Not exact matches
When Target acquired the leases of 124 old Zellers locations, it inherited a higher - cost store
structure that it can do little about: outdated
floor plans that run over multiple levels are no match for sleek, single - entrance big -
box stores designed for ultra-efficiency.
As the oil was allowed to drain out through slits in the
box's
floor, a
structure resembling Hebes Chasma appeared (Geological Society of America Bulletin, DOI: 10.1130 / B30307.1).
Ranging from 8 to 72 inches high, the vertical
box - like
structures are placed on the gallery
floor in an array that recalls graveyards as well as installations of minimalist sculpture.
Beginning as an art critic and then a painter, Judd moved into three dimensions with the
box - like
structures he produced in the early 1960s, either arranged on the gallery
floor or mounted on the wall.
Since the early 2000's, she advanced her «pixel
boxes», using them as components of sculptural installations, creating different
structures, from towers to
floors, to bog screens which translate various scenes or changing abstract color compositions.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second
Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic
box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive
Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches
Gerhard Richter made lively abstractions of colored
boxes; Carl André lay down squares of metal tiles in geometric patterns on the
floor; Chuck Close used the grid as a
structure to expand photographs into large paintings.
During its duration, the actual
structures or containers intrigued me — the physical
boxes holding the archive and the various architectural spaces that the centre had occupied over its history; it had moved 5 times.The piece I included in the final exhibition of our investigations was a one - to - one scale photograph compiled of all the sides (inside and outside views) of one of the programming
boxes, mounted on the gallery
floor.
On the
floor, and corresponding to each Complete Coverage piece on the wall, there are sets of seven paper
structures enclosed in Plexiglas
boxes.
The posters are each contained within a specially constructed perspex
box, and is supported by a polished brass display
structure that uses both the wall and
floor for support.