many Things Brought from One Climate to Another on view on the 5th floor in the Contemporary Tower until JunFLOOR / BODY / BASS, 2014 was acquired by the AGO in 2014 and included in the exhibition Many Things Brought from One Climate to Another on view on the 5th floor in the Contemporary Tower until Junfloor in the Contemporary Tower until June 12.
** Homer is on view in a special installation on the third floor along with prints from SCMA's collection by Robert Rauschenberg through January 12, 2014 **
All of the second - floor galleries were retrofitted, new walls were constructed, and projectors were installed to create intimate viewing spaces that allow the viewer to experience each video work to the exact installation requirements of the artists — this includes specific wall colors, audio parameters, sound panels, other installed materials, projection angles, and screen selection.
Installation view of Dorine van Meel: Between the Dog and the Wolf, in the First Floor Galleries, 2015.
Installation view of Paul Maheke's exhibition I Lost Track of the Swarm, 2016 in the First Floor Galleries.
This installation will be on view in the First Floor Lobby beginning February 27, 2010.
In order to accommodate all 10 works — with individual viewing spaces that provide optimal light and sound for each video installation — NMWA's curatorial team redesigned and transformed the second floor gallery space.
Installation view of Edward Thomasson's 2012 exhibition Inside in the First Floor Galleries.
Installation view of Simon & Tom Bloor's's Happy Habitat Revisited installed in the First Floor Galleries, 2011.
In her floor pieces, installations, and prints, the patterns and colors are a site of specific personal and cultural histories ranging from the playful palettes of the Power Puff Girls, the iconic primary spots of Wonder Bread, to the stripes of Gene Davis.On view will be an early «Splat» floor piece from the late 1990s, Blue Haired Nirvana, exhibited for the second time ever.
Art page / Home Page: Installation view of Infinity Mirror Room — Phalli's Field by Yayoi Kusama (1965) in Floor Show, Castellane Gallery, New York, 1965.
On view on the second floor will be a large - scale architecture installation:
On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.
Photographs documenting this installation include twenty - one views of European artworks installed in galleries on the museum's second floor.
Installation view of Jananne Al - Ani's Shadow Sites II (2011), on view on the 7th Floor in Film as Place.
Installation view of Infinity Mirror Room — Phalli's Field, 1965, in Floor Show, Castellane Gallery, New York, 1965.
Photographs documenting this installation include sixteen views of artworks installed in galleries on the museum's third floor.
Installation view of Kusama in Infinity Mirror Room - Phalli's Field, at her solo exhibition «Floor Show» at R. Castellane Gallery, New York, 1965
Photographs documenting this installation include thirty - six views of artworks installed in galleries on the museum's second and third floor.
Installation view, Power Distributor Door, Hotel Door, Safari Bar Door and Temporary Construction Door designed by Anna Viebrock, 2017; Floor Runner from the stage design of Riesenbutzbach Eine Dauerkolonie, by Anna Viebrock, 2009; and Alexander Kluge, The Soft Makeup of Light, 65 mm film transferred to digital projection, 13 minutes 34 seconds.
Episode 4: A Report of the Committee is comprised of a digitally distributed installation view of The Art of Maya Hieroglyphic Writing, a 1971 exhibition at the Carpenter Center; a floor - to - ceiling curtain segment made of cream - pink silk chiffon; and the original 1960 Report document placed inside a vitrine sited in relation to the curtain.
Installation view Lisa Benson (wall) & Rossana Martinez (floor) May 18 — June 11, 2011 Consisting primarily of gaseous and liquid matter, the atmospheric composition of Jupiter renders the gas giant without a solid surface; seemingly appropriate, considering it was named after the Roman God of Sky and Thunder.
This is also evident in With All My Love For The Tulips, I Pray Forever (2011), a sculptural installation — shown for the first time in the United States — in which oversized flower - potted tulips in fiberglass - reinforced plastic are painted with the same red polka dots as the floor, ceiling, and walls, creating an all - enveloping viewing experience while at the same time diminishing the appearance of depth.
Andrea Callard, The Times Square Show, Installation view: First floor (Poster by Andrea Callard, Paste - ups of rats by Christy Rupp, Air conditioner painted by Kenny Scharf), Times Square, New York 1980, © Andrea Callard.