Cut 20 shapes out of paper, number them and tape them to
the floor in a large circle.
A cake walk: cut 20 pumpkin shapes out of paper, number them and tape them to
the floor in a large circle.
Not exact matches
Extend one leg
in front of you and sweep it around
in a
large circle from front to back, keeping it just above the
floor.
The easiest way to describe it is as if someone took a
large ice cream scoop made a
large circle in the sea
floor and voila - the dive site was created.
A
large new
floor - based stone
circle, Flint Wheel (2018) is at the centre of Richard Long's latest exhibition
in London, «
Circle to
A
large new
floor - based stone
circle, Flint Wheel (2018) is at the centre of Richard Long's latest exhibition
in London, «
Circle to
Circle, which is loosely themed around different uses of the circular motif across his practice.
An artist who came to prominence
in the early - 70s for his subtle interventions on the landscape, his work can consist of
large smooth stones placed
in a
circle on the gallery
floor, or a photograph of his footprints
in the mud of Patagonia.
Among the highlights of the show are The Sun (1990), a
floor installation of 360 triangular elements of white marble forming a grand
circle, and the witty Self - Portrait (c. 1959)
in which the artist's head is but a small ball of paper resting on a
larger - than - life wooden torso with incredibly elongated legs (both works at Perry Rubenstein); the ethereal The Angel (1989) made of 125 spheres of thin clear Venetian glass delicately resting on the
floor at Michael Werner; and at Mary Boone the five Concave Figures (1994), one of Byars» final works.
He left the last
large gallery
in the Hirshhorn's
circling sequence empty but for one element: a
floor - to - ceiling white scrim that stretches the length of one wall and gives the illusion of straightening its curve.
The artworks were printed on aluminum and bronze plaques and their short messages were accompanied by paintings of Peter Nadin, whose portraits of people attached to Holzer's messages emphasized the emptiness of both life and communication
in the digital age.The multimedia extravaganzas of Holzer's later installations, such as the 1989 Guggenheim exhibition, are exemplified by a 535 - foot running electronic signboard spiraled around the core of Frank Lloyd Wright's architecture, flashing garish lights on the monumental stone benches arranged
in a
large circle on the
floor below.